4 October 2019, Writing - part
xx001 Writing a Novel, First Century Greek
Announcement: Delay, my new novels can be seen on the internet, but my primary
publisher has gone out of business—they couldn’t succeed in the past business
and publishing environment. I'll keep you informed, but I need a new publisher. More
information can be found at www.ancientlight.com.
Check out my novels--I think you'll really enjoy them.
Introduction: I wrote the novel Aksinya: Enchantment and the Daemon.
This was my 21st novel and through this blog, I gave you the entire novel in
installments that included commentary on the writing. In the commentary, in
addition to other general information on writing, I explained, how the novel
was constructed, the metaphors and symbols in it, the writing techniques and
tricks I used, and the way I built the scenes. You can look back through this
blog and read the entire novel beginning with http://www.pilotlion.blogspot.com/2010/10/new-novel-part-3-girl-and-demon.html.
I'm using this novel as an example
of how I produce, market, and eventually (we hope) get a novel published. I'll
keep you informed along the way.
Today's Blog: To see the steps in the publication process, visit my
writing websites http://www.sisteroflight.com/.
The four plus one basic rules I
employ when writing:
1. Don't confuse your readers.
2. Entertain your readers.
3. Ground your readers in the
writing.
4. Don't show (or tell) everything.
4a. Show what can be seen, heard, felt, smelled, and tasted on the stage
of the novel.
5. Immerse yourself in the world of your writing.
These are the steps I use to write a
novel including the five discrete parts of a novel:
1.
Design the initial scene
2.
Develop a theme statement (initial
setting, protagonist, protagonist’s helper or antagonist, action statement)
a.
Research as required
b.
Develop the initial setting
c.
Develop the characters
d.
Identify the telic flaw (internal
and external)
3.
Write the initial scene (identify
the output: implied setting, implied characters, implied action movement)
4.
Write the next scene(s) to the
climax (rising action)
5.
Write the climax scene
6.
Write the falling action scene(s)
7.
Write the dénouement scene
I
finished writing my 29th novel, working title, Detective, potential
title Blue Rose: Enchantment and the Detective. The theme statement is: Lady Azure Rose
Wishart, the Chancellor of the Fae, supernatural detective, and all around
dangerous girl, finds love, solves cases, breaks heads, and plays golf.
Here is the cover proposal for Blue
Rose: Enchantment and the Detective.
|
|
Cover
Proposal
|
The most important scene in any
novel is the initial scene, but eventually, you have to move to the rising
action. I am continuing to write on my 30th novel, working
title Red Sonja. I finished my 29th novel, working
title Detective. I’m planning to start on number 31, working
title Shifter.
How to begin a novel. Number one thought, we need an entertaining
idea. I usually encapsulate such an idea
with a theme statement. Since I’m
writing a new novel, we need a new theme statement. Here is an initial cut.
For novel 30: Red Sonja, a Soviet spy, infiltrates the
X-plane programs at Edwards AFB as a test pilot’s administrative clerk, learns
about freedom, and is redeemed.
For novel 31: Deirdre and Sorcha are redirected to French
finishing school where they discover difficult mysteries, people, and events.
Here
is the scene development outline:
1.
Scene input (comes from the previous scene output or is an initial scene)
2.
Write the scene setting (place, time, stuff, and characters)
3.
Imagine the output, creative elements, plot, telic flaw resolution (climax) and
develop the tension and release.
4.
Write the scene using the output and creative elements to build the tension.
5.
Write the release
6.
Write the kicker
Today: Why don’t we go back
to the basics and just writing a novel?
I can tell you what I do, and show you how I go about putting a novel
together. We can start with developing
an idea then move into the details of the writing.
To
start a novel, I picture an initial scene.
I may start from a protagonist or just launch into mental development of
an initial scene. I get the idea for an
initial scene from all kinds of sources.
To help get the creative juices flowing, let’s look at the initial
scene.
1.
Meeting between the protagonist and
the antagonist or the protagonist’s helper
2.
Action point in the plot
3.
Buildup to an exciting scene
4.
Indirect introduction of the
protagonist
The protagonist is the novel and the
initial scene. If you look at the four
basic types of initial scenes, you see the reflection of the protagonist in
each one. If you noticed my examples
yesterday, I expressed the scene idea, but none were completely independent of
the protagonist. Indeed, in most cases,
I get an idea with a protagonist. The
protagonist is incomplete, but a sketch to begin with. You can start with a protagonist, but in my
opinion, as we see above, the protagonist is never completely independent from
the initial scene. As the ideas above imply,
we can start with the characters, specifically the protagonist, antagonist or
protagonist’s helper, and develop an initial scene.
Let’s look at a subject that is
really ignored in the modern era. I’m
not certain how much this can help your current writing. I would argue that theoretically, this
subject can really help those who write historical and futuristic fiction. It depends on how your write your historical
and futuristic fiction. There are two
ways to write historical fiction—let’s look at this.
The first and most common way to
write historical fiction is to write a novel that projects modern ideas and
history as historical ideas and history.
In other words to present modern ideas and historical ideas as the
same. I think this is perhaps the most
egregious and perverse means of presenting a false view of history. The author is either completely ignorant of
the past, is intentionally attempting to education people in a false view of
history, or both. The real historical
world is very different both culturally and socially from our current
world. The true author attempts to
convey this in historical writing.
