5 December 2016, Writing Ideas
- New Novel, part 968, Publishing, Protagonists, Conclusions, more of the
Problem with Superheroes
Announcement: Delay, my new novels can be seen on the internet, but the publisher
has delayed all their fiction output due to the economy. I'll keep you
informed. More information can be found at www.ancientlight.com. Check out my novels--I think you'll really enjoy
them.
Introduction: I wrote the novel Aksinya: Enchantment and the Daemon.
This was my 21st novel and through this blog, I gave you the entire novel in
installments that included commentary on the writing. In the commentary, in
addition to other general information on writing, I explained, how the novel
was constructed, the metaphors and symbols in it, the writing techniques and
tricks I used, and the way I built the scenes. You can look back through this
blog and read the entire novel beginning with http://www.pilotlion.blogspot.com/2010/10/new-novel-part-3-girl-and-demon.html.
I'm using this novel as an example
of how I produce, market, and eventually (we hope) get a novel published. I'll
keep you informed along the way.
Today's Blog: To see the steps in the publication process, visit my
writing website http://www.ldalford.com/ and select "production
schedule," you will be sent to http://www.sisteroflight.com/.
The four plus one basic rules I
employ when writing:
1. Don't confuse your readers.
2. Entertain your readers.
3. Ground your readers in the
writing.
4. Don't show (or tell) everything.
4a. Show what can be seen, heard, felt, smelled, and tasted on the stage
of the novel.
5. Immerse yourself in the world of your writing.
All novels have five discrete parts:
1. The initial scene (the
beginning)
2. The rising action
3. The climax
4. The falling action
5. The dénouement
The theme statement
of my 26th novel, working title, Shape, proposed
title, Essie: Enchantment and the Aos Si,
is this: Mrs. Lyons captures a shape-shifting girl in her pantry
and rehabilitates her.
I
finished writing my 27th novel, working title, Claire, potential
title Sorcha: Enchantment and the Curse. This might need some tweaking. The theme statement is: Claire (Sorcha) Davis
accepts Shiggy, a dangerous screw-up, into her Stela branch of the organization
and rehabilitates her.
Here is the cover proposal for Essie:
Enchantment and the Aos Si. Essie is my 26th novel.
Cover
Proposal
|
The most important scene in any
novel is the initial scene, but eventually, you have to move to the rising
action. I started writing my 28th novel, working title Red Sonja.
I'm an advocate of using the/a scene
input/output method to drive the rising action--in fact, to write any
novel.
Scene development:
1. Scene input (easy)
2. Scene output (a little
harder)
3. Scene setting (basic stuff)
4. Creativity (creative
elements of the scene)
5. Tension (development of
creative elements to build excitement)
6. Release (climax of creative
elements)
How to begin a novel. Number one thought, we need an entertaining
idea. I usually encapsulate such an idea
with a theme statement. Since I’m
writing a new novel, we need a new theme statement. Here is an initial cut.
Red Sonja, a Soviet spy, infiltrates
the X-plane programs at Edwards AFB as a test pilot’s administrative clerk,
learns about freedom, and is redeemed.
These are the steps I use to write a
novel:
1.
Design the initial scene
2.
Develop a theme statement (initial
setting, protagonist, protagonist’s helper or antagonist, action statement)
a.
Research as required
b.
Develop the initial setting
c.
Develop the characters
d.
Identify the telic flaw (internal
and external)
3.
Write the initial scene (identify
the output: implied setting, implied characters, implied action movement)
4.
Write the next scene(s) to the
climax (rising action)
5.
Write the climax scene
6.
Write the falling action scene(s)
7.
Write the dénouement scene
Would you like to write a novel that
a publisher will consider? Would you
like to write a novel that is published?
How about one that sells?
I’m going to repeat myself from a
little different standpoint. I’ll say it
again, readers like Romantic characters because they want to be like them. They like pathos characters because they want
to comfort them. Put them together and
you have an irresistible combination.
Let me say this differently. In
the case of strong Romantic characters, your readers imagine it is possible to
be like them. In the case of strong
pathos characters, your readers don’t want to be like them, but they can see
themselves in those types of characters.
What does a superhero as a character
give them? It is indeed possible to have
a superhero who is not a Romantic character.
Hard to do, but possible. In any
case, the main quality of a superhero is some kind of irresistible power. This is also true of gods, demi-gods, and
other supernatural characters. If the
superhero is invulnerable, you have no telic flaw and no story for your
novel. The same is true of the other
character archetypes (I’m using this term loosely). Such a character requires an appropriate
foil. This foil comes in multiple
varieties, but the most common is an archrival and a vulnerability. Real humans have multiple vulnerabilities—superheroes,
not so much. The problem of rivals is
you need a new one after each victory.
Just look at poor Batman. As soon
as he puts away one criminal, he has a new one to fight. The other problem is the escalation of peril
until we get to the end of the world theme.
The world has almost been destroyed so many times in modern superhero
movies, it’s a wonder that anything is still standing. This is the problem with Superman—he’s just
too super to be a man. Anyone can be
brave if nothing can kill you. Readers just
don’t care if this kind of character lives or dies.
Back to the main point, your readers
need to want and think they can be like your Romantic characters or there is no
point.
More
tomorrow.
For more information, you can visit my
author site http://www.ldalford.com/, and my individual novel websites:
http://www.ancientlight.com/
http://www.aegyptnovel.com/
http://www.centurionnovel.com
http://www.thesecondmission.com/
http://www.theendofhonor.com/
http://www.thefoxshonor.com
http://www.aseasonofhonor.com
fiction, theme, plot, story, storyline,
character development, scene, setting, conversation, novel, book, writing,
information, study, marketing, tension, release, creative, idea, logic
http://www.aegyptnovel.com/
http://www.centurionnovel.com
http://www.thesecondmission.com/
http://www.theendofhonor.com/
http://www.thefoxshonor.com
http://www.aseasonofhonor.com
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