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Tuesday, October 9, 2018

Writing - part x641, Developing Skills, How to Suspend Disbelief, Building Pathos in Scenes, more Example

9 October 2018, Writing - part x641, Developing Skills, How to Suspend Disbelief, Building Pathos in Scenes, more Example

Announcement: Delay, my new novels can be seen on the internet, but my primary publisher has gone out of business—they couldn’t succeed in the past business and publishing environment.  I'll keep you informed, but I need a new publisher.  More information can be found at www.ancientlight.com.  Check out my novels--I think you'll really enjoy them.

Introduction: I wrote the novel Aksinya: Enchantment and the Daemon. This was my 21st novel and through this blog, I gave you the entire novel in installments that included commentary on the writing. In the commentary, in addition to other general information on writing, I explained, how the novel was constructed, the metaphors and symbols in it, the writing techniques and tricks I used, and the way I built the scenes. You can look back through this blog and read the entire novel beginning with http://www.pilotlion.blogspot.com/2010/10/new-novel-part-3-girl-and-demon.html.

I'm using this novel as an example of how I produce, market, and eventually (we hope) get a novel published. I'll keep you informed along the way.

Today's Blog: To see the steps in the publication process, visit my writing website http://www.ldalford.com/ and select "production schedule," you will be sent to http://www.sisteroflight.com/.
The four plus one basic rules I employ when writing:
1. Don't confuse your readers.
2. Entertain your readers.
3. Ground your readers in the writing.
4. Don't show (or tell) everything.
     4a. Show what can be seen, heard, felt, smelled, and tasted on the stage of the novel.
5. Immerse yourself in the world of your writing.
These are the steps I use to write a novel including the five discrete parts of a novel:

1.      Design the initial scene
2.      Develop a theme statement (initial setting, protagonist, protagonist’s helper or antagonist, action statement)
a.       Research as required
b.      Develop the initial setting
c.       Develop the characters
d.      Identify the telic flaw (internal and external)
3.      Write the initial scene (identify the output: implied setting, implied characters, implied action movement)
4.      Write the next scene(s) to the climax (rising action)
5.      Write the climax scene
6.      Write the falling action scene(s)
7.      Write the dénouement scene
I finished writing my 29th novel, working title, Detective, potential title Blue Rose: Enchantment and the Detective.  The theme statement is: Lady Azure Rose Wishart, the Chancellor of the Fae, supernatural detective, and all around dangerous girl, finds love, solves cases, breaks heads, and plays golf.  
Here is the cover proposal for Blue Rose: Enchantment and the Detective
Cover Proposal
The most important scene in any novel is the initial scene, but eventually, you have to move to the rising action. I am continuing to write on my 30th novel, working title Red Sonja.  I finished my 29th novel, working title Detective.  I’m planning to start on number 31, working title Shifter
How to begin a novel.  Number one thought, we need an entertaining idea.  I usually encapsulate such an idea with a theme statement.  Since I’m writing a new novel, we need a new theme statement.  Here is an initial cut.

For novel 30:  Red Sonja, a Soviet spy, infiltrates the X-plane programs at Edwards AFB as a test pilot’s administrative clerk, learns about freedom, and is redeemed.

For novel 31:  TBD 

Here is the scene development outline:

1. Scene input (comes from the previous scene output or is an initial scene)
2. Write the scene setting (place, time, stuff, and characters)
3. Imagine the output, creative elements, plot, telic flaw resolution (climax) and develop the tension and release.
4. Write the scene using the output and creative elements to build the tension.
5. Write the release
6. Write the kicker
          
Today:  Suspension of disbelief is the characteristic of writing that pulls the reader into the world of the novel in such a way that the reader would rather face the world of the novel rather than the real world—at least while reading.  If this occurs while not reading, it is potentially a mental problem.  To achieve the suspension of disbelief your writing has to meet some basic criteria and contain some strong inspiration.  If you want to call the inspiration creativity, that works too.  Here is a list of the basic criteria to hope to achieve some degree of suspension of disbelief. 

