11 May 2016, Writing Ideas
- New Novel, part 761, Initial Setting
Announcement: Delay, my new novels can be seen on the internet, but the publisher
has delayed all their fiction output due to the economy. I'll keep you
informed. More information can be found at www.ancientlight.com. Check out my novels--I think you'll really enjoy
them.
Introduction: I wrote the novel Aksinya: Enchantment and the Daemon.
This was my 21st novel and through this blog, I gave you the entire novel in
installments that included commentary on the writing. In the commentary, in
addition to other general information on writing, I explained, how the novel
was constructed, the metaphors and symbols in it, the writing techniques and
tricks I used, and the way I built the scenes. You can look back through this
blog and read the entire novel beginning with http://www.pilotlion.blogspot.com/2010/10/new-novel-part-3-girl-and-demon.html.
I'm using this novel as an example
of how I produce, market, and eventually (we hope) get a novel published. I'll
keep you informed along the way.
Today's Blog: To see the steps in the publication process, visit my
writing website http://www.ldalford.com/ and select "production
schedule," you will be sent to http://www.sisteroflight.com/.
The four plus one basic rules I
employ when writing:
1. Don't confuse your readers.
2. Entertain your readers.
3. Ground your readers in the
writing.
4. Don't show (or tell) everything.
4a. Show what can be seen, heard, felt, smelled, and tasted on the stage
of the novel.
5. Immerse yourself in the world of your writing.
All novels have five discrete parts:
1. The initial scene (the
beginning)
2. The rising action
3. The climax
4. The falling action
5. The dénouement
The theme statement
of my 26th novel, working title, Shape, proposed
title, Essie: Enchantment and the Aos Si,
is this: Mrs. Lyons captures a shape-shifting girl in her pantry
and rehabilitates her.
I
just started writing my 27th novel, working title, Claire, potential
title Sorcha: Enchantment and the Curse. This might need some tweaking. The theme statement is: Claire (Sorcha) Davis
accepts Shiggy, a dangerous screw-up, into her Stela branch of the organization
and rehabilitates her.
Here is the cover proposal for Essie:
Enchantment and the Aos Si. Essie is my 26th novel.
The most important scene in any
novel is the initial scene, but eventually, you have to move to the rising
action. I’m editing many of my novels using comments from my primary
reader. I finished my 27th
novel, working title Claire. I’m working on marketing materials.
I'm
an advocate of using the/a scene input/output method to drive the rising
action--in fact, to write any novel.
Scene development:
1. Scene input (easy)
2. Scene output (a little
harder)
3. Scene setting (basic stuff)
4. Creativity (creative
elements of the scene)
5. Tension (development of
creative elements to build excitement)
6. Release (climax of creative
elements)
How to begin a novel. Number one thought, we need an entertaining
idea. I usually encapsulate such an idea
with a theme statement. Here’s the theme
statement from Sorcha.
Claire (Sorcha) Davis accepts
Shiggy, a dangerous screw-up, into her Stela branch of the organization and
rehabilitates her.
The setting is pretty much
complete. We built from the large to the
small. The final part to develop is the
initial scene. We build the initial
scene from the theme statement, the characters, and the setting. I usually start with the initial scene. This should be the scene where the
protagonist and the antagonist or the protagonist and the protagonist’s helper
first meet. I did visualize the initial
scene first and developed the theme statement from it. You can still pull the initial scene from the
theme statement.
I visualized Shiggy waking in a room
in Sherwood House. She was knocked out
by an instructor during a hostage rescue exercise where Shiggy accidentally
shot one of the hostages (it was a laser scored event). Shiggy awakes in Sherwood House and meets
Sorcha.
The setting of the initial scene is
Sherwood House. This is a place of
wonder and yet a plain British house. Now,
we have the setting and the initial scene.
In this case, the author has to
develop the basics of Sherwood House and Sherwood forest. All of either or both doesn’t need to be
described, but the author slowly reveals the house and the forest as the characters
discover and investigate the areas. This
is all from Shiggy’s POV (point of view).
This is part of the revelation of the characters. The revelation of the characters includes the
revelation of the setting and areas around them. This is a very important part of the
revelation of the novel.
More tomorrow.
For more information, you can visit my
author site http://www.ldalford.com/, and my individual novel websites:
http://www.ancientlight.com/
http://www.aegyptnovel.com/
http://www.centurionnovel.com
http://www.thesecondmission.com/
http://www.theendofhonor.com/
http://www.thefoxshonor.com
http://www.aseasonofhonor.com
fiction, theme, plot, story, storyline,
character development, scene, setting, conversation, novel, book, writing,
information, study, marketing, tension, release, creative, idea, logic
http://www.aegyptnovel.com/
http://www.centurionnovel.com
http://www.thesecondmission.com/
http://www.theendofhonor.com/
http://www.thefoxshonor.com
http://www.aseasonofhonor.com
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