12 April 2019, Writing - part x826,
Writing a Novel, Changing World and Slavery
Announcement: Delay, my new novels can be seen on the internet, but my primary
publisher has gone out of business—they couldn’t succeed in the past business
and publishing environment. I'll keep you informed, but I need a new publisher. More
information can be found at www.ancientlight.com.
Check out my novels--I think you'll really enjoy them.
Introduction: I wrote the novel Aksinya: Enchantment and the Daemon.
This was my 21st novel and through this blog, I gave you the entire novel in
installments that included commentary on the writing. In the commentary, in
addition to other general information on writing, I explained, how the novel
was constructed, the metaphors and symbols in it, the writing techniques and
tricks I used, and the way I built the scenes. You can look back through this
blog and read the entire novel beginning with http://www.pilotlion.blogspot.com/2010/10/new-novel-part-3-girl-and-demon.html.
I'm using this novel as an example
of how I produce, market, and eventually (we hope) get a novel published. I'll
keep you informed along the way.
Today's Blog: To see the steps in the publication process, visit my
writing website http://www.ldalford.com/ and select "production
schedule," you will be sent to http://www.sisteroflight.com/.
The four plus one basic rules I
employ when writing:
1. Don't confuse your readers.
2. Entertain your readers.
3. Ground your readers in the
writing.
4. Don't show (or tell) everything.
4a. Show what can be seen, heard, felt, smelled, and tasted on the stage
of the novel.
5. Immerse yourself in the world of your writing.
These are the steps I use to write a
novel including the five discrete parts of a novel:
1.
Design the initial scene
2.
Develop a theme statement (initial setting,
protagonist, protagonist’s helper or antagonist, action statement)
a.
Research as required
b.
Develop the initial setting
c.
Develop the characters
d.
Identify the telic flaw (internal
and external)
3.
Write the initial scene (identify
the output: implied setting, implied characters, implied action movement)
4.
Write the next scene(s) to the
climax (rising action)
5.
Write the climax scene
6.
Write the falling action scene(s)
7.
Write the dénouement scene
I
finished writing my 29th novel, working title, Detective, potential
title Blue Rose: Enchantment and the Detective. The theme statement is: Lady Azure Rose
Wishart, the Chancellor of the Fae, supernatural detective, and all around
dangerous girl, finds love, solves cases, breaks heads, and plays golf.
Here is the cover proposal for Blue
Rose: Enchantment and the Detective.
The most important scene in any
novel is the initial scene, but eventually, you have to move to the rising
action. I am continuing to write on my 30th novel, working
title Red Sonja. I finished my 29th novel, working
title Detective. I’m planning to start on number 31, working
title Shifter.
How to begin a novel. Number one thought, we need an entertaining
idea. I usually encapsulate such an idea
with a theme statement. Since I’m
writing a new novel, we need a new theme statement. Here is an initial cut.
For novel 30: Red Sonja, a Soviet spy, infiltrates the
X-plane programs at Edwards AFB as a test pilot’s administrative clerk, learns
about freedom, and is redeemed.
For novel 31: Deirdre and Sorcha are redirected to French
finishing school where they discover difficult mysteries, people, and events.
Here
is the scene development outline:
1.
Scene input (comes from the previous scene output or is an initial scene)
2.
Write the scene setting (place, time, stuff, and characters)
3.
Imagine the output, creative elements, plot, telic flaw resolution (climax) and
develop the tension and release.
4.
Write the scene using the output and creative elements to build the tension.
5.
Write the release
6.
Write the kicker
Today: Why don’t we go back
to the basics and just writing a novel?
I can tell you what I do, and show you how I go about putting a novel
together. We can start with developing
an idea then move into the details of the writing.
To
start a novel, I picture an initial scene.
I may start from a protagonist or just launch into mental development of
an initial scene. I get the idea for an
initial scene from all kinds of sources.
To help get the creative juices flowing, let’s look at the initial
scene.
1.
Meeting between the protagonist and
the antagonist or the protagonist’s helper
2.