1.      Reasonably written in standard English
2.      No glaring logical fallacies
3.      Reasoned worldview
4.      Creative and interesting topic
5.      A Plot
6.      Entertaining
7.      POV

Everything is about entertainment.  The purpose for all published novels is entertainment.  Other than this is the only point of fiction literature, one of the main reasons is that entertainment can fill a lot of holes as well as result in the suspension of disbelief.

The factors that do lend themselves to entertaining are these:
1.      Characters
2.      Plot
3.      Setting
4.      Topics
5.      Writing
6.      Use of figures of speech (vocabulary and language).

How to develop entertaining protagonists?  I can’t leave the discussion of entertaining protagonists without mentioning the romantic character.  I assert that we are still in the Romantic Era for writing, but whether we are or aren’t, the romantic character is the favored character of most readers.  If your protagonist is a romantic character or has romantic characteristics, this will improve the chance your readers will find them entertaining. 

So, what does a romantic character look like?  I happen to have a short list.  This isn’t a perfect list, but it gets the basic idea.  I’ll find examples as well.

1.       The common man, innocence of humans, and childhood (children)
2.      Focus on strong senses, emotions, and feelings
3.      Awe of nature
4.      Celebration of the individual and individualism
5.      Importance of imagination

To write a scene, we start with an input and develop an output.  Se have characters, a setting, and a known plot which is moving to a climax (telic flaw resolution).  We are looking at developing the middle part of the scene.  I am continuing with the idea of the setup for an example. 

Here is part of this example from my novel, Blue Rose: Enchantment and the Detective:

