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Wednesday, January 1, 2020

Writing - part xx090 Writing a Novel, Finding Ideas

1 January 2020, Writing - part xx090 Writing a Novel, Finding Ideas

Announcement: Delay, my new novels can be seen on the internet, but my primary publisher has gone out of business—they couldn’t succeed in the past business and publishing environment.  I'll keep you informed, but I need a new publisher.  More information can be found at www.ancientlight.com.  Check out my novels--I think you'll really enjoy them.

Introduction: I wrote the novel Aksinya: Enchantment and the Daemon. This was my 21st novel and through this blog, I gave you the entire novel in installments that included commentary on the writing. In the commentary, in addition to other general information on writing, I explained, how the novel was constructed, the metaphors and symbols in it, the writing techniques and tricks I used, and the way I built the scenes. You can look back through this blog and read the entire novel beginning with http://www.pilotlion.blogspot.com/2010/10/new-novel-part-3-girl-and-demon.html.

I'm using this novel as an example of how I produce, market, and eventually (we hope) get a novel published. I'll keep you informed along the way.

Today's Blog: To see the steps in the publication process, visit my writing websites http://www.sisteroflight.com/.
The four plus one basic rules I employ when writing:
1. Don't confuse your readers.
2. Entertain your readers.
3. Ground your readers in the writing.
4. Don't show (or tell) everything.
     4a. Show what can be seen, heard, felt, smelled, and tasted on the stage of the novel.
5. Immerse yourself in the world of your writing.
These are the steps I use to write a novel including the five discrete parts of a novel:

1.     Design the initial scene
2.     Develop a theme statement (initial setting, protagonist, protagonist’s helper or antagonist, action statement)
a.     Research as required
b.     Develop the initial setting
c.     Develop the characters
d.     Identify the telic flaw (internal and external)
3.     Write the initial scene (identify the output: implied setting, implied characters, implied action movement)
4.     Write the next scene(s) to the climax (rising action)
5.     Write the climax scene
6.     Write the falling action scene(s)
7.     Write the dénouement scene
I finished writing my 29th novel, working title, Detective, potential title Blue Rose: Enchantment and the Detective.  The theme statement is: Lady Azure Rose Wishart, the Chancellor of the Fae, supernatural detective, and all around dangerous girl, finds love, solves cases, breaks heads, and plays golf.  
Here is the cover proposal for Blue Rose: Enchantment and the Detective
Cover Proposal
The most important scene in any novel is the initial scene, but eventually, you have to move to the rising action. I am continuing to write on my 30th novel, working title Red Sonja.  I finished my 29th novel, working title Detective.  I’m planning to start on number 31, working title Shifter
How to begin a novel.  Number one thought, we need an entertaining idea.  I usually encapsulate such an idea with a theme statement.  Since I’m writing a new novel, we need a new theme statement.  Here is an initial cut.

For novel 30:  Red Sonja, a Soviet spy, infiltrates the X-plane programs at Edwards AFB as a test pilot’s administrative clerk, learns about freedom, and is redeemed.

For novel 31:  Deirdre and Sorcha are redirected to French finishing school where they discover difficult mysteries, people, and events. 

Here is the scene development outline:

1. Scene input (comes from the previous scene output or is an initial scene)
2. Write the scene setting (place, time, stuff, and characters)
3. Imagine the output, creative elements, plot, telic flaw resolution (climax) and develop the tension and release.
4. Write the scene using the output and creative elements to build the tension.
5. Write the release
6. Write the kicker
          
Today:  Why don’t we go back to the basics and just writing a novel?  I can tell you what I do, and show you how I go about putting a novel together.  We can start with developing an idea then move into the details of the writing. 

To start a novel, I picture an initial scene.  I may start from a protagonist or just launch into mental development of an initial scene.  I get the idea for an initial scene from all kinds of sources.  To help get the creative juices flowing, let’s look at the initial scene. 

1.     Meeting between the protagonist and the antagonist or the protagonist’s helper
2.     Action point in the plot
3.     Buildup to an exciting scene
4.     Indirect introduction of the protagonist

Ideas.  We need ideas.  Ideas allow us to figure out the protagonist and the telic flaw.  Ideas don’t come fully armed from the mind of Zeus.  We need to cultivate ideas. 

First of all, if you are writing novels, you need to read novels.  The first point of discovering ideas is to read, read the classics, and read what you like.

Second, fill your mind with good stuff—basically the stuff you want to write about.  When I wrote good, I mean good.  From a novel standpoint that would be great novels and entertaining novels in your genre.  At the same time, I also mean good novels outside your genre. 

I mentioned before about reading the classics.  You gotta read the classics, but you also need to read good, entertaining modern literature in and out of your genre.  I already covered reading, but there is more to this filling your mind than reading.

I’m not an advocate of shows or television.  In fact, I don’t watch any television.  I rarely watch domestic programs.  I find them trite and unentertaining.  I do watch movies, and I do watch foreign shows.  I am generally very selective about the foreign shows and movies that I watch.  Usually, I watch shows from cultures, nations, and societies I wish to write about.  The purpose for this is to gain an understanding of their culture, nation, and society.  I read a lot of nonfiction about these cultures when I intend to write about them.  I don’t suggest you waste your time in shows or movies.  I just don’t think screenplays or movies can be very effective in idea development.  Most ideas in shows and movies are trite.  But you can gather significant ideas from other cultures.  If you need ideas put your list of sources together and take your time reviewing them.  Don’t forget to make notes.

Then there is music.  Good music is music you can’t ignore and that provides more than insects yodeling about love and happiness (bug music).  I’m writing about good music and you can add to that good arts.  You might get ideas from a musical.  You will get genius level ideas from Tosca or The Mikado—opera will excite your mind on many levels.  Great music combined with great stories and great acting can produce ideas wholesale.  You might reply, that you don’t like opera or ballet or classical music.  I would reply, what is wrong with Dickens. 

Great stuff like plays, opera, ballet, classical music, and art are the mental floss that will make complex ideas come to your mind.  Did I forget to say we want complex and refined ideas?  You aren’t going to get a great novel from popular music.  You aren’t going to write a wonderful novel from a television special.  If you thing you will, I can’t help you.  We need good not bad.            

I am looking at using the kathartic method to get ideas for a protagonist and a telic flaw.
    
More tomorrow.

For more information, you can visit my author site http://www.ldalford.com/, and my individual novel websites:

fiction, theme, plot, story, storyline, character development, scene, setting, conversation, novel, book, writing, information, study, marketing, tension, release, creative, idea, logic

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