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Tuesday, July 29, 2014

Writing Ideas - Vampire Novel, part 110, even more how to develop Storyline, Entertaining, Rising Action

29 July 2014, Writing Ideas - Vampire Novel, part 110, even more how to develop Storyline, Entertaining, Rising Action

Announcement: There is action on my new novels.  The publisher renamed the series--they are still working on the name.  I provided suggestions as did one of my prepub readers. Now the individual books will be given single names: Leora, Leila, Russia, Lumiere', China, Sveta, and Klava--at least these are some of the suggestions.  They are also working on a single theme for the covers.  I'll keep you updated.

Introduction: I wrote the novel Aksinya: Enchantment and the Daemon. This was my 21st novel and through this blog, I gave you the entire novel in installments that included commentary on the writing. In the commentary, in addition to other general information on writing, I explained, how the novel was constructed, the metaphors and symbols in it, the writing techniques and tricks I used, and the way I built the scenes. You can look back through this blog and read the entire novel beginning with

I'm using this novel as an example of how I produce, market, and eventually (we hope) get a novel published. I'll keep you informed along the way.
Today's Blog: To see the steps in the publication process, visit my writing website and select "production schedule," you will be sent to

The four plus one basic rules I employ when writing:

1. Don't confuse your readers.
2. Entertain your readers.
3. Ground your readers in the writing.
4. Don't show (or tell) everything.
5. Immerse yourself in the world of your writing.

All novels have five discrete parts:
1.  The initial scene (the beginning)
2.  The rising action
3.  The climax
4.  The falling action
5.  The dénouement

The theme statement of my newest novel, Valeska, is this: An agent of the organization becomes involved with a vampire girl during a mission, she becomes dependent on the agent, and she is redeemed.

Here is my proposed cover for Valeska:
I decided on a white cover style.  You can see more at

The plot is developed directly from the theme.  The first steps are fleshing out the characters (not accomplished in the novel, but before writing the novel) and the setting.  The main characters and the setting come directly out of the theme.  The characters are revealed through the storyline that is based on the plot.  Then how do you get to the storyline?

I left up the example for the first scene plot outline from before.  This outline is how I develop a scene in my mind.  Once I have the scene outline, I can write the storyline.  If you note, the plot outline comes directly out of the theme and the storyline comes directly out of the plot outline.  So here is the outline--then how do you write the storyline?

Scene 1 (for this example): Christmas party at Lyons House 19 December 2014, damp night
George and Heidi arrive late
George and Heidi meet Sveta and Daniel
Heidi and Sveta have a confrontation based on contact (tension builder)
Heidi seeks a way to break off the confrontation
Daniel restrains Sveta, Heidi removes George (release)

I wrote the setting from the plot outline.  I have written before that everything comes out of the original development for the novel.  I gave you an example about the Lyons house to show you how the development led to the place setting.  This is critically important information--that is if you really want to write a good novel.  You might imagine that an author just describes some place...and there it is.  I've mentioned before, I develop the places, the characters, everything before I write about them.  I've also mentioned that I like to use real or historical places.  Lyons house is not a real place, but it is a developed place based on history and real houses of it's type.

Characters are the same way.  I went through a very detailed explanation of how I developed the characters for this novel.  Once the character is developed, I can write about them.  The point is the depth of character and the dimensional power of the setting is directly dependent on the development.  The point is to develop first and then you can write meaningful and powerful settings from your plot outline.

More tomorrow.

For more information, you can visit my author site, and my individual novel websites:

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