Introduction: I wrote the novel Aksinya: Enchantment and the Daemon. This was my 21st novel and through this blog, I gave you the entire novel in installments that included commentary on the writing. In the commentary, in addition to other general information on writing, I explained, how the novel was constructed, the metaphors and symbols in it, the writing techniques and tricks I used, and the way I built the scenes. You can look back through this blog and read the entire novel beginning with http://www.pilotlion.blogspot.com/2010/10/new-novel-part-3-girl-and-demon.html.
I'm using this novel as an example of how I produce, market, and eventually (we hope) get a novel published. I'll keep you informed along the way.
Today's Blog: To see the steps in the publication process, visit my writing website http://www.ldalford.com/ and select "production schedule," you will be sent to http://www.sisteroflight.com/.
Here are my rules of writing:
1. Entertain your readers.
2. Don't confuse your readers.
3. Ground your readers in the writing.
4. Don't show (or tell) everything.
A scene outline is a means of writing a novel where each scene follows the other with a scene input from the previous scene and a scene output that leads to the next scene. The scenes don't necessarily have to follow directly in time and place, however they generally follow the storyline of the protagonist.
A storyline outline is a means of writing a novel where the author develops a scene outline for more than one character and bases the plot on one or more of these storyline scenes. This allows the scenes to focus on more than the protagonist. This is a very difficult means of writing. There is a strong chance of confusing your readers.
Whether you write with a scene outline or a storyline outline, you must properly develop your scenes. All novels are developed from scenes and each scene has a design similar to a novel. Every successful novel has the following basic parts:
1. The beginning
2. The rising action
3. The Climax
4. The falling action
5. The dénouement
Every scene has these parts:
1. The setting (where, what, who, when, how)
2. The connection (input)
3. The tension development
4. The release
5. The output
There are lots of approaches to scene setting. That means there are about a million plus ways you can set a scene. The main point is you have to clearly get across the where, when, who, what, and how.
Here is the beginning introductions and who setting of the major characters from the novel Sister of Darkness. This novel is on contract and should be published soon. Paul Bolang is a major character in the novel. Leroa Bolang is a major character. The children are secondary characters except Lumière. Lumière is a major character in the novel.
On Saturday, Paul Bolang came home. The children heard the moment his cab turned
off the road from Hyères. It pulled noisily through the gate
above the beach, and the four children came running. With anticipation they watched as the cab
tracked down the thin cliff side road and came to a halt in the sandy yard of
their small house. Paul threw out his
small bag and leapt out of the automobile.
The cabby, already paid, turned the car around and roared back toward
the road. Paul stood for only a moment
before his children overwhelmed him.
Marie, nine, insufferably cute with a perpetual pout and dangerously
precocious reached him first. She
launched herself into his arms and almost knocked Paul over. Robert, eleven, strong limbed and tall with
an amused smirk on his face as though he alone ensured Marie reached Paul
first, stepped into the fray and grabbed Paul’s right arm. Jacques, ten, loudly protested Robert’s
tactics that let Marie arrive before him.
Almost as tall as Robert, his shoulders were wider, and his look more
playful. He took a firm hold of Paul’s
left arm. Paul shifted Marie’s weight to
one side and sat her in the crook of his arm.
Lumière, all of twelve and completely refined, stepped with stately
grace in front of her father and curtsied, “Welcome home, Papa.”
Paul kissed her cheek. Kissed Marie’s cheek. Kissed Robert and Jacques cheeks. “I bless you for your courteous greeting.” The children stared up at him, adoration
plain on their youthful faces. Paul’s
features were angular and handsome. They
were refined; they combined both gentleness with a hardness that was rooted in
his past and his profession. His skin
was uniformly tanned by exposure to life outdoors in the mountains that formed
the border of France and Italy . His blue uniform announced him as a Colonel
of the French Cavalry. The bright cord
around his right arm said he acted as a consultant and liaison for the French
Alpine forces that guarded the border between France
and Italy . Around his eyes and mouth were fine wrinkles
caused by the sun and wind as well as the lines from his bright smile. His children loved those small wrinkles that
always heralded his smile. He was of
average build and height, but that masked a strength trained by harsh
conditions and constant warfare.
Do your exercises look like this? Have you put some character setting like this on paper. Try some secondary characters, and I'll give you more examples tomorrow.
Try these exercises, and I'll give you some direct examples tomorrow.
My Notes: once you have a theme, you need to begin to visualize your plot, focus your theme, and define your characters. More tomorrow.
I'll move on to basic writing exercises and creativity in the near future.
The following is a question asked by one of my readers. I'm going to address this over time: Please elaborate on scene, theme, plot, character development in a new novel creation....ie, the framework, the development, order if operation, the level of detail, guidelines, rule of thumb, tricks, traps and techniques.
I'll repeat my published novel websites so you can see more examples: http://www.ldalford.com/, and the individual novel websites: http://www.aegyptnovel.com/, http://www.centurionnovelthesecondmission.com/, http://www.theendofhonor.com/, http://www.thefoxshonor, http://www.aseasonofhonor.com/.
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