17 June 2019, Writing - part x892,
Writing a Novel, Changing World and Perturbed Competition
Announcement: Delay, my new novels can be seen on the internet, but my primary
publisher has gone out of business—they couldn’t succeed in the past business
and publishing environment. I'll keep you informed, but I need a new publisher. More
information can be found at www.ancientlight.com.
Check out my novels--I think you'll really enjoy them.
Introduction: I wrote the novel Aksinya: Enchantment and the Daemon.
This was my 21st novel and through this blog, I gave you the entire novel in
installments that included commentary on the writing. In the commentary, in
addition to other general information on writing, I explained, how the novel
was constructed, the metaphors and symbols in it, the writing techniques and
tricks I used, and the way I built the scenes. You can look back through this
blog and read the entire novel beginning with http://www.pilotlion.blogspot.com/2010/10/new-novel-part-3-girl-and-demon.html.
I'm using this novel as an example
of how I produce, market, and eventually (we hope) get a novel published. I'll
keep you informed along the way.
Today's Blog: To see the steps in the publication process, visit my
writing website s http://www.sisteroflight.com/.
The four plus one basic rules I
employ when writing:
1. Don't confuse your readers.
2. Entertain your readers.
3. Ground your readers in the
writing.
4. Don't show (or tell) everything.
4a. Show what can be seen, heard, felt, smelled, and tasted on the stage
of the novel.
5. Immerse yourself in the world of your writing.
These are the steps I use to write a
novel including the five discrete parts of a novel:
1.
Design the initial scene
2.
Develop a theme statement (initial
setting, protagonist, protagonist’s helper or antagonist, action statement)
a.
Research as required
b.
Develop the initial setting
c.
Develop the characters
d.
Identify the telic flaw (internal
and external)
3.
Write the initial scene (identify
the output: implied setting, implied characters, implied action movement)
4.
Write the next scene(s) to the
climax (rising action)
5.
Write the climax scene
6.
Write the falling action scene(s)
7.
Write the dénouement scene
I
finished writing my 29th novel, working title, Detective, potential
title Blue Rose: Enchantment and the Detective. The theme statement is: Lady Azure Rose
Wishart, the Chancellor of the Fae, supernatural detective, and all around
dangerous girl, finds love, solves cases, breaks heads, and plays golf.
Here is the cover proposal for Blue
Rose: Enchantment and the Detective.
The most important scene in any
novel is the initial scene, but eventually, you have to move to the rising
action. I am continuing to write on my 30th novel, working
title Red Sonja. I finished my 29th novel, working
title Detective. I’m planning to start on number 31, working
title Shifter.
How to begin a novel. Number one thought, we need an entertaining
idea. I usually encapsulate such an idea
with a theme statement. Since I’m
writing a new novel, we need a new theme statement. Here is an initial cut.
For novel 30: Red Sonja, a Soviet spy, infiltrates the
X-plane programs at Edwards AFB as a test pilot’s administrative clerk, learns
about freedom, and is redeemed.
For novel 31: Deirdre and Sorcha are redirected to French
finishing school where they discover difficult mysteries, people, and events.
Here
is the scene development outline:
1.
Scene input (comes from the previous scene output or is an initial scene)
2.
Write the scene setting (place, time, stuff, and characters)
3.
Imagine the output, creative elements, plot, telic flaw resolution (climax) and
develop the tension and release.
4.
Write the scene using the output and creative elements to build the tension.
5.
Write the release
6.
Write the kicker
Today: Why don’t we go back
to the basics and just writing a novel?
I can tell you what I do, and show you how I go about putting a novel
together. We can start with developing
an idea then move into the details of the writing.
To
start a novel, I picture an initial scene.
I may start from a protagonist or just launch into mental development of
an initial scene. I get the idea for an
initial scene from all kinds of sources.
To help get the creative juices flowing, let’s look at the initial
scene.
1.
Meeting between the protagonist and
the antagonist or the protagonist’s helper
2.
Action point in the plot
3.
Buildup to an exciting scene
4.
Indirect introduction of the
protagonist
The protagonist is the novel and the
initial scene. If you look at the four
basic types of initial scenes, you see the reflection of the protagonist in
each one. If you noticed my examples
yesterday, I expressed the scene idea, but none were completely independent of
the protagonist. Indeed, in most cases,
I get an idea with a protagonist. The
protagonist is incomplete, but a sketch to begin with. You can start with a protagonist, but in my
opinion, as we see above, the protagonist is never completely independent from
the initial scene. As the ideas above imply,
we can start with the characters, specifically the protagonist, antagonist or
protagonist’s helper, and develop an initial scene.
Let’s look at a subject that is
really ignored in the modern era. I’m
not certain how much this can help your current writing. I would argue that theoretically, this
subject can really help those who write historical and futuristic fiction. It depends on how your write your historical
and futuristic fiction. There are two
ways to write historical fiction—let’s look at this.
The first and most common way to
write historical fiction is to write a novel that projects modern ideas and
history as historical ideas and history.
