Writing - part x544, Developing Skills, Marketing Materials, more Author Bio

4 July 2018, Writing - part x544, Developing Skills, Marketing Materials, more Author Bio

Announcement: Delay, my new novels can be seen on the internet, but my primary publisher has gone out of business—they couldn’t succeed in the past business and publishing environment.  I'll keep you informed, but I need a new publisher.  More information can be found at www.ancientlight.com.  Check out my novels--I think you'll really enjoy them.

Introduction: I wrote the novel Aksinya: Enchantment and the Daemon. This was my 21st novel and through this blog, I gave you the entire novel in installments that included commentary on the writing. In the commentary, in addition to other general information on writing, I explained, how the novel was constructed, the metaphors and symbols in it, the writing techniques and tricks I used, and the way I built the scenes. You can look back through this blog and read the entire novel beginning with http://www.pilotlion.blogspot.com/2010/10/new-novel-part-3-girl-and-demon.html.

I'm using this novel as an example of how I produce, market, and eventually (we hope) get a novel published. I'll keep you informed along the way.

Today's Blog: To see the steps in the publication process, visit my writing website http://www.ldalford.com/ and select "production schedule," you will be sent to http://www.sisteroflight.com/.

The four plus one basic rules I employ when writing:

1. Don't confuse your readers.

2. Entertain your readers.

3. Ground your readers in the writing.

4. Don't show (or tell) everything.

     4a. Show what can be seen, heard, felt, smelled, and tasted on the stage of the novel.

5. Immerse yourself in the world of your writing.

These are the steps I use to write a novel including the five discrete parts of a novel:

1.      Design the initial scene

2.      Develop a theme statement (initial setting, protagonist, protagonist’s helper or antagonist, action statement)

a.       Research as required

b.      Develop the initial setting

c.       Develop the characters

d.      Identify the telic flaw (internal and external)

3.      Write the initial scene (identify the output: implied setting, implied characters, implied action movement)

4.      Write the next scene(s) to the climax (rising action)

5.      Write the climax scene

6.      Write the falling action scene(s)

7.      Write the dénouement scene

I finished writing my 29^th novel, working title, Detective, potential title Blue Rose: Enchantment and the Detective.  The theme statement is: Lady Azure Rose Wishart, the Chancellor of the Fae, supernatural detective, and all around dangerous girl, finds love, solves cases, breaks heads, and plays golf.  

Here is the cover proposal for Blue Rose: Enchantment and the Detective. 

Cover Proposal

The most important scene in any novel is the initial scene, but eventually, you have to move to the rising action. I am continuing to write on my 30^th novel, working title Red Sonja.  I finished my 29^th novel, working title Detective.  I’m planning to start on number 31, working title Shifter. 

How to begin a novel.  Number one thought, we need an entertaining idea.  I usually encapsulate such an idea with a theme statement.  Since I’m writing a new novel, we need a new theme statement.  Here is an initial cut.

For novel 30:  Red Sonja, a Soviet spy, infiltrates the X-plane programs at Edwards AFB as a test pilot’s administrative clerk, learns about freedom, and is redeemed.

For novel 31:  TBD 

Here is the scene development outline:

1. Scene input (comes from the previous scene output or is an initial scene)

2. Write the scene setting (place, time, stuff, and characters)

3. Imagine the output, creative elements, plot, telic flaw resolution (climax) and develop the tension and release.

4. Write the scene using the output and creative elements to build the tension.

5. Write the release

6. Write the kicker

          

Today:  Time again to look at marketing materials.  I just finished a new novel—actually, I finished it a few weeks ago, but I’ve been working on the marketing materials.  I always develop the specific materials first, then the condensed materials for my currently defunct publisher, and then the cover.  You can see above, I made a proposed cover. I haven’t put any of this information on the internet yet, but I’m building up to that. 

Here is my proposed cover:

Cover Proposal

Marketing materials are a must.  I’ll be straight up with you.  I know most people have not completed their novels.  Some of you might have.  You might be still working on your editing and proofing.  You might be still perfecting your novel.  All of that is important, but none of it matters if you don’t have a plan for marketing your work.  Marketing means you have some plan and know what a publisher might want to know about you and your work.  What you need is a format for your marketing materials, and here it is.

