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Friday, September 21, 2018

Writing - part x623, Developing Skills, How to Suspend Disbelief, Feelings and Entertaining Characters, Example

21 September 2018, Writing - part x623, Developing Skills, How to Suspend Disbelief, Feelings and Entertaining Characters, Example

Announcement: Delay, my new novels can be seen on the internet, but my primary publisher has gone out of business—they couldn’t succeed in the past business and publishing environment.  I'll keep you informed, but I need a new publisher.  More information can be found at www.ancientlight.com.  Check out my novels--I think you'll really enjoy them.

Introduction: I wrote the novel Aksinya: Enchantment and the Daemon. This was my 21st novel and through this blog, I gave you the entire novel in installments that included commentary on the writing. In the commentary, in addition to other general information on writing, I explained, how the novel was constructed, the metaphors and symbols in it, the writing techniques and tricks I used, and the way I built the scenes. You can look back through this blog and read the entire novel beginning with http://www.pilotlion.blogspot.com/2010/10/new-novel-part-3-girl-and-demon.html.

I'm using this novel as an example of how I produce, market, and eventually (we hope) get a novel published. I'll keep you informed along the way.

Today's Blog: To see the steps in the publication process, visit my writing website http://www.ldalford.com/ and select "production schedule," you will be sent to http://www.sisteroflight.com/.
The four plus one basic rules I employ when writing:
1. Don't confuse your readers.
2. Entertain your readers.
3. Ground your readers in the writing.
4. Don't show (or tell) everything.
     4a. Show what can be seen, heard, felt, smelled, and tasted on the stage of the novel.
5. Immerse yourself in the world of your writing.
These are the steps I use to write a novel including the five discrete parts of a novel:

1.      Design the initial scene
2.      Develop a theme statement (initial setting, protagonist, protagonist’s helper or antagonist, action statement)
a.       Research as required
b.      Develop the initial setting
c.       Develop the characters
d.      Identify the telic flaw (internal and external)
3.      Write the initial scene (identify the output: implied setting, implied characters, implied action movement)
4.      Write the next scene(s) to the climax (rising action)
5.      Write the climax scene
6.      Write the falling action scene(s)
7.      Write the dénouement scene
I finished writing my 29th novel, working title, Detective, potential title Blue Rose: Enchantment and the Detective.  The theme statement is: Lady Azure Rose Wishart, the Chancellor of the Fae, supernatural detective, and all around dangerous girl, finds love, solves cases, breaks heads, and plays golf.  
Here is the cover proposal for Blue Rose: Enchantment and the Detective
Cover Proposal
The most important scene in any novel is the initial scene, but eventually, you have to move to the rising action. I am continuing to write on my 30th novel, working title Red Sonja.  I finished my 29th novel, working title Detective.  I’m planning to start on number 31, working title Shifter
How to begin a novel.  Number one thought, we need an entertaining idea.  I usually encapsulate such an idea with a theme statement.  Since I’m writing a new novel, we need a new theme statement.  Here is an initial cut.

For novel 30:  Red Sonja, a Soviet spy, infiltrates the X-plane programs at Edwards AFB as a test pilot’s administrative clerk, learns about freedom, and is redeemed.

For novel 31:  TBD 

Here is the scene development outline:

1. Scene input (comes from the previous scene output or is an initial scene)
2. Write the scene setting (place, time, stuff, and characters)
3. Imagine the output, creative elements, plot, telic flaw resolution (climax) and develop the tension and release.
4. Write the scene using the output and creative elements to build the tension.
5. Write the release
6. Write the kicker
          
Today:  Suspension of disbelief is the characteristic of writing that pulls the reader into the world of the novel in such a way that the reader would rather face the world of the novel rather than the real world—at least while reading.  If this occurs while not reading, it is potentially a mental problem.  To achieve the suspension of disbelief your writing has to meet some basic criteria and contain some strong inspiration.  If you want to call the inspiration creativity, that works too.  Here is a list of the basic criteria to hope to achieve some degree of suspension of disbelief. 