The second and less common means of
historical writing is to actually incorporate the past into a novel to convey
the actual way people thought and acted in the past. This approach actually goes back into time to
give a complete view of the way the people thought and acted. To this end, let’s look at how the world
changed and how people thought in the past.
This is more of a historical look at the world for the purpose of
understanding how the world worked in the past and how people thought and
acted. We’ll use historical information
to see what concerned affected their lives. Here is a list of potential issues. We’ll look at them in detail:
1. Vocabulary
2. Ideas
3. Social
construction
4. Culture
5. Politics
6. History
7. Language
8. Common
knowledge
9. Common
sense
10. Reflected
culture
11. Reflected
history
12. Reflected
society
13. Truth
14. Food
15. Money
16. Weapons and warfare
17. Transportation
18. Communication
19.
Writing
20. Education
Education is everything in terms of
writing and especially writing novels.
If you remember, really before universal literacy, the novel didn’t have
a chance. Just like every great
innovation or invention, the development of an entertainment market caused the
novel to be created and to make its mark on human history.
The year 323 BC brought a great
turning point to education in the world and to the Greeks—the reason was Hellenization. The First Century brought a greater change
due to the influence of teen Hodos (the way) the Jewish sect that was later
called Christians.
The world wanted to speak Greek,
read Greek, write Greek, and be Greek.
The Greeks already had two systems or facilities to accommodate their
own. The first was the gymnasium. The gymnasium was likely the most
ancient. Children, actually men who had
not reached the age and experience of maturity (about 30 years) went to the
gymnasium to learn military skills.
Later, they practiced athletics. Finally,
they memorized and discussed Greek poetry and writing. The gymnasiums were the focal point of the
Greek well-rounded education with military, athletics, and symposia. Once a Greek man had reached the experience
and age of maturity (about 30) he needed something more, that something was the
lyceum.
The lyceum is where we find
Socrates, Plato, and Aristotle discussing ideas and philosophy. Men who were not mature, by Greek standards
might watch, but they couldn’t participate in the discussions. The gymnasium and the lyceum were the means
Greek men could become educated along the Greek culture and the important Greek
skills of civilization. Remember,
military, athletics, and symposium (memorizing and discussing the Greek
literature and poetry). These existed to
educate Hellenized Greek subjects as well, but they needed something more. The something more was the schole.
A schole was the place you paid to
learn Greek and Greek culture.
Generally, in the schole you didn’t learn military skills or athletic
skills, you learned Greek language and culture.
The scholes were created to teach Greek to the Hellenized cultures that
were brought about by Alexander’s conquests.
That’s why the year 323 BC is so significant.
What you had during the First
Century was the gymnasiums catering mainly to the Greeks, the lyceums catering
to philosophers, and the schole where non-Greeks paid to learn Greek and Greek
culture. Then came teen Hodos.
Teen Hodos (the way) was significant
because it integrated the Jewish synagogue and pharisaic educational system
with that of the Greeks. Teen Hodos
members were instructed to attend and learn at the synagogue, and they did—until
they were kicked out. Many many Greeks
were picking up this teen Hodos religion, mysterium, and way of life. They wanted a means of education and
learning. The Greek schole provided the
place. The schole was likely a place
where people paid to learn Greek language and Greek ways—they now became
centers for learning teen Hodos ways.
The remarkable characteristic of teen Hodos is that the adherents had
created a body of historical writing which required memorization and
study. They additionally had a body of
writing, in Greek, the Septuagint, which was the Torah, Tanakh, including the
apocryphal documents of the Jews. Thus,
the schole had a lot to teach.
We don’t know if the teen Hodos
scholes charged fees like the normal Greek scholes. They likely did not. Or the fees were minimal. We do see examples especially in Acts of the
scholes accommodating teen Hodos and others for the purpose of memorization (reading)
and study of the Septuagint and the early documents of teen Hodos.
This was the beginnings of what we
call the Western system of education.
This is the model of education for the next two thousand years. It changed only as teen Hodos changed
especially in regard to reading. It
became the model for Jewish studies, although the synagogue and pharisaic model
remained intact, it absorbed the concepts of the Greek or rather teen Hodos
schole. You can see this in the Masoretic
improvements to the Jewish documents (Torah and tanakh) which made them
readable and not just memorizable. The
synagogue and pharisaic educational systems kept their focus but assimilated
those of the schole. This is the
ultimate basis for all modern education.
Basically, we send children and
adults to learn languages, to read, and to study. This system remained almost unchanged until the
age of universal education. There were a
few steps in between.
The next great change was the age of
universal literacy in the West.
More
tomorrow.
For more information, you can visit my
author site http://www.ldalford.com/,
and my individual novel websites:
http://www.ancientlight.com/
http://www.aegyptnovel.com/
http://www.centurionnovel.com
http://www.thesecondmission.com/
http://www.theendofhonor.com/
http://www.thefoxshonor.com
http://www.aseasonofhonor.com
http://www.aegyptnovel.com/
http://www.centurionnovel.com
http://www.thesecondmission.com/
http://www.theendofhonor.com/
http://www.thefoxshonor.com
http://www.aseasonofhonor.com
fiction, theme, plot, story, storyline, character development, scene, setting, conversation, novel, book, writing, information, study, marketing, tension, release, creative, idea, logic
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