The room was not crowded with people, but at least fifteen couples stood in the space.  Buffet tables filled with food and drink were stationed under the stairs.  A quartet at the left side played Christmas music intermixed with other classics.  Daniel and Sveta Long stood on the right side. 
Daniel Long was medium height and shorter than Lachlann.  His hair was light brown and his features were fine but nondescript.  He possessed a very pleasant face with a few wrinkles--most seemed to grace his eyes and lips as though he was used to smiling.
Harold stepped forward.  He didn’t look at Azure’s card or invitation, “Mrs. and Mr. Long, may I present the Lady Azure Rose Wishart and her escort, Wing Commander Lachlann Calloway.”
Azure held out her hand and Daniel Long took it, “Good evening, Lady Wishart.  I’d heard Lachlann was coming with you, but I had no idea he could enter into the good graces of such a spectacularly beautiful woman.”  Daniel bowed over her hand.
Azure sniffed, a little put out, “Thank you for inviting me.  I was happy to bring Lachlann with me.”
Daniel released Azure’s hand.  Sveta grasped it and whispered, “I thought I asked you not to wear your signature clothing.”
Azure gave her a tart smile, “It’s not white.”
“Yes, well.  I’ll not say you don’t have excellent taste.  That’s a Dior, isn’t it?”
“The Queen bought it for me especially for your party.”
Sveta rolled her eyes.  She pulled Azure to the side and put her mouth near her ear, “Mrs. Calloway may be attending tonight.”
“Do you wish me to stay out of her sight?”
Sveta sighed, “That will not be possible.  Use your own discretion.  I will not be able to protect you.”
“In your own house?”  Azure scowled, “Lachlann shall protect me.”
“That’s to be seen.”
“As to our business, when will we meet and where?”
Sveta let out another sigh, “When the principles have gathered.  I’m waiting for Klava to arrive.  Enjoy yourselves.  I’ll send Harold for you when we are ready, but I’d like to wait until the party is winding down.”
Azure’s slitted her eyes, “Is there anyone else I should know about who is attending your party?”
Sveta glanced around, “Why?  I don’t think so.  Everyone else here are members of the Organization or MI6.  You’ll not mention anything about that or Stele, please.”
Azure turned her a withering glance, “Really?  Of course not.  Who do you think I am?”
Sveta curtsied, “I do apologize.  I didn’t mean it that way.”
“Very well.”
Azure grasped Lachlann’s hand and pulled him toward the main part of the ballroom.  Lachlann snared them a couple of flutes of Champaign, and they filled their plates from the buffet tables.
They found a quiet table on which to place their food.  Lachlann stated, “Daniel Long is the head of the Organization.”
Azure nodded, “I know.”
“Everyone here is a member of MI6 or the Organization.”
“So Sveta told me.  I suppose, we shall have our little meeting near the end of the party.  Do you think your mother will attend?”
Lachlann’s lips curled down in a frown, “She will indeed.”  He pointed, “There she is now with father.”
Azure turned quickly around and away from the direction Lachlann pointed, “It will be impossible for me to remain hidden in this small room and with this small crowd.”
“She doesn’t know who you are, so don’t be alarmed.”
Azure turned him a baleful glace, “You will protect me.  I insist.”
Lachlann mumbled, “I will protect you—I promised.”
Azure gave him a quavering smile, “That isn’t at all reassuring.”  She picked up her flute of Champaign and took a sip.
Lachlann sucked in a deep breath, “Prepare yourself.  She is coming directly toward us.”
Azure choked and Champaign dribbled from her lips.  Lachlann handed her his napkin.
Mrs. Calloway came right up to them on the other side of the table.  James Calloway grasped Kathrin Calloway’s hand and tried to redirect her, “Kathrin, there are some people I’d like you to meet…”
Mrs. Calloway stopped on the far side of the table.  Her voice was low, but commanding, “There is a single person, whom I would very much like to meet at the moment.  You may go, James.  I’ll catch up with you later.”
James didn’t budge.
Azure didn’t turn around.  She held the napkin against her face.
Mrs. Calloway squinted at Azure’s back, then turned her eyes to Lachlann, “Lachlann Calloway, please introduce me to your date.”
Lachlann cleared his throat, “Mother, you’ve met her before.  This is Miss Azure Rose.”
“Lachlann.  Preposterous.  She is not Miss Azure Rose.  There is no such person.  I suspect this is Lady Azure Rose Wishart.  I demand to know why she is here, and why you are escorting this person?”
Azure didn’t turn around.  She didn’t lower her napkin.
Lachlann licked his lips, “Sveta invited Miss Rose to her Christmas party.  I agreed to escort her.”
“Is this the same schoolgirl you brought to church and our house?”
“Yes, the same Miss Rose.”
“I guessed that something was up.  I checked out your Miss Rose when I looked through Sveta’s invitation list.  Who should I spot but the Lady Wishart.  Lady Wishart, I demand to know why you were included in this party.  I ordered that you should be excluded from any official associations with these groups.”
Azure spoke from behind her napkin, “This is not an official event.”
“Again, preposterous.  You know very well what kind of event this is.”
Azure turned.  She still held her napkin in front of her face, “This is a Christmas Party.  Why should I not attend if I am invited, and why should I not be escorted by my suitor.”
Mrs. Calloway took an entire step back.  She couldn’t mask her astonishment.  When she recovered a little of her aplomb, she responded, “Your suitor?  Have things moved as far as that?  Lachlann, I demand to know your relationship with this person.”
Lachlann grimaced and put out his hands, “Mother, this is really not the place for this kind of discussion.”
“This woman is not what she seems, Lachlann.  I don’t want you near her, and I don’t wish to associate with her on any basis.”
Azure’s voice trembled, “Lachlann, take me home.  I will not be slighted, and I declare insult.”
“My son shall not take you anywhere.  I fear for his position and morals.”
Azure’s eyes flashed, “That was uncalled for.  Lachlann, you promised.”
Lachlann set his mouth, “I must agree.  The Lady Wishart was invited by Mrs. and Mr. Long.  I will not discontinue my relationship with her.  I do intend to marry her.”
Mrs. Calloway’s eyes opened wide, “I need to sit down.  This is too much for me to process all at once.”
Azure’s eyes widened as well, “To marry me?”
Lachlann took her hands in his, “What do you think it meant when I said I love you?”
Mrs. Calloway’s knees buckled.  Mr. Calloway grasped her arm.  She exclaimed, “Lachlann, you told her you love her?  I can’t let this stand.”
Lachlann stood straight, “Mother, you are making a scene.  I am in love with this fine lady.  I will not be put off by you or by her.”
Azure licked her lips, “I haven’t said yes or given you any affirmation at all.”
Mrs. Calloway snarled, “That’s it then.  The Lady doesn’t share your affections and that pleases me more than words can tell.”
Lachlann turned his mother a piercing glance, “Your opinion, Mother, has nothing to do with this.  I love this lady, and I will not be put off by you or her.”
Sveta and Klava came running up to the table.  Sveta arrived first, “Really, Mother, you are making a scene.  Could we take this to a more private venue?”
Klava nodded, “Sveta’s guests are staring.”
Azure raised her chin, “I have been publically insulted.”
Sveta nodded, “I do apologize, Lady Wishart.  Would you please come with me, Klava, and Mrs. Calloway so we can discuss this together?”
Azure put up her hand, “Not without Lachlann.  He has promised, no, he has sworn to protect me.”
Mrs. Calloway frowned, “Sworn?  In what way sworn?”
Azure grinned, “By the One and all.”
Mrs. Calloway groused, “I took that to be your meaning.”
“Then why did you ask?”
Mrs. Calloway’s mouth worked soundlessly in frustration.
Sveta wrung her hands together, “I shall swear to protect you, Lady Wishart.  If you will but come with us.”
Azure glanced down her nose at Sveta, “By the One and all?”
Sveta whispered, “Yes, if necessary, by the One and all.  I do swear to protect you, Lady Wishart.”  A faint thunderclap sounded in the distance, and Sveta’s hair rose slightly at the back.”
Azure released Lachlann’s hands, “Then I will attend you.  Lachlann, wait for me.  I shall require you later.”
Lachlann bowed.  Mr. Calloway bowed.
Klava led Mrs. Calloway and Sveta, followed by Azure followed.
This is the scene I was writing about.  The setup is as I described it.  The protagonist is Lady Azure Rose Wishart.  The antagonist is Mrs. Calloway.  The protagonist’s helper is Lachlann Calloway.