Action point in the plot
3.
Buildup to an exciting scene
4.
Indirect introduction of the
protagonist
The protagonist is the novel and the
initial scene. If you look at the four
basic types of initial scenes, you see the reflection of the protagonist in
each one. If you noticed my examples
yesterday, I expressed the scene idea, but none were completely independent of
the protagonist. Indeed, in most cases,
I get an idea with a protagonist. The
protagonist is incomplete, but a sketch to begin with. You can start with a protagonist, but in my
opinion, as we see above, the protagonist is never completely independent from
the initial scene. As the ideas above imply,
we can start with the characters, specifically the protagonist, antagonist or
protagonist’s helper, and develop an initial scene.
Let’s look at a subject that is
really ignored in the modern era. I’m
not certain how much this can help your current writing. I would argue that theoretically, this
subject can really help those who write historical and futuristic fiction. It depends on how your write your historical
and futuristic fiction. There are two
ways to write historical fiction—let’s look at this.
The first and most common way to
write historical fiction is to write a novel that projects modern ideas and
history as historical ideas and history.
In other words to present modern ideas and historical ideas as the
same. I think this is perhaps the most
egregious and perverse means of presenting a false view of history. The author is either completely ignorant of
the past, is intentionally attempting to education people in a false view of
history, or both. The real historical
world is very different both culturally and socially from our current
world. The true author attempts to
convey this in historical writing.
The second and less common means of
historical writing is to actually incorporate the past into a novel to convey
the actual way people thought and acted in the past. This approach actually goes back into time to
give a complete view of the way the people thought and acted. To this end, let’s look at how the world
changed and how people thought in the past.
This is more of a historical look at the world for the purpose of
understanding how the world worked in the past and how people thought and
acted. We’ll use historical information
to see what concerned affected their lives. Here is a list of potential issues. We’ll look at them in detail:
1. Vocabulary
2. Ideas
3. Social
construction
4. Culture
5. Politics
6. History
7. Language
8. Common
knowledge
9. Common
sense
10. Reflected
culture
11. Reflected
history
12. Reflected
society
13. Truth
14. Food
15. Weapons
16. Transportation
17. Communication
18.
Writing
Literacy came about through
religious developments, but then changed the fabric of religion significantly
by bringing in pantheonic paganism and then mysterium. Literacy indirectly affected slavery by the
ascent of Western Civilization through Greek Rationalism, Hebrew Legalism, and
Christianity (which is really that same mix).
Here’s what it is all about.
Every ancient culture is and was
slave based. Nearly all of these
cultures were feudal in character and they needed enormous amounts of human
labor to subsist and develop. If the
workers weren’t serfs, they were slaves.
In general, you see where societies that had private property based
agriculture, their farmers and farms were not slave based, and they were not
purely survival cultures—the people had some degree of caloric assurance.
In any case, all ancient cultures
are slave based. The ancient Greeks had
a population of five slaves to one citizen.
Since the citizens were all male warriors and most of the slaves were female,
there never was a problem for a slave uprising.
All feudal cultures are serf or slave based. This was the plight of most of Europe, Asia,
Africa, and the rest until the coming of Christianity and Western
Civilization. Christianity and Western
Civilization provided the reasoning for the elimination of slavery, but the
cause was an effect as opposed to an immediate response.
As I mentioned, all ancient cultures
were slave based. The word slave comes
from the word Slav—the Romans asserted that the Slavs made the best slaves, and
appropriated the word. The word slave in
English came directly from the enslavement of the northern Europeans by the southern
Europeans. By the way black slavery was
uncommon in Europe only because blacks had problems accommodating to the
climate and there was insufficient trade between them and Africa.
The slave based culture in Europe
was mostly serfs and indentured. You see
this as a significant force in servants in Europe and in the early
Americas. What Western Civilization and
Christianity did was to provide a moral reason and movement of many from
indentured slavery to freedom. The
improving capital markets in agriculture and trade goods also provided circumstances
where the indentured could pay off their contracts. So you see a gradual change in the framework
of the indentured slave from complete and purely slave-like servanthood to
eventual freedom. This is well
documented in much of European literature, but not as evident as other types of
slavery. The slavery that gets the most
attention is the black slave trade.
