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Wednesday, November 26, 2025

Writing - part xxxx244 The Novel

26 November 2025, Writing - part xxxx244 The Novel  

Announcement: I still need a new publisher.  However, I’ve taken the step to republish my previously published novels.  I’m starting with Centurion, and we’ll see from there.  Since previously published novels have little chance of publication in the market (unless they are huge best sellers), I might as well get those older novels back out.  I’m going through Amazon Publishing, and I’ll pass the information on to you.

Introduction: I wrote the novel Aksinya: Enchantment and the Daemon. This was my 21st novel and through this blog, I gave you the entire novel in installments that included commentary on the writing. In the commentary, in addition to other general information on writing, I explained, how the novel was constructed, the metaphors and symbols in it, the writing techniques and tricks I used, and the way I built the scenes. You can look back through this blog and read the entire novel beginning with http://www.pilotlion.blogspot.com/2010/10/new-novel-part-3-girl-and-demon.html.

I’m using this novel as an example of how I produce, market, and eventually (we hope) get a novel published. I’ll keep you informed along the way.

Today’s Blog: To see the steps in the publication process, visit my writing websites http://www.sisteroflight.com/.

The four plus two basic rules I employ when writing:

1. Don’t confuse your readers.

2. Entertain your readers.

3. Ground your readers in the writing.

4. Don’t show (or tell) everything.

     4a. Show what can be seen, heard, felt, smelled, and tasted on the stage of the novel.

5. Immerse yourself in the world of your writing.

6. The initial scene is the most important scene.

 

These are the steps I use to write a novel including the five discrete parts of a novel:

                     1.     Design the initial scene

2.     Develop a theme statement (initial setting, protagonist, protagonist’s helper or antagonist, action statement)

a.      Research as required

b.     Develop the initial setting

c.      Develop the characters

d.     Identify the telic flaw (internal and external)

3.     Write the initial scene (identify the output: implied setting, implied characters, implied action movement)

4.     Write the next scene(s) to the climax (rising action)

5.     Write the climax scene

6.     Write the falling action scene(s)

7.     Write the dénouement scene

I finished writing my 31st novel, working title, Cassandra, potential title Cassandra: Enchantment and the Warriors.  The theme statement is: Deirdre and Sorcha are redirected to French finishing school where they discover difficult mysteries, people, and events.

I finished writing my 34th novel (actually my 32nd completed novel), Seoirse, potential title Seoirse: Enchantment and the Assignment.  The theme statement is: Seoirse is assigned to be Rose’s protector and helper at Monmouth while Rose deals with five goddesses and schoolwork; unfortunately, Seoirse has fallen in love with Rose.     

Here is the cover proposal for the third edition of Centurion:

A book cover of a person wearing a helmet and a red cape

AI-generated content may be incorrect.

Cover Proposal

The most important scene in any novel is the initial scene, but eventually, you have to move to the rising action. I am continuing to write on my 30th novel, working title Red Sonja.  I finished my 29th novel, working title Detective.  I finished writing number 31, working title Cassandra: Enchantment and the Warrior.  I just finished my 32nd novel and 33rd novel: Rose: Enchantment and the Flower, and Seoirse: Enchantment and the Assignment.

How to begin a novel.  Number one thought, we need an entertaining idea.  I usually encapsulate such an idea with a theme statement.  Since I’m writing a new novel, we need a new theme statement.  Here is an initial cut.

For novel 30:  Red Sonja, a Soviet spy, infiltrates the X-plane programs at Edwards AFB as a test pilot’s administrative clerk, learns about freedom, and is redeemed.

For Novel 32:  Shiggy Tash finds a lost girl in the isolated Scottish safe house her organization gives her for her latest assignment: Rose Craigie has nothing, is alone, and needs someone or something to rescue and acknowledge her as a human being.

For novel 33, Book girl:  Siobhàn Shaw is Morven McLean’s savior—they are both attending Kilgraston School in Scotland when Morven loses everything, her wealth, position, and friends, and Siobhàn Shaw is the only one left to befriend and help her discover the one thing that might save Morven’s family and existence.

For novel 34:  Seoirse is assigned to be Rose’s protector and helper at Monmouth while Rose deals with five goddesses and schoolwork; unfortunately, Seoirse has fallen in love with Rose.

For novel 35: Eoghan, a Scottish National Park Authority Ranger, while handing a supernatural problem in Loch Lomond and The Trossachs National Park discovers the crypt of Aine and accidentally releases her into the world; Eoghan wants more from the world and Aine desires a new life and perhaps love.

