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Saturday, October 1, 2022

Writing - part xxx094 Writing a Novel, Now Communicating the Impossible

1 October 2022, Writing - part xxx094 Writing a Novel, Now Communicating the Impossible

Announcement: Delay, my new novels can be seen on the internet, but my primary publisher has gone out of business—they couldn’t succeed in the past business and publishing environment.  I’ll keep you informed, but I need a new publisher.  More information can be found at www.ancientlight.com.  Check out my novels—I think you’ll really enjoy them.

Introduction: I wrote the novel Aksinya: Enchantment and the Daemon. This was my 21st novel and through this blog, I gave you the entire novel in installments that included commentary on the writing. In the commentary, in addition to other general information on writing, I explained, how the novel was constructed, the metaphors and symbols in it, the writing techniques and tricks I used, and the way I built the scenes. You can look back through this blog and read the entire novel beginning with http://www.pilotlion.blogspot.com/2010/10/new-novel-part-3-girl-and-demon.html.

I’m using this novel as an example of how I produce, market, and eventually (we hope) get a novel published. I’ll keep you informed along the way.

Today’s Blog: To see the steps in the publication process, visit my writing websites http://www.sisteroflight.com/.

The four plus one basic rules I employ when writing:

1. Don’t confuse your readers.

2. Entertain your readers.

3. Ground your readers in the writing.

4. Don’t show (or tell) everything.

     4a. Show what can be seen, heard, felt, smelled, and tasted on the stage of the novel.

5. Immerse yourself in the world of your writing.

These are the steps I use to write a novel including the five discrete parts of a novel:

 

1.     Design the initial scene

2.     Develop a theme statement (initial setting, protagonist, protagonist’s helper or antagonist, action statement)

a.      Research as required

b.     Develop the initial setting

c.      Develop the characters

d.     Identify the telic flaw (internal and external)

3.     Write the initial scene (identify the output: implied setting, implied characters, implied action movement)

4.     Write the next scene(s) to the climax (rising action)

5.     Write the climax scene

6.     Write the falling action scene(s)

7.     Write the dénouement scene

I finished writing my 29th novel, working title, Detective, potential title Blue Rose: Enchantment and the Detective.  The theme statement is: Lady Azure Rose Wishart, the Chancellor of the Fae, supernatural detective, and all around dangerous girl, finds love, solves cases, breaks heads, and plays golf.  

Here is the cover proposal for Blue Rose: Enchantment and the Detective




Cover Proposal

The most important scene in any novel is the initial scene, but eventually, you have to move to the rising action. I am continuing to write on my 30th novel, working title Red Sonja.  I finished my 29th novel, working title Detective.  I’m planning to start on number 31, working title Shifter. 

How to begin a novel.  Number one thought, we need an entertaining idea.  I usually encapsulate such an idea with a theme statement.  Since I’m writing a new novel, we need a new theme statement.  Here is an initial cut.

 

For novel 30:  Red Sonja, a Soviet spy, infiltrates the X-plane programs at Edwards AFB as a test pilot’s administrative clerk, learns about freedom, and is redeemed.

 

For novel 31:  Deirdre and Sorcha are redirected to French finishing school where they discover difficult mysteries, people, and events. 

 

For Novel 32:  Shiggy Tash finds a lost girl in the isolated Scottish safe house her organization gives her for her latest assignment: Rose Craigie has nothing, is alone, and needs someone or something to rescue and acknowledge her as a human being.

 

Here is the scene development outline:

 

1. Scene input (comes from the previous scene output or is an initial scene)

2. Write the scene setting (place, time, stuff, and characters)

3. Imagine the output, creative elements, plot, telic flaw resolution (climax) and develop the tension and release.

4. Write the scene using the output and creative elements to build the tension.

5. Write the release

6. Write the kicker

          

Today:  Let me tell you a little about writing.  Writing isn’t so much a hobby, a career, or a pastime.  Writing is a habit and an obsession.  We who love to write love to write. 

 

If you love to write, the problem is gaining the skills to write well.  We want to write well enough to have others enjoy our writing.  This is important.  No one writes just for themselves the idea is absolutely irrational and silly.  I can prove why.

 

In the first place, the purpose of writing is communication—that’s the only purpose.  If you want to write for yourself, you need to invent your own writing and language that no one can and will understand.  It would be better if you can’t understand it either. 

 

The purpose for writing is communication.  It really has no other purpose.  You can give it another purpose just as I can use your head as a hammer.  A head as a hammer will do little for the nail, the head, or the accomplishment of the work and the work of writing is communication.

 

If you aren’t using writing to communicate, you are using your head as a hammer—not good.  In fact, irrational. 

 

Writing is literally the communication of ideas in the brain of the writer to the brains of others.  This process begins with speaking, but speaking is very different than writing.  I hope that’s something you already got out of this discussion.

