Writing - part x652, Developing Skills, How to Suspend Disbelief, Use of Figures of Speech

20 October 2018, Writing - part x652, Developing Skills, How to Suspend Disbelief, Use of Figures of Speech

Announcement: Delay, my new novels can be seen on the internet, but my primary publisher has gone out of business—they couldn’t succeed in the past business and publishing environment.  I'll keep you informed, but I need a new publisher.  More information can be found at www.ancientlight.com.  Check out my novels--I think you'll really enjoy them.

Introduction: I wrote the novel Aksinya: Enchantment and the Daemon. This was my 21st novel and through this blog, I gave you the entire novel in installments that included commentary on the writing. In the commentary, in addition to other general information on writing, I explained, how the novel was constructed, the metaphors and symbols in it, the writing techniques and tricks I used, and the way I built the scenes. You can look back through this blog and read the entire novel beginning with http://www.pilotlion.blogspot.com/2010/10/new-novel-part-3-girl-and-demon.html.

I'm using this novel as an example of how I produce, market, and eventually (we hope) get a novel published. I'll keep you informed along the way.

Today's Blog: To see the steps in the publication process, visit my writing website http://www.ldalford.com/ and select "production schedule," you will be sent to http://www.sisteroflight.com/.

The four plus one basic rules I employ when writing:

1. Don't confuse your readers.

2. Entertain your readers.

3. Ground your readers in the writing.

4. Don't show (or tell) everything.

     4a. Show what can be seen, heard, felt, smelled, and tasted on the stage of the novel.

5. Immerse yourself in the world of your writing.

These are the steps I use to write a novel including the five discrete parts of a novel:

1.      Design the initial scene

2.      Develop a theme statement (initial setting, protagonist, protagonist’s helper or antagonist, action statement)

a.       Research as required

b.      Develop the initial setting

c.       Develop the characters

d.      Identify the telic flaw (internal and external)

3.      Write the initial scene (identify the output: implied setting, implied characters, implied action movement)

4.      Write the next scene(s) to the climax (rising action)

5.      Write the climax scene

6.      Write the falling action scene(s)

7.      Write the dénouement scene

I finished writing my 29^th novel, working title, Detective, potential title Blue Rose: Enchantment and the Detective.  The theme statement is: Lady Azure Rose Wishart, the Chancellor of the Fae, supernatural detective, and all around dangerous girl, finds love, solves cases, breaks heads, and plays golf.  

Here is the cover proposal for Blue Rose: Enchantment and the Detective. 

Cover Proposal

The most important scene in any novel is the initial scene, but eventually, you have to move to the rising action. I am continuing to write on my 30^th novel, working title Red Sonja.  I finished my 29^th novel, working title Detective.  I’m planning to start on number 31, working title Shifter. 

How to begin a novel.  Number one thought, we need an entertaining idea.  I usually encapsulate such an idea with a theme statement.  Since I’m writing a new novel, we need a new theme statement.  Here is an initial cut.

For novel 30:  Red Sonja, a Soviet spy, infiltrates the X-plane programs at Edwards AFB as a test pilot’s administrative clerk, learns about freedom, and is redeemed.

For novel 31:  TBD 

Here is the scene development outline:

1. Scene input (comes from the previous scene output or is an initial scene)

2. Write the scene setting (place, time, stuff, and characters)

3. Imagine the output, creative elements, plot, telic flaw resolution (climax) and develop the tension and release.

4. Write the scene using the output and creative elements to build the tension.

5. Write the release

6. Write the kicker

          

Today:  Suspension of disbelief is the characteristic of writing that pulls the reader into the world of the novel in such a way that the reader would rather face the world of the novel rather than the real world—at least while reading.  If this occurs while not reading, it is potentially a mental problem.  To achieve the suspension of disbelief your writing has to meet some basic criteria and contain some strong inspiration.  If you want to call the inspiration creativity, that works too.  Here is a list of the basic criteria to hope to achieve some degree of suspension of disbelief. 

1.      Reasonably written in standard English

2.      No glaring logical fallacies

3.      Reasoned worldview

4.      Creative and interesting topic

5.      A Plot

6.      Entertaining

7.      POV

Everything is about entertainment.  The purpose for all published novels is entertainment.  Other than this is the only point of fiction literature, one of the main reasons is that entertainment can fill a lot of holes as well as result in the suspension of disbelief.

The factors that do lend themselves to entertaining are these:

1.      Characters

2.      Plot

3.      Setting

4.      Topics

5.      Writing

6.      Use of figures of speech (vocabulary and language).

Characters are the focus of entertainment and the plot, but other parts of a novel can help drive entertainment.  As we are discussing, the suspension of disbelief is about entertaining.  If you can hold your readers in a state of entertainment, you can usually hold them in a suspension of disbelief.  The point is to hold your readers in a suspension of disbelief.

Is there a real difference between the use of figures of speech and writing skills?  Not really, however, the skill of writing comes in many levels and flavors. 

A person who can use all English grammar properly, has a high level of vocabulary, and who can write a proper paragraph is a basic writer.  This is the basic skill of writing.  Every person who graduates from elementary to middle school should be at this level—just say’n.

A basic writer who can research a subject, write properly crafted paragraphs, and create a reasonably crafted report on the subject is a skilled writer.  Everyone who graduates from high school should be a skilled writer.  This should be the basic level to enter advanced education.

A skilled writer who can come up with a creative idea, write properly crafted scenes including dialog and narrative, and show and not tell is an advanced writer.

An advanced writer who can express a creative idea using scenes that include figures of speech that hold a reader in the suspension of disbelief is a successful fiction writer.

Yes, these levels overlap, and yes, this is pretty much the levels of learning.  The advanced and the successful fiction writers do truly overlap because the movement from an advanced to a successful writer are directly related to the use of figures of speech to project and show the plot and characters.

I will go further, it is impossible to write good fiction with a strong backbone of figures of speech.  I competed an entire year on figures of speech in my short form blog.  I think I did an entire section on figures of speech here too.  I’d recommend you take a look.

Figures of speech are the only way you can convey abstract ideas to your readers.  The reason is this.  The human mind creates an idea.  This idea is amorphous and built by pictures and words in the mind of the creator.  I have to take this amorphous idea of pictures and words and communicate it through words to a reader.  Simple words are not enough to relate what I have in my mind.  For example, try to describe seeing, hearing, feeling, touching, and smelling a sunset.  The experience of a sunset is not just visual.  It has visual components, but even those are abstract.  I must use abstract imagery and ideas to relate a sunset to a reader.  I have to turn words into thoughts in the mind of the reader.  Simple words alone are not enough.  We’ll look at this in greater detail tomorrow.                   

More tomorrow.

For more information, you can visit my author site http://www.ldalford.com/, and my individual novel websites:

http://www.ancientlight.com/
http://www.aegyptnovel.com/
http://www.centurionnovel.com
http://www.thesecondmission.com/
http://www.theendofhonor.com/
http://www.thefoxshonor.com
http://www.aseasonofhonor.com  

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