Title of Work:

Blue Rose: Enchantment and the Detective

Author(s) Name:

L. D. Alford

Type: Either Screenplay or Book

Book

Length: Either # of words for books, or # of pages for screenplays

108,475 words

Keywords and Market Focus:

Fiction, detective, supernatural, fae, fairy, romance, intelligence, Britain, United Kingdom, MI6, magic, New Scotland Yard, goddess, Dagda, organization, the Crown; will fascinate anyone interested in mystery, detectives, and the fae—will appeal particularly to those who enjoy mystery and suspense novels.

Genre:

Mystery Fantasy

Author Bio: Approximately 120 words

The finest entertainment in literature is an escape into a real and inviting culture—so asserts L. D. Alford, a novelist who explores with originality those cultures and societies we think we already know.  He builds tales that make ancient people and times real to us.  His stories uniquely explore the connections between present events, history, and the future—he combines them with threads of reality that bring fiction alive.  L. D. Alford is familiar with technology and cultures—he earned a B.S. in Chemistry from Pacific Lutheran University, an M.S. in Mechanical Engineering from Boston University, a Ph.D. in Aerospace Engineering from the University of Dayton, and is a graduate of Air War College, and Air Command and Staff College.  He is widely traveled and has spent long periods in Europe, Asia, and Central America.  L. D. Alford is an author who combines intimate scientific and cultural knowledge into fiction worlds that breathe reality.

What makes your writing special, unique, and worth reading?  What makes you special, unique, and an able writer?  With these questions, we will craft our bio.

I write historical novels with a supernatural twist.  I also write hard science fiction novels.  I write entertaining novels.  I also write novels about different languages and cultures within the context of history.  This is what I’m trying to present in the first section of my biography paragraph.  In fact, this is a paragraph.  I haven’t written for a while about paragraphs, so let’s look at it from this standpoint.

The initial sentence is the topic sentence of the paragraph.  The first full sentence is this:

The finest entertainment in literature is an escape into a real and inviting culture—so asserts L. D. Alford, a novelist who explores with originality those cultures and societies we think we already know.

This topic sentence, like any good topic sentence defines what the paragraph will be all about.  Perhaps this is too erudite a sentence or topic, but I’m trying to tell a prospective publisher or reader what my novels are about.  I also want the targeted audience to know I seek to entertain, produce a real and inviting setting, and explore subjects in new and exciting ways.  I think this topic sentence achieves this.  Further, the topic sentence sets the tone and the subject of the resto of the paragraph.  The remainder of the paragraph is supposed to prove or support the topic sentence.

You can see this with the next two sentences.  They tell more about my novels and writing.  The third paragraph gives a reason or proof support for my writing skill and experience.  This is where I write about my educational qualifications.  The next sentence provides my experiential qualifications.  As I noted yesterday, this doesn’t list my writing credits because it doesn’t need to.  In a normal biography, you should put in your publishing experience.

The final sentence wraps up the paragraph and reiterates the subject.  The point is to be direct, loquacious, and sell yourself.  We’ll look at this next.  

Synopsis:  Approximately 500 Words

Concept of the Work:  Approximately 250 Words

Registration: WGA, ISBN, or Library of Congress, Write the number.

Other Information:  If you have more work, a website, anything interesting and professional, especially any awards or recognition.

Reviewer’s quotes.

What I will do is go through each step and give you my answers based on my latest novel.  I did leave the top parts filled. 

More tomorrow.

For more information, you can visit my author site http://www.ldalford.com/, and my individual novel websites:

http://www.ancientlight.com/
http://www.aegyptnovel.com/
http://www.centurionnovel.com
http://www.thesecondmission.com/
http://www.theendofhonor.com/
http://www.thefoxshonor.com
http://www.aseasonofhonor.com  

fiction, theme, plot, story, storyline, character development, scene, setting, conversation, novel, book, writing, information, study, marketing, tension, release, creative, idea, logic