My Favorites

Showing posts with label writng. Show all posts
Showing posts with label writng. Show all posts

Saturday, May 18, 2013

Scenes - Scene Setting, Blessing

18 May 2013, Scenes - Scene Setting, Blessing

Announcement: My novels Sister of Light and Sister of Darkness are about to be published. I write this blog about 2 months prior to its publication. I just heard that the proofs will be here soon--likely before the end of the week. My publisher also wants to put the entire set of novels based on Aegypt on contract--that's 5 more novels for 8 total. They also want to put my other novels on contract. The release schedule should be one novel every 2 months. I'll keep you updated.

Introduction: I wrote the novel Aksinya: Enchantment and the Daemon. This was my 21st novel and through this blog, I gave you the entire novel in installments that included commentary on the writing. In the commentary, in addition to other general information on writing, I explained, how the novel was constructed, the metaphors and symbols in it, the writing techniques and tricks I used, and the way I built the scenes. You can look back through this blog and read the entire novel beginning with http://www.pilotlion.blogspot.com/2010/10/new-novel-part-3-girl-and-demon.html.

I'm using this novel as an example of how I produce, market, and eventually (we hope) get a novel published. I'll keep you informed along the way.
Today's Blog: To see the steps in the publication process, visit my writing website http://www.ldalford.com/ and select "production schedule," you will be sent to http://www.sisteroflight.com/.

Here are my rules of writing:

1. Entertain your readers.
2. Don't confuse your readers.
3. Ground your readers in the writing.
4. Don't show (or tell) everything.

A scene outline is a means of writing a novel where each scene follows the other with a scene input from the previous scene and a scene output that leads to the next scene. The scenes don't necessarily have to follow directly in time and place, however they generally follow the storyline of the protagonist.

A storyline outline is a means of writing a novel where the author develops a scene outline for more than one character and bases the plot on one or more of these storyline scenes. This allows the scenes to focus on more than the protagonist. This is a very difficult means of writing. There is a strong chance of confusing your readers.

Whether you write with a scene outline or a storyline outline, you must properly develop your scenes. All novels are developed from scenes and each scene has a design similar to a novel. Every successful novel has the following basic parts:

1. The beginning
2. The rising action
3. The Climax
4. The falling action
5. The dénouement

Every scene has these parts:

1. The setting (where, what, who, when, how)
2. The connection (input)
3. The tension development
4. The release
5. The output

There are many approaches to scene setting. That means there are about a million plus ways you can set a scene. The main point is you have to clearly get across the where, when, who, what, and how.

Here is another example of scene setting from the novel, Aksinya. I'm giving you examples from the book so you can see different ways of introducing and writing a scene. In each snippet, you get the scene setting, the tension and release, and the input and output. This isn't true of every example, but the pieces should be there, and I've been trying to identify for you when all the pieces aren't evident. You can use these ideas to guide your own writing. Make sure you set the scene properly, then make everything come to life through the narration and conversation.

This is the second marriage prayer for blessing.  There isn't really a lot I can say about these prayers and the marriage ceremony in the context of the novel.  That is, in the novel, I am giving you an actual marriage ceremony.  My intent is to try to provide this little piece of history a context and a reality.  I want to give the actions and the words together for prosperity. 




Father Makar, “For to you belong all glory, honor and worship, to the Father, the Son and the Holy Spirit, now and for ever, and to the ages of ages.”

They replied, “Amen.”

Dobrushin announced, “Let us pray to the Lord.”

Ekaterina, “Lord, have mercy.”

