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Monday, April 11, 2016

Writing Ideas - New Novel, part 731, Scene Based Style, still more Secrets of Theme Development, Style Q and A


11 April 2016, Writing Ideas - New Novel, part 731, Scene Based Style, still more Secrets of Theme Development, Style Q and A

Announcement: Delay, my new novels can be seen on the internet, but the publisher has delayed all their fiction output due to the economy.  I'll keep you informed.  More information can be found at www.ancientlight.com.  Check out my novels--I think you'll really enjoy them.

Introduction: I wrote the novel Aksinya: Enchantment and the Daemon. This was my 21st novel and through this blog, I gave you the entire novel in installments that included commentary on the writing. In the commentary, in addition to other general information on writing, I explained, how the novel was constructed, the metaphors and symbols in it, the writing techniques and tricks I used, and the way I built the scenes. You can look back through this blog and read the entire novel beginning with http://www.pilotlion.blogspot.com/2010/10/new-novel-part-3-girl-and-demon.html.

I'm using this novel as an example of how I produce, market, and eventually (we hope) get a novel published. I'll keep you informed along the way.

Today's Blog: To see the steps in the publication process, visit my writing website http://www.ldalford.com/ and select "production schedule," you will be sent to http://www.sisteroflight.com/.

The four plus one basic rules I employ when writing:

1. Don't confuse your readers.

2. Entertain your readers.

3. Ground your readers in the writing.

4. Don't show (or tell) everything.

     4a. Show what can be seen, heard, felt, smelled, and tasted on the stage of the novel.

5. Immerse yourself in the world of your writing.

All novels have five discrete parts:

1.  The initial scene (the beginning)

2.  The rising action

3.  The climax

4.  The falling action

5.  The dénouement

The theme statement of my 26th novel, working title, Shape, proposed title, Essie: Enchantment and the Aos Si, is this: Mrs. Lyons captures a shape-shifting girl in her pantry and rehabilitates her.

I just started writing my 27th novel, working title, Claire, potential title Sorcha: Enchantment and the Curse.  This might need some tweaking.  The theme statement is something like this: Claire (Sorcha) Davis accepts Shiggy, a dangerous screw-up, into her Stela branch of the organization and rehabilitates her.  

Here is the cover proposal for Essie: Enchantment and the Aos SiEssie is my 26th novel.

Cover Proposal

The most important scene in any novel is the initial scene, but eventually, you have to move to the rising action.  I’m editing many of my novels using comments from my primary reader.  I finished editing Children of Light and Darkness and am now writing on my 27th novel, working title Claire.

I'm an advocate of using the/a scene input/output method to drive the rising action--in fact, to write any novel. 

Scene development:

1.  Scene input (easy)

2.  Scene output (a little harder)

3.  Scene setting (basic stuff)

4.  Creativity (creative elements of the scene)

5.  Tension (development of creative elements to build excitement)

6.  Release (climax of creative elements)

One of my blog readers posed these questions.  I'll use the next few weeks to answer them.

1.  Conflict/tension between characters

2.  Character presentation (appearance, speech, behavior, gestures, actions)

3.  Change, complexity of relationship, and relation to issues/theme

4.  Evolving vs static character

5.  Language and style

6.  Verbal, gesture, action

7.  Words employed

8.  Sentence length

9.  Complexity

10.  Type of grammar

11.  Diction

12.  Field of reference or allusion

13.  Tone - how tone is created through diction, rhythm, sentence construction, sound effects, images created by similes, syntax/re-arrangement of words in sentence, the inflections of the silent or spoken voice, etc.

14.  Mannerism suggested by speech

15.  Style

16.  Distinct manner of writing or speaking you employ, and why (like Pinter's style includes gaps, silences, non-sequitors, and fragments while Chekhov's includes 'apparent' inconclusiveness).

Moving on to 15. 15.  Style

Woah—style is huge.  I just spent more than six months defining style from almost every angle I could imagine. Here are the elements I found for an author’s style.

1.  Novel based style

a.  Writing focus
b.  Conversations
c.  Scene development
d.  Word use
e.  Foreshadowing
f.  Analogies
g.  Use of figures of speech
h.  Subthemes
I.  Character revelation
j.  Historicity
k.  Real world ties
l.  Punctuation
m.  Character interaction

2.  Scene based style

a.  Time
b.  Setting
c.  Tension and release development
d. 
Revelation
e.  Theme development
f.  POV

 

Quick digression:  Back on the tarmac at home.

 

Scene based style is moving down into the weeds of the novel.  So far, I’ve looked at the higher level style of the novel itself.  Now let’s look at the elements of style in the writing itself.

 

The question is then—how do I start living.  I mentioned, the first step is dump your TV.  You can’t get any good ideas from it, and it is simply a time sink.  If you want to be a writer, you must write.  To be able to write, you must be able to gather creative ideas.  Creative ideas come out of reading, study, and living.  If you are old, you must have read thousands of books.  If you haven’t, there really isn’t any hope for you.  You can start reading, but you don’t have much time.  What did you waste all those years doing?

 

If you are young, start reading.  Start studying.  If you haven’t been studying for most of your school life, you need to start.  Your time is running out.  If you are young, discover a passion and head for it with all your worth.  I don’t mean like love.  I mean like an occupation, a profession.  Find what you want to do all your life long and achieve it.  The striving is more worthwhile than the success, but you need a degree of success or you won’t progress.  You must progress because that is how you live.  To live means to actually experience life.  You can’t really live life vicariously. Most of the world does, but writers don’t. 

 

A great choice for an occupation and a profession is the military.  The military places you into real life.  You see the world with all its warts.  You actually are responsible for the lives of others.  The military is a great place to start, but not the only place.  Any profession has the potential to become a life.  Any life has the potential for experience and exposure.  You hae to seek out exposure and experience.  You have to be the person who wants to travel and to learn new things.  The first step is a life worth living and don’t forget the reading. 

 

More tomorrow.


For more information, you can visit my author site http://www.ldalford.com/, and my individual novel websites:

fiction, theme, plot, story, storyline, character development, scene, setting, conversation, novel, book, writing, information, study, marketing, tension, release, creative, idea, logic

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