15 October 2016, Writing Ideas
- New Novel, part 917, Publishing, Great Examples from the Initial Scene
Announcement: Delay, my new novels can be seen on the internet, but the publisher
has delayed all their fiction output due to the economy. I'll keep you
informed. More information can be found at www.ancientlight.com. Check out my novels--I think you'll really enjoy
them.
Introduction: I wrote the novel Aksinya: Enchantment and the Daemon.
This was my 21st novel and through this blog, I gave you the entire novel in
installments that included commentary on the writing. In the commentary, in
addition to other general information on writing, I explained, how the novel
was constructed, the metaphors and symbols in it, the writing techniques and
tricks I used, and the way I built the scenes. You can look back through this
blog and read the entire novel beginning with http://www.pilotlion.blogspot.com/2010/10/new-novel-part-3-girl-and-demon.html.
I'm using this novel as an example
of how I produce, market, and eventually (we hope) get a novel published. I'll
keep you informed along the way.
Today's Blog: To see the steps in the publication process, visit my
writing website http://www.ldalford.com/ and select "production
schedule," you will be sent to http://www.sisteroflight.com/.
The four plus one basic rules I
employ when writing:
1. Don't confuse your readers.
2. Entertain your readers.
3. Ground your readers in the
writing.
4. Don't show (or tell) everything.
4a. Show what can be seen, heard, felt, smelled, and tasted on the stage
of the novel.
5. Immerse yourself in the world of your writing.
All novels have five discrete parts:
1. The initial scene (the
beginning)
2. The rising action
3. The climax
4. The falling action
5. The dénouement
The theme statement
of my 26th novel, working title, Shape, proposed
title, Essie: Enchantment and the Aos Si,
is this: Mrs. Lyons captures a shape-shifting girl in her pantry
and rehabilitates her.
I
finished writing my 27th novel, working title, Claire, potential
title Sorcha: Enchantment and the Curse. This might need some tweaking. The theme statement is: Claire (Sorcha) Davis
accepts Shiggy, a dangerous screw-up, into her Stela branch of the organization
and rehabilitates her.
Here is the cover proposal for Essie:
Enchantment and the Aos Si. Essie is my 26th novel.
The most important scene in any
novel is the initial scene, but eventually, you have to move to the rising
action. I started writing my 28th novel, working title Red Sonja.
I'm an advocate of using the/a scene
input/output method to drive the rising action--in fact, to write any
novel.
Scene development:
1. Scene input (easy)
2. Scene output (a little
harder)
3. Scene setting (basic stuff)
4. Creativity (creative
elements of the scene)
5. Tension (development of
creative elements to build excitement)
6. Release (climax of creative
elements)
How to begin a novel. Number one thought, we need an entertaining
idea. I usually encapsulate such an idea
with a theme statement. Since I’m
writing a new novel, we need a new theme statement. Here is an initial cut.
Red Sonja, a Soviet spy, infiltrates
the X-plane programs at Edwards AFB as a test pilot’s administrative clerk,
learns about freedom, and is redeemed.
These are the steps I use to write a
novel:
1.
Design the initial scene
2.
Develop a theme statement (initial
setting, protagonist, protagonist’s helper or antagonist, action statement)
a.
Research as required
b.
Develop the initial setting
c.
Develop the characters
d.
Identify the telic flaw (internal
and external)
3.
Write the initial scene (identify
the output: implied setting, implied characters, implied action movement)
4.
Write the next scene(s) to the
climax (rising action)
5.
Write the climax scene
6.
Write the falling action scene(s)
7.
Write the dénouement scene
Would you like to write a novel that
a publisher will consider? Would you
like to write a novel that is published?
How about one that sells? The
initial paragraphs should set the scene, begin with action, and introduce the
protagonist. Let’s look to see how the initial scene is written in the
novel. We can do this with my novels and
with novels from any internet bookseller.
The author must begin in the initial scene to build this suspension of
reality.
Let’s look at the greatest author and novel of the 20th
Century, Ray Bradbury and Dandelion Wine:
It was a
quiet morning, the town covered over with darkness and at ease in bed.
Summer
gathered in the weather, the wind had the proper touch, the breathing of the
world was
long and warm and slow. You had only to rise, lean from your window, and
know that
this indeed was the first real time of freedom and living, this was the first
morning of
summer.
Douglas
Spaulding, twelve, freshly wakened, let summer idle him on its early-morning
stream.
Lying in his third-story cupola bedroom, he felt the tall power it gave him,
riding high in the June wind, the grandest tower in town. At night, when the
trees washed
together,
he flashed his gaze like a beacon from this lighthouse in all directions over
swarming
seas of elm and oak and maple. Now . . .
“Boy,” whispered
Douglas.
A whole
summer ahead to cross off the calendar, day by day. Like the goddess Siva in
the travel
books, he saw his hands jump everywhere, pluck sour apples, peaches, and
midnight
plums. He would be clothed in trees and bushes and rivers. He would freeze,
gladly, in
the hoarfrosted icehouse door. He would bake, happily, with ten thousand chickens,
in Grandma’s kitchen.
Dandelion Wine
is the richest and most powerful coming of age novel in the 20th
Century because it is not just about the coming of age of Douglas Spaulding, it
is about the coming of age of the 20th Century. This novel is the advent of the 20th
Century. Perhaps it is dated for those
who were not born in that century, but it will reside as perhaps the greatest
novel about the changes of the modern era from the past. No other novel encapsulates this richness and
power like Dandelion Wine. Just the title lends itself to this homey
richness of past agrarian and homespun compared to the bottled pop and store-bought
clothing of the modern era.
The first paragraphs are
perfect. They begin the suspension of
reality with description and move directly to the protagonist introduction. They are filled with action, but it is an
action of place and existence rather than action of movement. It moves quickly to an action of purpose. This is pure art in literature. The reader is immediately confronted with
entertainment, excitement, and the theme of the novel. How can you not want to read it? Compare this with Rowling’s painful attempts
at scene setting and whatever she was trying to do. Compare this with Hemingway or
Steinbeck. Their descriptions and
movement into action are wonderful, but nothing compared to the personal view
of Douglas Spaulding exalting in the beginning of summer that soon becomes the
exalting of the beginning of a new Century.
More
tomorrow.
For more information, you can visit my
author site http://www.ldalford.com/, and my individual novel websites:
http://www.ancientlight.com/
http://www.aegyptnovel.com/
http://www.centurionnovel.com
http://www.thesecondmission.com/
http://www.theendofhonor.com/
http://www.thefoxshonor.com
http://www.aseasonofhonor.com
fiction, theme, plot, story, storyline,
character development, scene, setting, conversation, novel, book, writing,
information, study, marketing, tension, release, creative, idea, logic
http://www.aegyptnovel.com/
http://www.centurionnovel.com
http://www.thesecondmission.com/
http://www.theendofhonor.com/
http://www.thefoxshonor.com
http://www.aseasonofhonor.com
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