Father Makar prayed, “God most pure, Author of all creation, through your love for mankind you transformed the rib of our forefather Adam into a woman and blessed them saying, ‘Increase and multiply and have dominion over the earth’, and declared them both to be one through wedlock, ‘for because of this a man will abandon his father and mother and be attached to his own wife, and the two shall become one flesh’ and ‘those whom God has joined together, let no human separate’.  You blessed your servant Abraham and opened Sara’s womb, making him the father of many nations.  You gave Isaac to Rebecca and blessed her offspring.  You joined Jacob with Rachel and from him revealed the Twelve Patriarchs.  You yoked together Joseph and Aseneth and gave them as the fruit of their union Ephraim and Manassee.  You accepted Zachary and Elisabeth and declared their offspring to be the Forerunner.  You made the Ever-Virgin spring from the root of Jesse according to the flesh, and from her you became incarnate and were born for the salvation of the human race.  Through your ineffable gift and great goodness you were present in Cana of Galilee and blessed the marriage there, to show that lawful wedlock and the begetting of children that comes from it is your will.  All-holy Master, accept the entreaty of us, your suppliants, and, as you were present there, be present here also with your invisible protection.  Bless this marriage and grant to these servants of yours, Dobrushin Sergeevich Lopuhin and Princess Aksinya Georgovna Holstein-Gottorp-Romanov the Countess of Golitsyna, a peaceful life, length of days, chastity, love for each other in the bond of peace, long-lived offspring, grace in their children and an unfading crown of glory.  Grant that they may see their children’s children.  Preserve their marriage bed unassailed.  Give them of the dew of heaven from on high and of the richness of the earth.  Fill their houses with wheat, wine and oil and every good thing, so that they may also share them with those in need.  Grant also to those here with them all their requests that are for salvation. Because you are a God of mercy and compassion and love for humankind, and to you we give glory, together with your Father who has no beginning, and your all-holy, good and life-giving Spirit, now and for ever, and to the ages of ages.”

“Amen.”


This is a prayer for material blessings.
 
The following is a question asked by one of my readers. I'm going to address this over time: I am awaiting for you to write a detailed installment on identifying, and targeting your audience, or audiences...ie, multi-layered story, for various audiences...like CS Lewis did. JustTake care, and keep up the writing; I am enjoying it, and learning a lot.

For more information, you can visit my author sitewww.ldalford.com/, and my individual novel websites: http://www.aegyptnovel.com/, http://www.centurionnovel.com, www.thesecondmission.com/, http://www.theendofhonor.com/, thefoxshonor, aseasonofhonor.

Friday, October 26, 2012

Development - Scene Outline

26 October 2012, Development - Scene Outline

Introduction: I wrote the novel Aksinya: Enchantment and the Daemon. This was my 21st novel and through this blog, I gave you the entire novel in installments that included commentary on the writing. In the commentary, in addition to other general information on writing, I explained, how the novel was constructed, the metaphors and symbols in it, the writing techniques and tricks I used, and the way I built the scenes. You can look back through this blog and read the entire novel beginning with http://www.pilotlion.blogspot.com/2010/10/new-novel-part-3-girl-and-demon.html.

I'm using this novel as an example of how I produce, market, and eventually (we hope) get a novel published. I'll keep you informed along the way.
Today's Blog: To see the steps in the publication process, visit my writing website http://www.ldalford.com/ and select "production schedule," you will be sent to http://www.sisteroflight.com/.

Here are my rules of writing:

1. Entertain your readers.
2. Don't confuse your readers.
3. Ground your readers in the writing.
4. Don't show (or tell) everything.

Additionally, every scene must have an input and an output. I'm not a fan of scenes that don't follow one another in time sequence. That isn't to say that these types of disconnected scenes don't have a purpose, but if you use this, you must be cautious not to confuse your readers. In a normal scene outline, the scenes all have an input with an output that follows from scene to scene. For example, in Aksinya, the first scene's input is the background for Aksinya and the demon. This is the implied input. The output is the movement of Aksinya and the demon to save Aksinya's family.

The input of this next scene is the discovery of the death of Aksinya's family, the output is when Aksinya sends the demon out to get revenge. The input of the next scene is the return of the demon...and so on. You can easily write and outline an entire novel this way.

It is also possible to write a scene outline were the scenes don't follow directly one after the other. The means to do this is through a storyline outline.

This is the basics of scene development. Every scene must have a setting, characters, and tension and release.

My Notes: once you have a theme, you need to begin to visualize your plot, focus your theme, and define your characters. More tomorrow.

I'll move on to basic writing exercises and creativity in the near future.

The following is a question asked by one of my readers. I'm going to address this over time: Please elaborate on scene, theme, plot, character development in a new novel creation....ie, the framework, the development, order if operation, the level of detail, guidelines, rule of thumb, tricks, traps and techniques.

I'll repeat my published novel websites so you can see more examples: http://www.ldalford.com/, and the individual novel websites: http://www.aegyptnovel.com/, http://www.centurionnovel.com/, http://www.thesecondmission.com/, http://www.theendofhonor.com/, http://www.thefoxshonor, http://www.aseasonofhonor.com/.