Here is the scene development outline:

1. Scene input (comes from the previous scene output or is an initial scene)

2. Write the scene setting (place, time, stuff, and characters)

3. Imagine the output, creative elements, plot, telic flaw resolution (climax) and develop the tension and release.

4. Write the scene using the output and creative elements to build the tension.

5. Write the release

6. Write the kicker

Today:  Let me tell you a little about writing.  Writing isn’t so much a hobby, a career, or a pastime.  Writing is a habit and an obsession.  We who love to write love to write. 

Let’s look at the outline for a novel again:

1.      The initial scene

2.     The rising action scenes

3.     The climax scene

4.     The falling action scene(s)

5.     The dénouement scene(s)

 

There are some other ways of writing a novel, but I don’t recommend them.  The main reason is that the other methods have not in the past been bestsellers.  You do get a few for example in the Roman Fleuve style or the stream of consciousness style, but those are considered outliers.  If you have even encountered a novel in a different style than the common outline, you are either a book freak like me or a literati.  I’d rather you be a book freak, the literati think both these experimental styles make a great novel.  I’ll have to say John dos Passos’ USA is a great trilogy about the USA, but it’s not really that well read of a classic and not a modern bestseller.  James Joyce is a bestseller because the literati keep making his terrible stream of unconsciousness novels required reading.  If anyone other than a book freak reads them, I’m not sure who it is.  I’m certain none of the literati read James Joyce.  In fact, more people have read Tolkien the most unread read writer in history than any literati who read Joyce.  I’ve read them all.  Tolkien is the best of the bunch, but Tolkien has his issues.  I’ve written about that, and I’ll likely get into it again.  For now, take my advice.  If you want to write a novel that people and you will want to read, follow the outline above.  Let’s go over it a little, or a lot.

 

First let me tell you why I write.  I love to read.  I’m constantly reading two or more novels and a stack of nonfiction.  The reason is that I love to read.  I’ve been rereading some novels lately just to recalibrate.  I think I’ll move to Jack Vance for fun and remembering.  I’m also reading Guttenberg project books.  I advertise that I read all the old bestsellers that no one reads anymore.  This is true.

 

I write to make novels that I want to read and reread.  That’s my only purpose.  I’m self-entertaining, although I write for others to read, my purpose and goal is to write novels that I love to read.  Why is that?  I figure that if I love to read the novels, others will love to read the novels.  In fact, I know I’m succeeding because although I still love my earlier novels and I reread them, I’ve become a better author over time.  My first novel isn’t as well written as my 32nd novel, and my 33rd novel will be better than that.  I must say, some of my middle novels might be better than some of my later novels, but it may be by degree rather than much or little.  In other words, the qualification of better is really hard to categorize when the plots, ideas, and worldviews are different.  We become better writers as we write more and more novels.  Everything becomes better because we are improving our skillset and our skills. 

 

So, this leads directly to the question why write novels?  The reason is always (or should always be) to entertain.  I can assure you, unless you do entertain and intend to entertain your readers, you will not sell any of the novels you write.  Novel writing is all about entertainment no matter what the literati have told you.  Writing is just like song writing, art, or music.  Ultimately, if the viewer or hearer isn’t entertained, they will not buy or look at your art or music.  Yes, I know there are the rare or not so rare cases of the very terrible art and music that is foisted on the masses as great, but look at what happens to the art and music sales.  I mean specifically, The Painted Word by Tom Wolf where Wolf describes that abstract pieces did not sell well even when they were accepted wholesale by the art literati as the modern genre.  It was only when pop art made its break into the art market that sales began to grow again.  He wasn’t criticizing abstract art as a media as much as he was noting that people want art they can understand and that is entertaining to them.  Much of the abstract art doesn’t do either.  If you try to write an abstract novel, as James Joyce did, your chance of entertaining your audience is very poor. 

 

I want to start with these definitions as a premise for writing.

1.     Write to entertain

2.     Write using the common outline

 

With both of these as a premise, I can easily help you to begin to write a novel.  Let’s move to the basis for the novel, an idea.      

 

There’s more.

 

I want to write another book based on Rose and Seoirse, and the topic will be the raising of Ceridwen—at least that’s my plan.  Before I get to that, I want to write another novel about dependency as a theme.  We shall see.

 

More tomorrow.

For more information, you can visit my author site http://www.ldalford.com/, and my individual novel websites:

http://www.ancientlight.com/
http://www.aegyptnovel.com/
http://www.centurionnovel.com
http://www.thesecondmission.com/
http://www.theendofhonor.com/
http://www.thefoxshonor.com
http://www.aseasonofhonor.com

fiction, theme, plot, story, storyline, character development, scene, setting, conversation, novel, book, writing, information, study, marketing, tension, release, creative, idea, logic

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