The reason for this is the backward
and non-middle class European farms could barely sustain the people who owned
and tilled them. There was no constructive possibility until private property and
free markets could bring them prosperity that large scale agricultural slavery
in Europe could take hold. Europe had
enough problems feeding, providing jobs for, and housing the people they
had. It would take real freedom from
monarchies and feudalism to get productivity to a level of great economic
power.
The Americas were a different story. There was no feudalism and only freedom to be
had especially in North America. The
people had plenty of calories, so much so that they could expand farming into
cash crops such as cotton, jute, and sugar cane. In addition, they could use much of their
barley, wheat, and rye to make alcohol which is easily transportable and
salable. The need for labor was acute and
slavery provided the bulk of that labor especially in the south. African slaves could accommodate the climate
and the work. Then something really good
happened—the industrial revolution followed the Enlightenment.
The Enlightenment started the ball
of freedom rolling. Freedom brought
private property to the farmer and productivity beyond anything humanity had
ever seen. The Industrial Revolution
brought jobs in producing modern products and moved serfs and servants into the
middle class. This was historic powerful
and freeing. Humans had never had so
much food, goods, wealth, or freedom before.
The problem was that the Industrial Revolution also needed skilled hands
and free hands. The free and well paid
are the basis for production not the enslaved and destitute. This is why slave factories and slave
production is so ineffective—it is too easy to cripple industry through
sabotage and who can really blame the destitute and the enslaved. Slave labor is ineffective labor, and the
economies of the British Empire and the American South began to feel it.
In 1833, the British abolished
slavery in their realms. This was not
simply a moral move, it was an acquiescence to the ineffectivity of slavery. Slavery did not produce in any measure the
productively of free labor in a free labor market, and the Brits couldn’t
afford it any more. The Americans were
having the same problem, and if the slave culture had not become the culture of
the South, it would likely have died a quick but quiet death as it did in
Europe. The Brits started it and the
United States went out with a bang.
Slavery had always been abhorrent to
Christianity. After all, Christianity
said all are equal, male, female, slave, and free. The equality of the male and female was
moving along briskly away from the views of the ancient world. Women had more rights in the Western world
than women had ever had in history. But
slavery had been a part of human culture from the beginning. Christianity saw it as a general problem and
the modern world of Western Civilization saw it as a problem. I will point out that Western Civilization is
the only civilization that has completely repudiated slavery. Most other cultures still practice it in some
measure. Indentured servanthood is
common in Asia, Africa, and in the Middle East today.
In any case, the 1860s in the USA
brought an end to slavery there and in much of the modern world. The Brits started the reformation and the USA
pretty much finished it. As I noted, you
will find most governments and cultures today repudiate slavery, but many have
indentured servanthood, which in Western Civilization is considered a type of
slavery. I will also point out that any
type of socialism is feudalism—it is a government (nobility) in charge of a
business or service which controls the people who are compelled to participate
in the government controlled and owned business or service. Modern socialistic feudalism is a blast of
slavery from the past.
Perhaps we should move next to
sexual equality.
More
tomorrow.
For more information, you can visit my
author site http://www.ldalford.com/,
and my individual novel websites:
http://www.ancientlight.com/
http://www.aegyptnovel.com/
http://www.centurionnovel.com
http://www.thesecondmission.com/
http://www.theendofhonor.com/
http://www.thefoxshonor.com
http://www.aseasonofhonor.com
http://www.aegyptnovel.com/
http://www.centurionnovel.com
http://www.thesecondmission.com/
http://www.theendofhonor.com/
http://www.thefoxshonor.com
http://www.aseasonofhonor.com
fiction, theme, plot, story, storyline, character development, scene, setting, conversation, novel, book, writing, information, study, marketing, tension, release, creative, idea, logic
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