1.      Reasonably written in standard English
2.      No glaring logical fallacies
3.      Reasoned worldview
4.      Creative and interesting topic
5.      A Plot
6.      Entertaining
7.      POV

Everything is about entertainment.  The purpose for all published novels is entertainment.  Other than this is the only point of fiction literature, one of the main reasons is that entertainment can fill a lot of holes as well as result in the suspension of disbelief.

The factors that do lend themselves to entertaining are these:
1.      Characters
2.      Plot
3.      Setting
4.      Topics
5.      Writing
6.      Use of figures of speech (vocabulary and language).

How to develop entertaining protagonists?  I can’t leave the discussion of entertaining protagonists without mentioning the romantic character.  I assert that we are still in the Romantic Era for writing, but whether we are or aren’t, the romantic character is the favored character of most readers.  If your protagonist is a romantic character or has romantic characteristics, this will improve the chance your readers will find them entertaining. 

So, what does a romantic character look like?  I happen to have a short list.  This isn’t a perfect list, but it gets the basic idea.  I’ll find examples as well.

1.       The common man, innocence of humans, and childhood (children)
2.      Focus on strong senses, emotions, and feelings
3.      Awe of nature
4.      Celebration of the individual and individualism
5.      Importance of imagination

I told you I would give you an example.  This if from Blue Rose: Enchantment and the Detective.  Azure already embarrassed Lachlann Calloway.  He has prepared a payback dinner for her.  This is what I mean by the expression of strong senses, emotions, and feelings without telling.  They are at Maxims:

The Maitre d’ stood back, “Wing Commander Calloway, you didn’t tell us if you were celebrating a special occasion.  Should we prepare something particular?”
“Nothing special, Jason.  This is just a payback dinner.”
Jason smiled noncommittally, “May I bring the Champaign?”
Lachlann smiled at Azure, “Lady Rose, do you like Champaign?”
“I do enjoy Champaign.”
Lachlann made a sign to the Maitre d’.
Jason answered, “I’ll bring it right away.  Your server is Joanna this evening.”
Lachlann made a sign, “You don’t need to send her in right away.  Just the Champaign for now.”
Azure patently ignored Lachlann. 
Jason returned with a bottle, opened it, and served it.  He placed it in an ice bucket. 
When the Maitre d’ left, Lachlann raised his glass, “To the evening.”
Azure raised her glass and took a sip, “What did you mean a payback dinner?”
“Ah, you caught that, did you?”
Azure smiled, “I don’t miss much.”
“I asked Jason to give us a little time for a tête-à-tête.”
“For what purpose?”
“Payback, of course.”
“You are infuriating.”
“You are also, but where you intend to be infuriating, I do not.  I simply wish to place us on an equal footing, Lady Wishart.”
Azure blanched, “What do you mean, Lady Wishart.”
Lachlann grinned and picked up his briefcase.  He unlatched it and pulled out a file.  He placed the briefcase at his feet and opened the file, “The last time we were together, you lambasted me for my lack of investigational skills.”
“You wouldn’t dare.”
“I did dare and here is what I discovered.  You’re real name is Azure Rose Wishart, the Lady Wishart.  You are nineteen years old.  Your father embezzled money form the Crown and is currently incarcerated.  From him, you inherited your title among other things we shall eventually get to.”
“You should stop right now.  Stop immediately.”
“You did not give me that opportunity the other night, and I shall not either.  The Lady Wishart attends Wycombe Abbey School in the Sixth Form.  She is the head girl and Student Body President and goes simply by the name Azure Rose Wishart.  She is aloof and regal, but she appears to have many friends and followers.  She plays golf for the school and is the top student.  She is expected to go far.”
“That is quite enough, Wing Commander Calloway.”
“I told you to call me Lachlann.”
“That is enough Lachlann—you needn’t go any further.”
“But I do.  The Lady Wishart is also known as Azure Rose.  She has a number of aliases including a few male sounding names.  She appears to have some connection with New Scotland Yard under the name Azure Rose.  Azure Rose drinks beer and smokes cigarettes.  She seems to have a number of fake IDs which she uses to purchase alcohol and cigarettes.  She is partial to John Player Specials.”
Azure dug into her purse.  She pulled out a box of JPS and put a cigarette between her lips.  She lit it.
“Lady Wishart, that is entirely out of character for your current persona, or are you Azure Rose at the moment.”
Azure snarled, “I need a cigarette.  You don’t need to continue.”
“But I do need to continue.  The woman Azure Rose has an official company registered under the Crown called the Blue Rose Supernatural Detective Agency.  This company has formed more than one contract with Scotland Yard.  I assume doing supernatural investigations for them.”
Azure put her hands over her ears.
“That is childish and won’t do you any good.”
Azure put her hands back down.  The fingers that held her cigarette were trembling.
“The Lady Wishart is also known as the Lady Rose, the Keeper of the Book.  This is her usual title.  The full title is the Lord Chancellor of the Book of the Fae.”
Azure rose to her feet, “Stop it.  Stop it now.  That is quite enough.  No one is supposed to know any of this.  Where did you find this out?  All of this is classified on many levels.”
Lachlann laughed, “Most of it is not classified at all.  It is simply some of your secrets, Lady Wishart or may I call you Azure?”
Azure pounded the table, “You may not be so familiar with me, you detestable man.”
“Detestable?  You didn’t think you were being detestable to air my personal information at Lady Atwell’s party.  Sit down this very minute, Azure.”
Azure looked to the left and right.  She put her dead cigarette back into her mouth.  With decision, she sat heavily in her chair and slumped in it, “Is that all?”
“No, there is more.  Apparently, my mother thinks you are detestable.  That’s the official word in the records.  Can you tell me why?”
Azure relit her cigarette. She downed the remaining Champaign in her glass and held it out for a refill.
Lachlann refilled it.
She took another sip, “I should leave.  I really should go.”
“You can’t, and I insist that you not.  If you do, who knows where all this information might end up?  The papers would have a field day.”
Azure trembled.  Her eyes filled, “You wouldn’t dare.”
“Try me.  Go, if you wish, but I have it all right here.  The MIs have blacklisted you.  Still, the Crown works with you.  At the moment Wycombe and New Scotland Yard have you in their good graces.”  He leaned back in his chair, “Why are you detestable to my mother and to the intelligence structure?”
Azure was panting, “Mrs. Calloway hates me because I charge the Fae a fee for mediating for them.”
“Why would you do that?”
Azure stood, “Do you see this dress?  This jewel around my neck?”
“Yes, they are beautiful, and you are beautiful.”
“If you know so much about me, tell me what my childhood was like?”
Lachlann looked through his file, “When your father was incarcerated, you lost your estate and were abandoned by your family.  You spent years in the care of the state and in foster care.  I missed that part before.”
Azure sat and primly crossed her legs, “That is the part you shouldn’t have missed.  I had nothing then.  My father lost his inheritance and his freedom.  I lost my home.  I owned nothing except my title, but I shall not live like that ever again.  I took up the proper fees for the Keeper of the Book.  My father never would.  Because of that, I have all the immediate money I need.”
“More than enough by the looks of you.”
“Nah, not nearly enough yet.  I will eventually buy back my estate and my property.  This is my goal, among others.”
“Why does my mother hate you for that?”
“It’s more than hate—she blacklisted me from any work in the government.”
“But you work extensively with the Crown.”
“Because they have to—they have no choice but to accommodate me.”
“I see.  Then our conversation has begun.”
Azure sat up, “What do you mean?”
“I told you that people get to know each other by sharing their lives and interests.  We have shared our lives, and now we can continue with some decent conversation.”  He glanced behind her, “And here is our server right on time.”
      The point in modern writing is the expression of the senses, emotions, and feeling through showing and not telling.  The means is generally through dialog although you can show the mind and feelings of a character through their actions.  The point of this example is to show you how these thoughts and feelings are shown and not told.  You can get a great deal of information about the Lady Wishart and Lachlann Calloway from this dialog.  You would have gained even more information about Lachlann Calloway from the previous scene at another Lady’s party. 

The point of writing especially in this era is to show and not tell.  The point is to show the inmost heart and thoughts of the protagonist without any telling.  This is a critical aspect of modern literature and a key skill you must learn.
  
More tomorrow.

For more information, you can visit my author site http://www.ldalford.com/, and my individual novel websites:

fiction, theme, plot, story, storyline, character development, scene, setting, conversation, novel, book, writing, information, study, marketing, tension, release, creative, idea, logic

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