In other words to present modern ideas and historical ideas as the
same. I think this is perhaps the most
egregious and perverse means of presenting a false view of history. The author is either completely ignorant of
the past, is intentionally attempting to education people in a false view of
history, or both. The real historical
world is very different both culturally and socially from our current
world. The true author attempts to
convey this in historical writing.
The second and less common means of
historical writing is to actually incorporate the past into a novel to convey
the actual way people thought and acted in the past. This approach actually goes back into time to
give a complete view of the way the people thought and acted. To this end, let’s look at how the world
changed and how people thought in the past.
This is more of a historical look at the world for the purpose of
understanding how the world worked in the past and how people thought and
acted. We’ll use historical information
to see what concerned affected their lives. Here is a list of potential issues. We’ll look at them in detail:
1. Vocabulary
2. Ideas
3. Social
construction
4. Culture
5. Politics
6. History
7. Language
8. Common
knowledge
9. Common
sense
10. Reflected
culture
11. Reflected
history
12. Reflected
society
13. Truth
14. Food
15. Money
16. Weapons and warfare
17. Transportation
18. Communication
19.
Writing
20. Education
What’s the big deal with money? Money is also called capital. People get confused about this all the time,
so let me define this for you. The use
of capital for trade instead of proto-money or goods is called capitalism. That’s all capitalism is. Capitalism means using capital (money) to
purchase goods and services instead of barter.
Let’s talk about markets.
The law of markets is that price is
governed by availability and availability governs price.
The law of competition is that in any
market competitive pressures will all cause prices to reduce because
availability will always go up—that is unless the government tries to control
the market. A fascist economy is a
socialist economy that is controlled by the government through regulations. A socialist economy is one where the
government owns businesses. A communist
economy is where the government owns the means of production. These three types of economies, fascist,
socialist, and communist, are unnatural economies—they require government
control to enforce them. The problem is
that no one can control a market. This
is a short way of expressing the law of markets and the law of competition.
As we noted, if the government tries
to control a market, it has the opposite effect. Any attempt to control a market results in a
perturbation of the market—a market can’t be controlled. Control the price of goods and the availability
is affected. Affect the availability of
goods and price is affected. If you try
to control both, you will cause market stagnation—this isn’t a good thing, but
there is something worse that governments can do: perturbation of competition
and lost opportunity. Effects on competition
are dangerous to development, but lost opportunity directly harms people.
One of the most egregious examples
of lost opportunity in the USA is Social Security. Social Security takes approximately 15% (its
about 14% but let’s just round it up for effect) of every worker’s paycheck. The worker pays in 7% and the business pays
in 7%, but this is all 14% the worker would otherwise see in their paycheck if
there was no Social Security. This 15%
is not invested by the government—it is immediately spent. Most is spent to pay past Social Security
recipients. If the worker kept that 15%,
they might spend it all on themselves and their families. They might invest all or a part of it. If you look at the savings of workers in the
USA for 401Ks, you will see that most workers maximize their savings at the
highest they can and the highest matching of their employers. In other words, the workers would invest
their savings when they are given market incentives to do so. I would argue based on lost opportunity that
most workers would invest no matter what because they understand the importance
of early and constant investments.
Here is the harm to the society and
to the individual—lost opportunity. The first
lost opportunity is the government took and expended 15% or the income of the
nation. This money could be invested in
industry and society. It could buy tacos
at the worst, but still help keep the economy moving. It could be invested in business and produce
great investment value. In case you
might argue that the government giving money to the wealthy aged is a good
investment of the 15%, remember 20% of the whole goes to administering the
funds, 20% goes to waste, fraud, and abuse, and we are not certain how much is
otherwise wasted due to prosecuting, incarcerating, and other social affects
due to Social Security. Less than 60
cents of every dollar goes to the people who “invested” in the Social Security Ponzi
scheme.
Those 15% of every dollar of income
could have been used for investment and for development—instead it goes to the
wealthy aged.
You might say, but some goes to the
poor aged. Social Security is supposed
to be a retirement plan. The young are
poor. The aged work all their lives and
have increasing pay and opportunities.
They have had their life to invest, save, work, and earn. The youth who bear the burden of Social
Security are compelled by force to support their parents, grandparents, and
other peoples’ parents and grandparents.
How is this fair or just? How is
this reasonable? The aged are supposed
to provide for the young not the other way around. By the way, one of the unintended consequence
of Social Security are the many young people living with their parents because
the parents get benefits that the youth have to pay for. Silly and irrational isn’t it.
Lost opportunity is a great harm to
a society, but lost competition is even worse.
More
tomorrow.
For more information, you can visit my
author site http://www.ldalford.com/,
and my individual novel websites:
http://www.ancientlight.com/
http://www.aegyptnovel.com/
http://www.centurionnovel.com
http://www.thesecondmission.com/
http://www.theendofhonor.com/
http://www.thefoxshonor.com
http://www.aseasonofhonor.com
http://www.aegyptnovel.com/
http://www.centurionnovel.com
http://www.thesecondmission.com/
http://www.theendofhonor.com/
http://www.thefoxshonor.com
http://www.aseasonofhonor.com
fiction, theme, plot, story, storyline, character development, scene, setting, conversation, novel, book, writing, information, study, marketing, tension, release, creative, idea, logic
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