Writing - part x889, Writing a Novel, Changing World and Markets

14 June 2019, Writing - part x889, Writing a Novel, Changing World and Markets

Announcement: Delay, my new novels can be seen on the internet, but my primary publisher has gone out of business—they couldn’t succeed in the past business and publishing environment.  I'll keep you informed, but I need a new publisher.  More information can be found at www.ancientlight.com.  Check out my novels--I think you'll really enjoy them.

Introduction: I wrote the novel Aksinya: Enchantment and the Daemon. This was my 21st novel and through this blog, I gave you the entire novel in installments that included commentary on the writing. In the commentary, in addition to other general information on writing, I explained, how the novel was constructed, the metaphors and symbols in it, the writing techniques and tricks I used, and the way I built the scenes. You can look back through this blog and read the entire novel beginning with http://www.pilotlion.blogspot.com/2010/10/new-novel-part-3-girl-and-demon.html.

I'm using this novel as an example of how I produce, market, and eventually (we hope) get a novel published. I'll keep you informed along the way.

Today's Blog: To see the steps in the publication process, visit my writing website s http://www.sisteroflight.com/.

The four plus one basic rules I employ when writing:

1. Don't confuse your readers.

2. Entertain your readers.

3. Ground your readers in the writing.

4. Don't show (or tell) everything.

     4a. Show what can be seen, heard, felt, smelled, and tasted on the stage of the novel.

5. Immerse yourself in the world of your writing.

These are the steps I use to write a novel including the five discrete parts of a novel:

1.     Design the initial scene

2.     Develop a theme statement (initial setting, protagonist, protagonist’s helper or antagonist, action statement)

a.     Research as required

b.     Develop the initial setting

c.     Develop the characters

d.     Identify the telic flaw (internal and external)

3.     Write the initial scene (identify the output: implied setting, implied characters, implied action movement)

4.     Write the next scene(s) to the climax (rising action)

5.     Write the climax scene

6.     Write the falling action scene(s)

7.     Write the dénouement scene

I finished writing my 29^th novel, working title, Detective, potential title Blue Rose: Enchantment and the Detective.  The theme statement is: Lady Azure Rose Wishart, the Chancellor of the Fae, supernatural detective, and all around dangerous girl, finds love, solves cases, breaks heads, and plays golf.  

Here is the cover proposal for Blue Rose: Enchantment and the Detective. 

Cover Proposal

The most important scene in any novel is the initial scene, but eventually, you have to move to the rising action. I am continuing to write on my 30^th novel, working title Red Sonja.  I finished my 29^th novel, working title Detective.  I’m planning to start on number 31, working title Shifter. 

How to begin a novel.  Number one thought, we need an entertaining idea.  I usually encapsulate such an idea with a theme statement.  Since I’m writing a new novel, we need a new theme statement.  Here is an initial cut.

For novel 30:  Red Sonja, a Soviet spy, infiltrates the X-plane programs at Edwards AFB as a test pilot’s administrative clerk, learns about freedom, and is redeemed.

For novel 31:  Deirdre and Sorcha are redirected to French finishing school where they discover difficult mysteries, people, and events. 

Here is the scene development outline:

1. Scene input (comes from the previous scene output or is an initial scene)

2. Write the scene setting (place, time, stuff, and characters)

3. Imagine the output, creative elements, plot, telic flaw resolution (climax) and develop the tension and release.

4. Write the scene using the output and creative elements to build the tension.

5. Write the release

6. Write the kicker

          

Today:  Why don’t we go back to the basics and just writing a novel?  I can tell you what I do, and show you how I go about putting a novel together.  We can start with developing an idea then move into the details of the writing. 

To start a novel, I picture an initial scene.  I may start from a protagonist or just launch into mental development of an initial scene.  I get the idea for an initial scene from all kinds of sources.  To help get the creative juices flowing, let’s look at the initial scene. 

1.     Meeting between the protagonist and the antagonist or the protagonist’s helper

2.     Action point in the plot

3.     Buildup to an exciting scene

4.     Indirect introduction of the protagonist

The protagonist is the novel and the initial scene.  If you look at the four basic types of initial scenes, you see the reflection of the protagonist in each one.  If you noticed my examples yesterday, I expressed the scene idea, but none were completely independent of the protagonist.  Indeed, in most cases, I get an idea with a protagonist.  The protagonist is incomplete, but a sketch to begin with.  You can start with a protagonist, but in my opinion, as we see above, the protagonist is never completely independent from the initial scene.  As the ideas above imply, we can start with the characters, specifically the protagonist, antagonist or protagonist’s helper, and develop an initial scene. 