The confrontation is about the characters and their relationships.  The setup comes from the plot, setting, and the characters.  That part is somewhat complex, but what I want to show you is how these pieces fit together to form an entertaining scene.

I hope you find this to be an entertaining scene—that is its only point.  There is much that irritates Mrs. Calloway about Azure Rose.  There is even more than irritates Azure Rose about Mrs. Calloway.  The confrontation brings out even more problems and issues. 

Azure Rose and Mrs. Calloway really didn’t know Lachlann was going to ask Azure to marry him.  I didn’t give you the previous scene where Lachlann tried to tell Azure.  He was able to tell her he loved her, but part of Azure’s problem is that she doesn’t listen to the things she doesn’t want to listen to.  In addition, Azure is ignorant of love interactions.  She didn’t get what Lachlann was telling her.

In any case, we have Mrs. Calloway and Azure Rose fighting in public.  There are no fisticuffs, they are too much of ladies to actually hit each other.  Perhaps I will show you a scene where Azure actually fights someone.  She does that. 

Confrontations can be at any degree or level.  This one is a slow burn with insults and verbal attacks.  I already told you, this is my favorite type of confrontation.  I think you can see why.

More tomorrow.

For more information, you can visit my author site http://www.ldalford.com/, and my individual novel websites:

fiction, theme, plot, story, storyline, character development, scene, setting, conversation, novel, book, writing, information, study, marketing, tension, release, creative, idea, logic

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