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Wednesday, January 9, 2019

Writing - part x733, Writing a Novel, Power of Settings, Real Time Settings

9 January 2019, Writing - part x733, Writing a Novel, Power of Settings, Real Time Settings

Announcement: Delay, my new novels can be seen on the internet, but my primary publisher has gone out of business—they couldn’t succeed in the past business and publishing environment.  I'll keep you informed, but I need a new publisher.  More information can be found at  Check out my novels--I think you'll really enjoy them.

Introduction: I wrote the novel Aksinya: Enchantment and the Daemon. This was my 21st novel and through this blog, I gave you the entire novel in installments that included commentary on the writing. In the commentary, in addition to other general information on writing, I explained, how the novel was constructed, the metaphors and symbols in it, the writing techniques and tricks I used, and the way I built the scenes. You can look back through this blog and read the entire novel beginning with

I'm using this novel as an example of how I produce, market, and eventually (we hope) get a novel published. I'll keep you informed along the way.

Today's Blog: To see the steps in the publication process, visit my writing website and select "production schedule," you will be sent to
The four plus one basic rules I employ when writing:
1. Don't confuse your readers.
2. Entertain your readers.
3. Ground your readers in the writing.
4. Don't show (or tell) everything.
     4a. Show what can be seen, heard, felt, smelled, and tasted on the stage of the novel.
5. Immerse yourself in the world of your writing.
These are the steps I use to write a novel including the five discrete parts of a novel:

1.      Design the initial scene
2.      Develop a theme statement (initial setting, protagonist, protagonist’s helper or antagonist, action statement)
a.       Research as required
b.      Develop the initial setting
c.       Develop the characters
d.      Identify the telic flaw (internal and external)
3.      Write the initial scene (identify the output: implied setting, implied characters, implied action movement)
4.      Write the next scene(s) to the climax (rising action)
5.      Write the climax scene
6.      Write the falling action scene(s)
7.      Write the dénouement scene
I finished writing my 29th novel, working title, Detective, potential title Blue Rose: Enchantment and the Detective.  The theme statement is: Lady Azure Rose Wishart, the Chancellor of the Fae, supernatural detective, and all around dangerous girl, finds love, solves cases, breaks heads, and plays golf.  
Here is the cover proposal for Blue Rose: Enchantment and the Detective
Cover Proposal
The most important scene in any novel is the initial scene, but eventually, you have to move to the rising action. I am continuing to write on my 30th novel, working title Red Sonja.  I finished my 29th novel, working title Detective.  I’m planning to start on number 31, working title Shifter
How to begin a novel.  Number one thought, we need an entertaining idea.  I usually encapsulate such an idea with a theme statement.  Since I’m writing a new novel, we need a new theme statement.  Here is an initial cut.

For novel 30:  Red Sonja, a Soviet spy, infiltrates the X-plane programs at Edwards AFB as a test pilot’s administrative clerk, learns about freedom, and is redeemed.

For novel 31:  TBD 

Here is the scene development outline:

1. Scene input (comes from the previous scene output or is an initial scene)
2. Write the scene setting (place, time, stuff, and characters)
3. Imagine the output, creative elements, plot, telic flaw resolution (climax) and develop the tension and release.
4. Write the scene using the output and creative elements to build the tension.
5. Write the release
6. Write the kicker
Today:  Why don’t we go back to the basics and just writing a novel?  I can tell you what I do, and show you how I go about putting a novel together.  We can start with developing an idea then move into the details of the writing. 

You must have a protagonist and an antagonist. You may have a protagonist’s helper.  Then there are other characters.  Let’s talk about characters in general and then specifically. 

I’ve been writing about choosing and developing protagonists who are interesting and entertaining to your readers.  Readers like characters who they can intellectually identify with.  These are the characters who appeal to them.  If there is no intellectual connection, there is usually no connection.  We saw this by the many characters whom readers can’t share any or many characteristics, but the characters still appeal.

For Christmas, I gave you scenes from my writing that were set during Christmas.  I hope this was enlightening and entertaining to you.  I just wanted to entertain you for the Christmas season.  I also wanted to show you how important real events and settings are to novels.

There are three ways to create a setting or a world: real, reflected, and created. 

A real worldview comes directly from the real world.  A reflected worldview comes from a historical and real basis but from a fictional or mythic basis.  A created worldview is developed from a real base, but is either fantasy or futuristic.

All settings and worldviews come out of and are based on the real world.  This means that when you develop a novel setting for time, start with the real world.  In the real world, time runs in seconds, minutes, hours, days, weeks, months, and years.  In the real world, the days are broken into roughly, waking, breakfast, work or general time, lunch, work or general time, dinner, general time, and going to sleep.  This is a rough time schedule, but except for very odd circumstances, this is how the world runs in the first and most of the third world.  To change the above requires the author to make some direct comment or situation.  Keep this basic day in mind, this is the day you need to wrap your characters around.

Each day is different in regard to work and general time usage, food at meals, clothing, and some other assorted differences, but the rough schedule doesn’t vary much—it is the work and general time usage that varies or can vary significantly.  It is the work and general time usage that provides the greatest action sequences in your novel.  I also use meals as a significant part of the plot and the novel.  You can use meals for conversation and situations. 

Do you see my point here?  As you write, you interject your plot into the rough schedule of the day.  You can radically change this around under special circumstances or events, but you should find even for extended events, you characters will fall into some similar schedule.  For example, if your characters begin a long trek through the wilderness their daily schedule might change slightly, but how much might that be?  They might stand guard at night or miss meals, but likely not.  Human society and culture’s define their daily scope and everyone has to eat and sleep or they will eventually die.  That will end the story.

So, this is the first level of time setting.  A real time setting is based on the regular time and life of the people in a society and culture.  Likewise, in a reflected time setting, the regular time and life of the people is the same as the real or varied by the mythic society or culture.  Further, in a created time setting, the author starts with the real and varies it based on the culture and society he developed.  What changes might this be—it won’t be that great, but there is more.

More on this weekends, weeks, months, and why Christmas is an expression of the real world.

More tomorrow.

For more information, you can visit my author site, and my individual novel websites:

fiction, theme, plot, story, storyline, character development, scene, setting, conversation, novel, book, writing, information, study, marketing, tension, release, creative, idea, logic

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