24 September 2012, Development - Conclusions Creativity
Introduction: I wrote the novel Aksinya: Enchantment and the Daemon. This was my 21st novel and through this blog, I gave you the entire novel in installments that included commentary on the writing. In the commentary, in addition to other general information on writing, I explained, how the novel was constructed, the metaphors and symbols in it, the writing techniques and tricks I used, and the way I built the scenes. You can look back through this blog and read the entire novel beginning with http://www.pilotlion.blogspot.com/2010/10/new-novel-part-3-girl-and-demon.html.
I'm using this novel as an example of how I produce, market, and eventually (we hope) get a novel published. I'll keep you informed along the way.
Today's Blog: To see the steps in the publication process, visit my writing website http://www.ldalford.com/ and select "production schedule," you will be sent to http://www.sisteroflight.com/.
Here are my rules of writing:
1. Entertain your readers.
2. Don't confuse your readers.
3. Ground your readers in the writing.
4. Don't show (or tell) everything.
Creativity is work and not an act of divine providence, random fate, or abstract accident. Creativity is hard work that is equal to the effort expended on it. If you wish to write (or be creative in any way): study, put lots of effort into it, and work hard at it.
The question then is how do you work at creativity? I think there are three parts to creativity: inherent creativity, learned creativity, and fostered creativity.
Embedded in the following questions is the way to learn creativity. Basically, to learn creativity, you must practice being creative. Without the spark of inherent creativity, this will be impossible, but if you have any touch of creativity, doing the above will bring out your creativity.
1. Do you like art (1)?
2. Have you created quality art (3)?
3. Do you like music (1)? (all kinds not just one type or another)
4. Have you written any music (3)?
5. Have you written any lyrics (3)?
6. Do you play any instrument (2)?
7. Do you like to sing (1)?
8. Do you sing in parts (2)?
9. Do you like to read (1)?
10. Do you like to write (2)?
11. Have you written any poetry (3)?
12. Have you written any stories (3)?
13. Have you written a novel (4)?
14. Have you written a book (4)?
15. Do you get great ideas (2)?
16. Have you ever successfully implemented your great idea (3)?
17. Do you like plays, musicals, opera, or ballet (1)?
18. Have you acted in a play, musical, opera, or ballet (2)?
19. Have you written a play, musical, opera, or ballet (4)?
I'm going to take down the list tomorrow, so you better get it today. I've explained that there are three aspects to creativity: inherent (you are born with it), learned (you learn it), and fostered (you encourage it). What this all boils down to is a very simple truism: creative people work hard to be creative. Creativity isn't simply about being born creative. Creativity is about taking the skills you have and learning and fostering them.
I suspect this is true for every single worthwhile thing in human history. That is, skills are dependent on some degree of inherent ability, followed by learning that makes the skills real, followed by fostering and encouraging those skills. I guess I should add a fourth aspect--practice. For example, if you want to be a creative writer, you learn to write, you foster writing, and you practice writing (you write).
The actual writing is an important point because it has to do with learning, fostering, and the overall creative process. The point is this: don't waste your time--ever. Make sure everything you do promotes learning, fostering, and practice. Perhaps the most important thing you will do today is to give up unworthwhile pursuits. Do it and do it quickly. Spend you time in pursuits that will lead to a better and more capable you.
I'll move on to basic writing exercises, tomorrow.
The following is a question asked by one of my readers. I'm going to address this over time: Please elaborate on scene, theme, plot, character development in a new novel creation....ie, the framework, the development, order if operation, the level of detail, guidelines, rule of thumb, tricks, traps and techniques. To what extent do you outline the historic context, culture, mannerism, speech, dress and thought process of the main characters, in a historic novel...in order to maintain integrity, and gradually (help) reveal attributes of a character in the story, or otherwise clarify the plot, scene, transition, tension or resolution?
I'll repeat my published novel websites so you can see more examples: http://www.ldalford.com/, and the individual novel websites: http://www.aegyptnovel.com/, http://www.centurionnovel.com/, http://www.thesecondmission.com/, http://www.theendofhonor.com/, http://www.thefoxshonorhttp://www.aseasonofhonor.com/.
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