 

We have finally arrived at the communication of the non-real. 

 

We have symbols and archetypes when we have literacy.  Literacy allows the communication of ideas.  Yes, ultimately we are writing about word, but I already proved to you that with literacy, we get words that are otherwise impossible to understand or know.  We get words like love, and there are many others.

 

We literally get words that can’t be drawn with a picture or that can’t be shown to anyone.  Love is one of those types of words.  It is a noun and a verb that can’t be pictured or shown with an action.  Love can be projected as a god or goddess, but that just stands in the place of the word for those who aren’t literate. 

 

In addition to symbols like love, we get archetypes.  With both of these we can communicate the incommunicable through writing.  This isn’t where writing starts, and it may not be where it ends, but this is how we as writers use language in writing.

In the first place, the writer imagines something in his or her brain.  Whatever the author imagines, they want to communicate this idea to another person.  Writing provides a standard means of communication with a non-standard means of communication.  What is this? 

 

I usually write that the author wants to provide word pictures to the reader.  The author doesn’t just want the reader to read the words, the author wants the reader to see what the author is projecting.  The only way to do this is through word pictures.  These word pictures are a thousand times more powerful than real pictures.  Just imagine, in a word picture, I can use the term love.  This term has a very powerful but abstract meaning.  I can’t draw it or show it.  I can only provide it in a word picture to excite the mind of the reader. 

 

Thus with word pictures, as an author, I can present the world I see to my readers.  Mainly, an author uses figures of speech to achieve these word pictures.  I won’t go through all the figures of speech again.  If you want deep details on figures of speech, refer to my earlier blogs on them.  I think I covered every figure of speech possible in this blog or my short form blog.  In any case, a figure of speech can relate a word picture for a very complex word or words. 

 

The words themselves in a figure of speech build a picture for the reader such that the reader can imagine a similar scene in their mind.  Thus, if I write “the beautiful sky candle,” or perhaps, “the love infused sea,” or “the love infused fields.”  These are just simple and short examples of figures of speech.  Most author develop extended figures of speech especially in description to make the reader see what they also see. 

 

Now, we know that we can’t really show our readers exactly what we see—we use figures of speech and more or less detailed description with figures of speech to allow the latitude of the reader to build the picture on their own.  For example, I recommend about 300 words for a major character or a major scene description, more than this doesn’t necessarily make for a bad description, but it might give too much.  Most of the time, authors don’t give enough description, so I wouldn’t worry about too much.  Just realize, you can write too much.  Just look at the Victorians and especially George Elliot.  I love George Elliot, but she is one of the most overly descriptive writers in history.  Most don’t give nearly enough.

 

This is the beginning of the entire point of fiction writing.  This is what makes fiction writing fiction writing.  It is the communication of the mind of the writer to the reader through word pictures.  This is entirely different than other types of writing.  It’s still all about communication.

 

Writing is the abstract communication of the mind through symbols.

 

Why don’t we go back to the basics and just writing a novel?  I can tell you what I do, and show you how I go about putting a novel together.  We can start with developing an idea then move into the details of the writing. 

 

Ideas.  We need ideas.  Ideas allow us to figure out the protagonist and the telic flaw.  Ideas don’t come fully armed from the mind of Zeus.  We need to cultivate ideas. 

 

1.     Read novels. 

2.     Fill your mind with good stuff—basically the stuff you want to write about. 

3.     Figure out what will build ideas in your mind and what will kill ideas in your mind.

4.     Study.

5.     Teach. 

6.     Make the catharsis. 

7.     Write.

 

The development of ideas is based on study and research, but it is also based on creativity.  Creativity is the extrapolation of older ideas to form new ones or to present old ideas in a new form.  It is a reflection of something new created with ties to the history, science, and logic (the intellect).  Creativity requires consuming, thinking, and producing.

 

If we have filled our mind with all kinds of information and ideas, we are ready to become creative.  Creativity means the extrapolation of older ideas to form new ones or to present old ideas in a new form.  Literally, we are seeing the world in a new way, or actually, we are seeing some part of the world in a new way. 

 

The beginning of creativity is study and effort.  We can use this to extrapolate to creativity.  In addition, we need to look at recording ideas and working with ideas.    

    

More tomorrow.

For more information, you can visit my author site http://www.ldalford.com/, and my individual novel websites:

http://www.ancientlight.com/
http://www.aegyptnovel.com/
http://www.centurionnovel.com
http://www.thesecondmission.com/
http://www.theendofhonor.com/
http://www.thefoxshonor.com
http://www.aseasonofhonor.com  

fiction, theme, plot, story, storyline, character development, scene, setting, conversation, novel, book, writing, information, study, marketing, tension, release, creative, idea, logic

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