Let’s look at a subject that is really ignored in the modern era.  I’m not certain how much this can help your current writing.  I would argue that theoretically, this subject can really help those who write historical and futuristic fiction.  It depends on how your write your historical and futuristic fiction.  There are two ways to write historical fiction—let’s look at this.

The first and most common way to write historical fiction is to write a novel that projects modern ideas and history as historical ideas and history.  In other words to present modern ideas and historical ideas as the same.  I think this is perhaps the most egregious and perverse means of presenting a false view of history.  The author is either completely ignorant of the past, is intentionally attempting to education people in a false view of history, or both.  The real historical world is very different both culturally and socially from our current world.  The true author attempts to convey this in historical writing.

The second and less common means of historical writing is to actually incorporate the past into a novel to convey the actual way people thought and acted in the past.  This approach actually goes back into time to give a complete view of the way the people thought and acted.  To this end, let’s look at how the world changed and how people thought in the past.  This is more of a historical look at the world for the purpose of understanding how the world worked in the past and how people thought and acted.  We’ll use historical information to see what concerned affected their lives. Here is a list of potential issues.  We’ll look at them in detail:

1.   Vocabulary

2.   Ideas

3.   Social construction

4.   Culture

5.   Politics

6.   History

7.   Language

8.   Common knowledge

9.   Common sense

10. Reflected culture

11. Reflected history

12. Reflected society

13. Truth

14. Food

15. Money

16. Weapons and warfare

17. Transportation

18. Communication

19. Writing

20. Education

What’s the big deal with money?  Money is also called capital.  People get confused about this all the time, so let me define this for you.  The use of capital for trade instead of proto-money or goods is called capitalism.  That’s all capitalism is.  Capitalism means using capital (money) to purchase goods and services instead of barter.  Let’s talk about markets.

The law of markets is that price is governed by availability and availability governs price.  What happens when people or a government try to control a market?  If you notice the law of markets is an economic law.  It is like the law of gravity, you ignore the law of gravity at your peril, likewise, the law of markets is immutable.

The law of markets says that a market is not controllable—it can only be perturbed.  For example, if I try to control price, I affect availability.  If I try to control availability, I affect price.  This is why wage and price controls always fail.  Not only do they fail, they hurt people and economies.  For example, if I try to control the price of bread (lower than market) so people can afford bread, the availability of bread will go down.  No one will produce bread at a loss.  Eventually, someone will discover a means of producing bread at a lower cost, which again makes bread profitable, but many people will starve because of the lack of bread.  In addition, price controls create a black market in bread. 

On the other hand, if I try to control availability, it will affect price.  These are factors the government can’t control.  This law of markets is what confounds governments and anyone who tries to affect or control markets.  In thinking about markets, let’s recognize monopolies.  There are three types of monopolies: a natural monopoly, a government allowed monopoly, and a government controlled monopoly.  Because of the law of markets, natural monopolies don’t usually harm people.  Not only is the law of markets in play with a natural monopoly, but also the law of technology and commodities.  The law of markets has to do with price and availability, the law of technology and commodities has to do with availability.  They are directly related.  How does this work.

First of all a market is usually competitive, this causes prices to hold or move based on availability of the commodity or service.  If the availability of the product goes down, the price goes up, but likewise people study new ways to develop or produce a product or commodity.  This research eventually makes the commodity more available at a lower cost or produces a product that supersedes the current market.  This is why we will never run out of commodities. 

As availability goes down price goes up.  More people try to get into the market and develop cheaper means to acquire the commodity.  You can’t run out of a commodity because of this market dynamic.  Further, in a natural monopoly, inventers try to find a new technology to sell that competes better than the original good.  For example, broadcast TV was superseded by cable.  Today, cable is being superseded by internet sources.  In the past Edison recorders gave way to records which gave way to 33rpm records which lost out to digital recordings which gave way to digital files—something will eventually excel the capability of digital files.  Who knows what will happen next?  The market knows something must supersede the current means and mechanism for song production and distribution.

The real problem becomes not a natural market, but a government allowed or controlled market.  These significantly perturb a market.                

More tomorrow.

For more information, you can visit my author site http://www.ldalford.com/, and my individual novel websites:

http://www.ancientlight.com/
http://www.aegyptnovel.com/
http://www.centurionnovel.com
http://www.thesecondmission.com/
http://www.theendofhonor.com/
http://www.thefoxshonor.com
http://www.aseasonofhonor.com  

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