24 September 2019, Writing
- part x991 Writing a Novel, Results of Universal Education
Announcement: Delay, my new novels can be seen on the internet, but my primary
publisher has gone out of business—they couldn’t succeed in the past business
and publishing environment. I'll keep you informed, but I need a new publisher. More
information can be found at www.ancientlight.com.
Check out my novels--I think you'll really enjoy them.
Introduction: I wrote the novel Aksinya: Enchantment and the Daemon.
This was my 21st novel and through this blog, I gave you the entire novel in
installments that included commentary on the writing. In the commentary, in
addition to other general information on writing, I explained, how the novel
was constructed, the metaphors and symbols in it, the writing techniques and
tricks I used, and the way I built the scenes. You can look back through this
blog and read the entire novel beginning with http://www.pilotlion.blogspot.com/2010/10/new-novel-part-3-girl-and-demon.html.
I'm using this novel as an example
of how I produce, market, and eventually (we hope) get a novel published. I'll
keep you informed along the way.
Today's Blog: To see the steps in the publication process, visit my
writing websites http://www.sisteroflight.com/.
The four plus one basic rules I
employ when writing:
1. Don't confuse your readers.
2. Entertain your readers.
3. Ground your readers in the
writing.
4. Don't show (or tell) everything.
4a. Show what can be seen, heard, felt, smelled, and tasted on the stage
of the novel.
5. Immerse yourself in the world of your writing.
These are the steps I use to write a
novel including the five discrete parts of a novel:
1.
Design the initial scene
2.
Develop a theme statement (initial
setting, protagonist, protagonist’s helper or antagonist, action statement)
a.
Research as required
b.
Develop the initial setting
c.
Develop the characters
d.
Identify the telic flaw (internal
and external)
3.
Write the initial scene (identify
the output: implied setting, implied characters, implied action movement)
4.
Write the next scene(s) to the
climax (rising action)
5.
Write the climax scene
6.
Write the falling action scene(s)
7.
Write the dénouement scene
I
finished writing my 29th novel, working title, Detective, potential
title Blue Rose: Enchantment and the Detective. The theme statement is: Lady Azure Rose
Wishart, the Chancellor of the Fae, supernatural detective, and all around
dangerous girl, finds love, solves cases, breaks heads, and plays golf.
Here is the cover proposal for Blue
Rose: Enchantment and the Detective.
The most important scene in any novel
is the initial scene, but eventually, you have to move to the rising
action. I am continuing to write on my 30th novel, working
title Red Sonja. I finished my 29th novel, working
title Detective. I’m planning to start on number 31, working
title Shifter.
How to begin a novel. Number one thought, we need an entertaining
idea. I usually encapsulate such an idea
with a theme statement. Since I’m
writing a new novel, we need a new theme statement. Here is an initial cut.
For novel 30: Red Sonja, a Soviet spy, infiltrates the
X-plane programs at Edwards AFB as a test pilot’s administrative clerk, learns
about freedom, and is redeemed.
For novel 31: Deirdre and Sorcha are redirected to French
finishing school where they discover difficult mysteries, people, and events.
Here
is the scene development outline:
1.
Scene input (comes from the previous scene output or is an initial scene)
2.
Write the scene setting (place, time, stuff, and characters)
3.
Imagine the output, creative elements, plot, telic flaw resolution (climax) and
develop the tension and release.
4.
Write the scene using the output and creative elements to build the tension.
5.
Write the release
6.
Write the kicker
Today: Why don’t we go back
to the basics and just writing a novel?
I can tell you what I do, and show you how I go about putting a novel
together. We can start with developing
an idea then move into the details of the writing.
To
start a novel, I picture an initial scene.
I may start from a protagonist or just launch into mental development of
an initial scene. I get the idea for an
initial scene from all kinds of sources.
To help get the creative juices flowing, let’s look at the initial
scene.
1.
Meeting between the protagonist and
the antagonist or the protagonist’s helper
2.
Action point in the plot
3.
Buildup to an exciting scene
4.
Indirect introduction of the
protagonist
The protagonist is the novel and the
initial scene. If you look at the four
basic types of initial scenes, you see the reflection of the protagonist in
each one. If you noticed my examples
yesterday, I expressed the scene idea, but none were completely independent of
the protagonist. Indeed, in most cases,
I get an idea with a protagonist. The
protagonist is incomplete, but a sketch to begin with. You can start with a protagonist, but in my
opinion, as we see above, the protagonist is never completely independent from
the initial scene. As the ideas above
imply, we can start with the characters, specifically the protagonist,
antagonist or protagonist’s helper, and develop an initial scene.
Let’s look at a subject that is
really ignored in the modern era. I’m
not certain how much this can help your current writing. I would argue that theoretically, this
subject can really help those who write historical and futuristic fiction. It depends on how your write your historical
and futuristic fiction. There are two
ways to write historical fiction—let’s look at this.
The first and most common way to
write historical fiction is to write a novel that projects modern ideas and
history as historical ideas and history.
In other words to present modern ideas and historical ideas as the
same. I think this is perhaps the most
egregious and perverse means of presenting a false view of history. The author is either completely ignorant of
the past, is intentionally attempting to education people in a false view of
history, or both. The real historical
world is very different both culturally and socially from our current world. The true author attempts to convey this in
historical writing.
The second and less common means of
historical writing is to actually incorporate the past into a novel to convey
the actual way people thought and acted in the past. This approach actually goes back into time to
give a complete view of the way the people thought and acted. To this end, let’s look at how the world
changed and how people thought in the past.
