13 September 2018, Writing
- part x615, Developing Skills, How to Suspend Disbelief, Entertaining Characters
Announcement: Delay, my new novels can be seen on the internet, but my primary
publisher has gone out of business—they couldn’t succeed in the past business
and publishing environment. I'll keep you informed, but I need a new publisher. More
information can be found at www.ancientlight.com. Check out my novels--I think you'll really enjoy
them.
Introduction: I wrote the novel Aksinya: Enchantment and the Daemon.
This was my 21st novel and through this blog, I gave you the entire novel in
installments that included commentary on the writing. In the commentary, in
addition to other general information on writing, I explained, how the novel
was constructed, the metaphors and symbols in it, the writing techniques and
tricks I used, and the way I built the scenes. You can look back through this
blog and read the entire novel beginning with http://www.pilotlion.blogspot.com/2010/10/new-novel-part-3-girl-and-demon.html.
I'm using this novel as an example
of how I produce, market, and eventually (we hope) get a novel published. I'll
keep you informed along the way.
Today's Blog: To see the steps in the publication process, visit my
writing website http://www.ldalford.com/ and select "production
schedule," you will be sent to http://www.sisteroflight.com/.
The four plus one basic rules I
employ when writing:
1. Don't confuse your readers.
2. Entertain your readers.
3. Ground your readers in the
writing.
4. Don't show (or tell) everything.
4a. Show what can be seen, heard, felt, smelled, and tasted on the stage
of the novel.
5. Immerse yourself in the world of your writing.
These are the steps I use to write a
novel including the five discrete parts of a novel:
1.
Design the initial scene
2.
Develop a theme statement (initial
setting, protagonist, protagonist’s helper or antagonist, action statement)
a.
Research as required
b.
Develop the initial setting
c.
Develop the characters
d.
Identify the telic flaw (internal
and external)
3.
Write the initial scene (identify
the output: implied setting, implied characters, implied action movement)
4.
Write the next scene(s) to the
climax (rising action)
5.
Write the climax scene
6.
Write the falling action scene(s)
7.
Write the dénouement scene
I
finished writing my 29th novel, working title, Detective, potential
title Blue Rose: Enchantment and the Detective. The theme statement is: Lady Azure Rose
Wishart, the Chancellor of the Fae, supernatural detective, and all around
dangerous girl, finds love, solves cases, breaks heads, and plays golf.
Here is the cover proposal for Blue
Rose: Enchantment and the Detective.
The most important scene in any
novel is the initial scene, but eventually, you have to move to the rising
action. I am continuing to write on my 30th novel, working
title Red Sonja. I finished my 29th novel, working
title Detective. I’m planning to start on number 31, working
title Shifter.
How to begin a novel. Number one thought, we need an entertaining
idea. I usually encapsulate such an idea
with a theme statement. Since I’m
writing a new novel, we need a new theme statement. Here is an initial cut.
For novel 30: Red Sonja, a Soviet spy, infiltrates the
X-plane programs at Edwards AFB as a test pilot’s administrative clerk, learns
about freedom, and is redeemed.
For novel 31: TBD
Here
is the scene development outline:
1.
Scene input (comes from the previous scene output or is an initial scene)
2.
Write the scene setting (place, time, stuff, and characters)
3.
Imagine the output, creative elements, plot, telic flaw resolution (climax) and
develop the tension and release.
4.
Write the scene using the output and creative elements to build the tension.
5.
Write the release
6.
Write the kicker
Today: Suspension of
disbelief is the characteristic of writing that pulls the reader into the world
of the novel in such a way that the reader would rather face the world of the
novel rather than the real world—at least while reading. If this occurs while not reading, it is
potentially a mental problem. To achieve
the suspension of disbelief your writing has to meet some basic criteria and contain
some strong inspiration. If you want to
call the inspiration creativity, that works too. Here is a list of the basic criteria to hope
to achieve some degree of suspension of disbelief.
1.
Reasonably written in standard
English
2.
No glaring logical fallacies
3.
Reasoned worldview
4.
Creative and interesting topic
5.
A Plot
6.
Entertaining
7.
POV
Everything is about entertainment. The purpose for all published novels is
entertainment. Other than this is the
only point of fiction literature, one of the main reasons is that entertainment
can fill a lot of holes as well as result in the suspension of disbelief.
The factors that do lend themselves
to entertaining are these:
1.
Characters
2.
Plot
3.
Setting
4.
Topics
5.
Writing
6.
Use of figures of speech (vocabulary
and language).
Characters and specifically the
protagonist are the main means to achieve entertaining writing. You can ruin every other area, except
writing, and still have an entertaining product with an entertaining
protagonist. The reason for this is the
protagonist almost completely defines the novel.
Remember, a novel is the revelation
of the protagonist. The telic flaw of
the novel (the problem resolved in the plot and climax) belongs to the
protagonist. The topic and settings are
connected directly to the protagonist. I
argue that the protagonist is so important to the novel and the entertainment
in the novel, that this one factor easily overwhelms everything else. An entertaining character can completely
electrify a novel. Here’s some examples.
Alan Bradley’s Flavia de Luca. Just the name of this character screams
entertainment, beyond that. I’m not
impressed with Bradley’s plots. His
topics are interesting and well researched.
The settings are not bad. His
writing is wonderful, but Flavia, oh Flavia. Who could not love a ten year old chemical
genius who solves murders? I’ll give you
that Bradley writes like a modern Shakespeare, but his character of Flavia de
Luca makes his novels sing.
Jack Vance’s Keith Gersen from the
Demon Princes novels. Here is an
unforgettable character. Many of Jack
Vance’s characters are unforgettable.
They are common without being common at all. They are powerfully romantic with strong
imaginations fettered by setting and self-control. They are real people who get caught up in
circumstances beyond their control but then who use intellect to power out of
them.
Anna MacCaffrey’s characters are
bold and entertaining, but she has a tendency to ruin them in her serial
novels. Menolly is just such a
character. Here is a bold and
entertaining character who faces the world fraught with prejudice and
intentional malice, but who through independence and strength of mind succeeds
beyond everyone’s expectations.
I’d like to throw my characters into
the mix because that’s what I strive to achieve in my writing. I develop powerfully entertaining characters
based on a similar mold to these authors.
I develop characters to appeal to readers. I don’t use stereotypes or set
characteristics, but I do use the romantic template appropriate to the novel
itself.
This romantic template is the way to
produce entertaining characters and specifically entertaining
protagonists. I’ll show you the basic
template and then apply some advice to help you build even better characters—entertaining
protagonists.
More
tomorrow.
For more information, you can visit my
author site http://www.ldalford.com/, and my individual novel websites:
http://www.ancientlight.com/
http://www.aegyptnovel.com/
http://www.centurionnovel.com
http://www.thesecondmission.com/
http://www.theendofhonor.com/
http://www.thefoxshonor.com
http://www.aseasonofhonor.com
http://www.aegyptnovel.com/
http://www.centurionnovel.com
http://www.thesecondmission.com/
http://www.theendofhonor.com/
http://www.thefoxshonor.com
http://www.aseasonofhonor.com
fiction, theme, plot, story, storyline, character development, scene, setting, conversation, novel, book, writing, information, study, marketing, tension, release, creative, idea, logic
No comments:
Post a Comment