22 January 2016, Writing Ideas
- New Novel, part 651, Release Mannerisms Suggested by Speech Q and A
Announcement: Delay, my new novels can be seen on the internet, but the publisher
has delayed all their fiction output due to the economy. I'll keep you
informed. More information can be found at www.ancientlight.com. Check out my novels--I think you'll really enjoy
them.
Introduction: I wrote the novel Aksinya: Enchantment and the Daemon.
This was my 21st novel and through this blog, I gave you the entire novel in
installments that included commentary on the writing. In the commentary, in
addition to other general information on writing, I explained, how the novel
was constructed, the metaphors and symbols in it, the writing techniques and
tricks I used, and the way I built the scenes. You can look back through this
blog and read the entire novel beginning with http://www.pilotlion.blogspot.com/2010/10/new-novel-part-3-girl-and-demon.html.
I'm using this novel as an example
of how I produce, market, and eventually (we hope) get a novel published. I'll
keep you informed along the way.
Today's Blog: To see the steps in the publication process, visit my
writing website http://www.ldalford.com/ and select "production
schedule," you will be sent to http://www.sisteroflight.com/.
The four plus one basic rules I
employ when writing:
1. Don't confuse your readers.
2. Entertain your readers.
3. Ground your readers in the
writing.
4. Don't show (or tell) everything.
4a. Show what can be seen, heard, felt, smelled, and tasted on the stage
of the novel.
5. Immerse yourself in the world of your writing.
All novels have five discrete parts:
1. The initial scene (the
beginning)
2. The rising action
3. The climax
4. The falling action
5. The dénouement
The theme statement
of my 26th novel, working title, Shape, is
this: Mrs. Lyons captures a shape-shifting girl in her pantry
and rehabilitates her.
Here is the cover proposal for Escape
from Freedom. Escape is my 25th novel.
The most important scene in any
novel is the initial scene, but eventually, you have to move to the rising
action. I’m editing many of my novels using comments from my primary
reader. I’m on Children of Light and Darkness at the moment.
I'm
an advocate of using the/a scene input/output method to drive the rising
action--in fact, to write any novel.
Scene development:
1. Scene input (easy)
2. Scene output (a little
harder)
3. Scene setting (basic stuff)
4. Creativity (creative
elements of the scene)
5. Tension (development of
creative elements to build excitement)
6. Release (climax of creative
elements)
I can immediately discern three ways
to invoke creativity:
1. Historical extrapolation
2. Technological extrapolation
3. Intellectual
extrapolation
Creativity is like
an extrapolation of what has been. It is a reflection of something
new created with ties to the history, science, and logic (the
intellect). Creativity requires consuming, thinking, and producing.
One of my blog readers posed these
questions. I'll use the next few weeks to answer them.
14. Mannerism suggested by
speech
15. Style
16. Distinct manner of writing
or speaking you employ, and why (like Pinter's style includes gaps, silences,
non-sequitors, and fragments while Chekhov's includes 'apparent' inconclusiveness).
Moving on to 14. 14.
Mannerism suggested by speech
When
you describe a mannerism, action, or gesture through speech, don’t overdo it
and save it for the release. If you
remember, in pacing, I described the release like a properly told joke. Improper pacing (or timing) when telling a
joke makes the joke fall flat. This is
true in a scene as well. In a scene,
proper pacing (timing) brings the release of the tension to just the proper
boiling point before giving the climax of the scene. The climax is the release.
One
of the best means to bring about the release is a well-placed conversational
gesture. So, for example, the tension
build up is for the protagonist who is trying out for the football team. He gives his all, but that isn’t enough to
get him on the team. At the end, the
coach announces the new team members and the protagonist isn’t on the
list. He turns and the team manager, a
girl, tosses him a towel and whispers, “I thought you’d make the team—keep the
towel as long as you like.” He held the
towel over his eyes.
Here
is a conversation that implies a mannerism from the protagonist. Look at how much is conveyed in this very
simple statement. The statement implies,
the protagonist is visibly upset and the team manager, who is likely his
friend, and perhaps interested in him, gives him a towel with the whispered
comment. The implication is the boy is
unhappy, perhaps to the point of tears, but the author and the team manager
protect his manhood. This is also
another means of showing emotion without telling about it. You can immediately understand the power of
this kind of conversation and this kind of action—the author doesn’t have to
tell or describe anything. The readers
get it without any other explanation.
Look
for points in your own writing where you can use this type of writing technique—this
is a very advanced technique, but the way.
More tomorrow.
For more information, you can visit my
author site http://www.ldalford.com/, and my individual novel websites:
http://www.ancientlight.com/
http://www.aegyptnovel.com/
http://www.centurionnovel.com
http://www.thesecondmission.com/
http://www.theendofhonor.com/
http://www.thefoxshonor.com
http://www.aseasonofhonor.com
fiction, theme, plot, story, storyline,
character development, scene, setting, conversation, novel, book, writing,
information, study, marketing, tension, release, creative, idea, logic
http://www.aegyptnovel.com/
http://www.centurionnovel.com
http://www.thesecondmission.com/
http://www.theendofhonor.com/
http://www.thefoxshonor.com
http://www.aseasonofhonor.com
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