Tuesday, July 24, 2012

Development - Rules of Writing, Nudity as a Symbol

24 July 2012, Development - Rules of Writing, Nudity as a Symbol

Introduction: I wrote the novel Aksinya: Enchantment and the Daemon. This was my 21st novel and through this blog, I gave you the entire novel in installments that included commentary on the writing. In the commentary, in addition to other general information on writing, I explained, how the novel was constructed, the metaphors and symbols in it, the writing techniques and tricks I used, and the way I built the scenes. You can look back through this blog and read the entire novel beginning with http://www.pilotlion.blogspot.com/2010/10/new-novel-part-3-girl-and-demon.html.

I'm using this novel as an example of how I produce, market, and eventually (we hope) get a novel published. I'll keep you informed along the way.
Today's Blog: To see the steps in the publication process, visit my writing website http://www.ldalford.com/ and select "production schedule," you will be sent to http://www.sisteroflight.com/.

Here are my rules of writing:

1. Don't confuse your readers.
2. Entertain your readers.
3. Ground your readers in the writing.
4. Don't show (or tell) everything.

All language is symbols. Therefore it shouldn't surprise you that your writing should include higher level symbols. What are higher level symbols? I mentioned before the cross as a symbol. The cross is a higher level symbol--a symbol that doesn't depend on language. Symbols can be ready made or author made symbols. Some symbols are a mix.

Lack of clothing--nudity or nakedness--is as powerful a statement as clothing. There is a difference between nudity and nakedness. Both are cultural symbols. In real life people take off their clothing for various reasons. In a novel, unless it drives the plot, theme, or story line there is no reason to write about nudity. On the other hand, it it supports the plot, theme, or storyline, the action, consequences, and reasons for a character's nudity or nakedness are important. If you don't know, nudity usually refers to the simple action of being unclothed--nakedness implies a purpose for being unclothed, usually nefarious.

In my novels, especially the Aegypt (Ancient Light) novels, I use nudity with specific cultural symbols in mind.

Back to Eden
One of the main themes in the Aegypt Novels is 'back to Eden' driven by Leora. Leora, the Goddess of Light, is not perfect, but she is the archetype Eve--the perfect woman. Her nudity demonstrates and represents her closeness to God. Likewise Lumie're, her daughter, and the Goddess of Darkness, in her time, is clothed and uncomfortable unclothed. These symbols play throughout the novels with this specific purpose.

Good/Purity and Evil/Impurity
Leora, the Goddess of Light, is nude at certain times, and Leila, is always naked. The contrast within the books is their stature and pose--the purpose for their nudity is to represent the concept the Jews call Eve/Lilith. Eve was created perfect, the mother of mankind, Lilith was created perfect and the mother of demons. The concept displays how beauty and perfection of form does not equate to beauty and perfection of purpose.

Cultural Comparison/Contrast
I write about cultures and societies in my novels. Many cultures are driven by clothing, many are not. The contrast and comparison is wonderful. The play between them significant. A powerful contrast in many cultures is their view of nudity. The ancient Irish culture abhorred it, while the Greeks thought it was completely normal. This comparison/contrast based on clothing, or the lack of it, provides a powerful driver for plot lines.

Shock
Shock refers to the characters and the readers. The shock value of the use of nudity in a fashion the reader may not expect can be powerful--the shock value between characters whose cultural perceptions are very different are priceless. These cannot drive a theme, but they provide some power within a theme--especially a theme about culture.

All these ideas and symbols work together on a page. They are self supporting and although can be used separately, gain power through being used together.

There is much more to writing without confusing your readers. I'll write about that tomorrow. The following is a question asked by one of my readers. I'm going to address this over time: Please elaborate on scene, theme, plot, character development in a new novel creation....ie, the framework, the development, order if operation, the level of detail, guidelines, rule of thumb, tricks, traps and techniques. To what extent do you outline the historic context, culture, mannerism, speech, dress and thought process of the main characters, in a historic novel...in order to maintain integrity, and gradually (help) reveal attributes of a character in the story, or otherwise clarify the plot, scene, transition, tension or resolution?

I'll repeat my published novel websites so you can see more examples: http://www.ldalford.com/, and the individual novel websites: http://www.aegyptnovel.com/, http://www.centurionnovel.com/, http://www.thesecondmission.com/, http://www.theendofhonor.com/, http://www.thefoxshonor.com/, and http://www.aseasonofhonor.com/.