This is more of a historical look at the world for the purpose of
understanding how the world worked in the past and how people thought and
acted. We’ll use historical information
to see what concerned affected their lives. Here is a list of potential issues. We’ll look at them in detail:
1. Vocabulary
2. Ideas
3. Social
construction
4. Culture
5. Politics
6. History
7. Language
8. Common
knowledge
9. Common
sense
10. Reflected
culture
11. Reflected
history
12. Reflected
society
13. Truth
14. Food
15. Money
16. Weapons and warfare
17. Transportation
18. Communication
19.
Writing
20. Education
Fiction did not spring fully armed
from the mind of Zeus. It took a long
time for human thought to really wrap around the concept of the empirical world
and to realize there are concepts that are created from the minds of humans.
We live in the era of universal
education. The result of this is
multifold. First, let me remind you of
the reasons for universal education.
Number one, the purpose of government
according to John Locke and others from the Enlightenment is to protect private
property. The greatest private property
is your body, thus life and liberty are protected by the government. Next, actual property should be protected by
government. According to John Locke and
the Enlightenment scholars, there is no other purpose for government. A welfare, socialist, or largess government was
not even considered or conceived by the greats of the Enlightenment. They saw the problems and the power of the
largess government of the Roman Empire and realized that that was a path to
political chicanery and vote buying. They realized as Mills did that the closer a
government came in regulating and taxing business, the greater the influence of
the government on business and of business on government.
Governments, as the Enlightenment
taught us, always try to expand their boundaries. Politicians and governments seek to take control
over all. We see this in the Roman
Republic shattered into the Roman Empire.
They lost sight of the purpose of government. Likewise, the Athenian Democracy failed and
failed spectacularly specifically because they became authoritarian and sought
to exert too much control. We see the
same through the eyes of von Hayek who wrote The Road to Serfdom. In this
powerful book, von Hayek proves that all government expansion outside of the
protection of private property and specifically into socialism results in
socialist fascism and tyranny. Thus
governments are not supposed to take on responsibility for education, but they
desire to do so because of the control it gives them.
In the old proverb, the hand that
rocks the cradle rules the nation. Every
modern government wishes to eventually raise every child from womb to
tomb. This would expand their power
completely over all human endeavors. Few
governments except those that are communist governments like the Soviets, North
Korea, Venezuela, Cuba, and Communist China have ever been able to completely
take over all children from birth to death.
The Scandinavian nations have asserted this power over their people, but
not to the extent of the communists.
Many European nations are striving to achieve this goal. The USA has taken baby steps, but by
asserting en loco parentis and through compulsory education, they are making
strong enroads.
As I noted, out of control
governments and especially socialist governments attempt to gain control of
education through compulsory education.
This is also called universal education.
The problem is that a government can’t run an effective or efficient
school any more than a socialist or communist government can run a company, a
railroad, or a post office. Only a
capitalistic market can ever run any of these effectively and efficiently.
Governments have no intention of
running their universal education systems effectively or efficiently. If they did, they would immediately privatize
them. The purpose of government
controlled education is multifold.
First, government controlled education produces the type of partially educated
serfs the government likes best. These
serfs won’t ever amount to much, but the cream will self-educate and will be propagandized
properly. The wealthy, politicians, and
a high percentage of teachers (double compared to the general public) send
their children to private and parochial schools. They want their children educated to be able
to control the government and the sheep produced by government education.
Second, government controlled
education produces an entire army of government employees who seek greater and
greater pay and benefits. As I noted,
the purpose of the government controlled education isn’t education at all—it is
the production of a socialist (government owned0 infrastructure and government
agency that can never accept a cut in funding or any increase in
requirements. Thus, we produce a voting
block of teachers and administrators who can be assure of voting with their
pocket books—literally.
Third, as I noted, the
infrastructure required for government controlled schools bring in billions of
dollars in taxes cities, counties, states, and the federal government can spend
for votes and to give money to groups and communities. All of this is simply vote buying, but it’s
for the children.
Fourth, government controlled
schools require government officials and elected persons to govern them. This produces a supply of like-minded and
pro-government controlled education flunkies ready for the next step in the
government. If you can imagine that a
person who is anti-government controlled schools or even pro-private or parochial
schools will never ever be elected to a local school board. This effectively shuts out anti-government
controlled school politicians and assures the next level of political influence
is filled with the same types of socialist and anti-capitalist individuals. If this appears to be the American
educational and political system in a hatbox, you get the picture.
How well is this system
working? The test scores of youth never
show any real improvement with time. The
schools cost two to three times that of private or parochial depending on the
area in the nation. The system will
never change because the same thinking non-capitalists and pro-government
controlled education politicians keep getting elected. The best thing is that since the government
also controls the lottery, the lack of math skills provides a wonderful tax on
the math stupid and ignorant poor. The
wealthy are not so easily fooled, and they can do math.
With government control of
education, we must expect low education and continual problems in
education. You must expect these because
without a market and capitalism, there can’t be any incentive to improve or
provide a good or even a sufficient education.
In the era of universal education,
you can expect a quick decrease in literacy and even basic understanding of the
world.
More
tomorrow.
For more information, you can visit my
author site http://www.ldalford.com/,
and my individual novel websites:
http://www.ancientlight.com/
http://www.aegyptnovel.com/
http://www.centurionnovel.com
http://www.thesecondmission.com/
http://www.theendofhonor.com/
http://www.thefoxshonor.com
http://www.aseasonofhonor.com
http://www.aegyptnovel.com/
http://www.centurionnovel.com
http://www.thesecondmission.com/
http://www.theendofhonor.com/
http://www.thefoxshonor.com
http://www.aseasonofhonor.com
fiction, theme, plot, story, storyline, character development, scene, setting, conversation, novel, book, writing, information, study, marketing, tension, release, creative, idea, logic
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