24 January 2019, Writing - part
x748, Writing a Novel, The Initial Scene
Announcement: Delay, my new novels can be seen on the internet, but my primary
publisher has gone out of business—they couldn’t succeed in the past business
and publishing environment. I'll keep you informed, but I need a new publisher. More
information can be found at www.ancientlight.com.
Check out my novels--I think you'll really enjoy them.
Introduction: I wrote the novel Aksinya: Enchantment and the Daemon.
This was my 21st novel and through this blog, I gave you the entire novel in
installments that included commentary on the writing. In the commentary, in
addition to other general information on writing, I explained, how the novel
was constructed, the metaphors and symbols in it, the writing techniques and
tricks I used, and the way I built the scenes. You can look back through this
blog and read the entire novel beginning with http://www.pilotlion.blogspot.com/2010/10/new-novel-part-3-girl-and-demon.html.
I'm using this novel as an example
of how I produce, market, and eventually (we hope) get a novel published. I'll
keep you informed along the way.
Today's Blog: To see the steps in the publication process, visit my
writing website http://www.ldalford.com/ and select "production
schedule," you will be sent to http://www.sisteroflight.com/.
The four plus one basic rules I
employ when writing:
1. Don't confuse your readers.
2. Entertain your readers.
3. Ground your readers in the
writing.
4. Don't show (or tell) everything.
4a. Show what can be seen, heard, felt, smelled, and tasted on the stage
of the novel.
5. Immerse yourself in the world of your writing.
These are the steps I use to write a
novel including the five discrete parts of a novel:
1.
Design the initial scene
2.
Develop a theme statement (initial
setting, protagonist, protagonist’s helper or antagonist, action statement)
a.
Research as required
b.
Develop the initial setting
c.
Develop the characters
d.
Identify the telic flaw (internal
and external)
3.
Write the initial scene (identify
the output: implied setting, implied characters, implied action movement)
4.
Write the next scene(s) to the
climax (rising action)
5.
Write the climax scene
6.
Write the falling action scene(s)
7.
Write the dénouement scene
I
finished writing my 29th novel, working title, Detective, potential
title Blue Rose: Enchantment and the Detective. The theme statement is: Lady Azure Rose
Wishart, the Chancellor of the Fae, supernatural detective, and all around
dangerous girl, finds love, solves cases, breaks heads, and plays golf.
Here is the cover proposal for Blue
Rose: Enchantment and the Detective.
The most important scene in any
novel is the initial scene, but eventually, you have to move to the rising
action. I am continuing to write on my 30th novel, working
title Red Sonja. I finished my 29th novel, working
title Detective. I’m planning to start on number 31, working
title Shifter.
How to begin a novel. Number one thought, we need an entertaining
idea. I usually encapsulate such an idea
with a theme statement. Since I’m
writing a new novel, we need a new theme statement. Here is an initial cut.
For novel 30: Red Sonja, a Soviet spy, infiltrates the
X-plane programs at Edwards AFB as a test pilot’s administrative clerk, learns
about freedom, and is redeemed.
For novel 31: Deirdre and Sorcha are redirected to French
finishing school where they discover difficult mysteries, people, and events.
Here
is the scene development outline:
1.
Scene input (comes from the previous scene output or is an initial scene)
2.
Write the scene setting (place, time, stuff, and characters)
3.
Imagine the output, creative elements, plot, telic flaw resolution (climax) and
develop the tension and release.
4.
Write the scene using the output and creative elements to build the tension.
5.
Write the release
6.
Write the kicker
Today: Why don’t we go back
to the basics and just writing a novel?
I can tell you what I do, and show you how I go about putting a novel
together. We can start with developing
an idea then move into the details of the writing.
At
the beginning, I imagined a plot and developed my novels from there. I used a “theme question” to describe the
plot. Here is an example of a “theme
question:”
“What
can be the ramifications of personal relationships when they are ultimately
based on political ends?”
This
is the “theme question” from my published novel, The End of Honor. This is a
hard science fiction novel set in the far future in a feudal based society and
culture. The problem with my early means
of writing was that I had to completely envision the plot and then write to
it. This led to many instances of “writer’s
block” and times when I wasn’t sure how to write to the plot. Mostly, it led to very short novels because
the plots were not as complex as I would have liked. If you can envision an entire plot in your
mind at once, the plot usually isn’t complex enough.
By
about my eighth novel, I discovered my current means of writing novels. It has led me through the writing of about 21
very complex and entertaining novels. This
is the method or means I’m describing for you.
Today,
I start with an initial scene. I
envision this initial scene from beginning to end. If you look at the scene outline, this is how
I envision and write scenes. An initial
scene is much easier to develop and write than an entire plot. The initial scene includes all the elements
that you need to complete a novel—as long as you continue to write scene by
scene.
To
create an initial scene, the author needs three specific things: protagonist
and antagonist (or protagonist’s helper), a telic flaw, and an initial
setting. Luckily, the telic flaw comes
wrapped in the protagonist and antagonist, and the initial setting usually
comes with the protagonist, so this means to begin a novel all you need it the
protagonist. The antagonist is usually a
tag along from the protagonist and the telic flaw. Let’s look at an example.
My
novel, Essie: Enchantment and the Aos Si,
begins with the meeting of Essie, the protagonist, and Mrs. Lyons, the
protagonist’s helper. As an aside, most
novels should begin with the meeting of the protagonist and the protagonist’s
helper or the antagonist. In this novel, Essie is the Aos Si. The Aos Si is a creature who happens to be
the reigning queen of the Celtic Fae.
She was displaced by the coming of Ceridwen, the reigning goddess of the
Celtic lands, and imprisoned by the Fae because of that. The problems of Essie are very complex.
In
the beginning of the novel, Essie has escaped her captors and is living by
breaking into houses in Lyonshall and eating any meat she finds lying
around. Essie is an ancient Fae creature
but she normally appears as a plain girl of about fifteen or as a large black
wild cat. For breaking into houses, the
girl of fifteen seems to make the best for manipulating locks and opening
things.
Thus
we have a character, a telic flaw, and an initial setting. That are they? I described the protagonist to you. There is much more. Essie is a very complex character, but
because this novel like all novels is a revelation of the protagonist, the
novel itself defines and describes Essie.
The telic flaw should be obvious:
Essie was imprisoned by her own people at the behest of Ceridwen. This put her at odds with the Fae and with
the goddess of the Celtic lands. To resolve
the novel, this problem must be resolved, therefore, the telic flaw. This is Essie’s problem but it is also the problem
encapsulated by the novel—the plot problem that must be solved. The initial setting is Lyonshall. There is always more to this.
More
tomorrow.
For more information, you can visit my
author site http://www.ldalford.com/,
and my individual novel websites:
http://www.ancientlight.com/
http://www.aegyptnovel.com/
http://www.centurionnovel.com
http://www.thesecondmission.com/
http://www.theendofhonor.com/
http://www.thefoxshonor.com
http://www.aseasonofhonor.com
http://www.aegyptnovel.com/
http://www.centurionnovel.com
http://www.thesecondmission.com/
http://www.theendofhonor.com/
http://www.thefoxshonor.com
http://www.aseasonofhonor.com
fiction, theme, plot, story, storyline, character development, scene, setting, conversation, novel, book, writing, information, study, marketing, tension, release, creative, idea, logic
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