Writing - part xx138 Writing a Novel, Originality

18 February 2020, Writing - part xx138 Writing a Novel, Originality

Announcement: Delay, my new novels can be seen on the internet, but my primary publisher has gone out of business—they couldn’t succeed in the past business and publishing environment.  I'll keep you informed, but I need a new publisher.  More information can be found at www.ancientlight.com.  Check out my novels--I think you'll really enjoy them.

Introduction: I wrote the novel Aksinya: Enchantment and the Daemon. This was my 21st novel and through this blog, I gave you the entire novel in installments that included commentary on the writing. In the commentary, in addition to other general information on writing, I explained, how the novel was constructed, the metaphors and symbols in it, the writing techniques and tricks I used, and the way I built the scenes. You can look back through this blog and read the entire novel beginning with http://www.pilotlion.blogspot.com/2010/10/new-novel-part-3-girl-and-demon.html.

I'm using this novel as an example of how I produce, market, and eventually (we hope) get a novel published. I'll keep you informed along the way.

Today's Blog: To see the steps in the publication process, visit my writing websites http://www.sisteroflight.com/.

The four plus one basic rules I employ when writing:

1. Don't confuse your readers.

2. Entertain your readers.

3. Ground your readers in the writing.

4. Don't show (or tell) everything.

     4a. Show what can be seen, heard, felt, smelled, and tasted on the stage of the novel.

5. Immerse yourself in the world of your writing.

These are the steps I use to write a novel including the five discrete parts of a novel:

1.     Design the initial scene

2.     Develop a theme statement (initial setting, protagonist, protagonist’s helper or antagonist, action statement)

a.     Research as required

b.     Develop the initial setting

c.     Develop the characters

d.     Identify the telic flaw (internal and external)

3.     Write the initial scene (identify the output: implied setting, implied characters, implied action movement)

4.     Write the next scene(s) to the climax (rising action)

5.     Write the climax scene

6.     Write the falling action scene(s)

7.     Write the dénouement scene

I finished writing my 29^th novel, working title, Detective, potential title Blue Rose: Enchantment and the Detective.  The theme statement is: Lady Azure Rose Wishart, the Chancellor of the Fae, supernatural detective, and all around dangerous girl, finds love, solves cases, breaks heads, and plays golf.  

Here is the cover proposal for Blue Rose: Enchantment and the Detective. 

Cover Proposal

The most important scene in any novel is the initial scene, but eventually, you have to move to the rising action. I am continuing to write on my 30^th novel, working title Red Sonja.  I finished my 29^th novel, working title Detective.  I’m planning to start on number 31, working title Shifter. 

How to begin a novel.  Number one thought, we need an entertaining idea.  I usually encapsulate such an idea with a theme statement.  Since I’m writing a new novel, we need a new theme statement.  Here is an initial cut.

For novel 30:  Red Sonja, a Soviet spy, infiltrates the X-plane programs at Edwards AFB as a test pilot’s administrative clerk, learns about freedom, and is redeemed.

For novel 31:  Deirdre and Sorcha are redirected to French finishing school where they discover difficult mysteries, people, and events. 

Here is the scene development outline:

1. Scene input (comes from the previous scene output or is an initial scene)

2. Write the scene setting (place, time, stuff, and characters)

3. Imagine the output, creative elements, plot, telic flaw resolution (climax) and develop the tension and release.

4. Write the scene using the output and creative elements to build the tension.

5. Write the release

6. Write the kicker

          

Today:  Why don’t we go back to the basics and just writing a novel?  I can tell you what I do, and show you how I go about putting a novel together.  We can start with developing an idea then move into the details of the writing. 

To start a novel, I picture an initial scene.  I may start from a protagonist or just launch into mental development of an initial scene.  I get the idea for an initial scene from all kinds of sources.  To help get the creative juices flowing, let’s look at the initial scene. 

1.     Meeting between the protagonist and the antagonist or the protagonist’s helper

2.     Action point in the plot

3.     Buildup to an exciting scene

4.     Indirect introduction of the protagonist

Ideas.  We need ideas.  Ideas allow us to figure out the protagonist and the telic flaw.  Ideas don’t come fully armed from the mind of Zeus.  We need to cultivate ideas. 

1.     Read novels. 

2.     Fill your mind with good stuff—basically the stuff you want to write about. 

3.     Figure out what will build ideas in your mind and what will kill ideas in your mind.

4.     Study.

5.     Teach. 

6.     Make the catharsis. 

7.     Write.

The development of ideas is based on study and research, but it is also based on creativity.  Creativity is the extrapolation of older ideas to form new ones or to present old ideas in a new form.  It is a reflection of something new created with ties to the history, science, and logic (the intellect).  Creativity requires consuming, thinking, and producing.

If we have filled our mind with all kinds of information and ideas, we are ready to become creative.  Creativity means the extrapolation of older ideas to form new ones or to present old ideas in a new form.  Literally, we are seeing the world in a new way, or actually, we are seeing some part of the world in a new way.  Let’s look at an example.

The writer must create like an artist with the manipulation of writing (language) in the world through hard work to present something that is not natural, common, or previously existing in the world, and adds beauty to the world and humanity.

Art must add beauty (entertainment) to the world and humanity.  It must be entertaining or it isn’t fiction.  There are characteristics that make writing entertaining.  Here’s a list from Jeff Lyons at https://www.writersdigest.com/online-editor/write-better-the-7-qualities-of-high-concept-stories

1. High level of entertainment value

2. High degree of originality

3. Born from a “what if” question

4. Highly visual

5. Clear emotional focus

6. Inclusion of some truly unique element

7. Mass audience appeal (to a broad general audience, or a large niche market).

I have no idea what a high concept story is.  I’m not into high concept stories, I’m into fiction that is entertaining—and sellable.  So let’s redefine “high concept” as sellable, to readers and to publishers.  I’ll go for that.  With apologies to Jeff, let me look at this list because I agree with his list.  Let’s see how this looks.

Number two, high degree of originality.  Here’s what Jeff writes:

“People often use the term interchangeably with words such as fresh, new, innovative, novel—but what does it really mean to be original? Think of originality as approach-centric. Your story’s idea may be centered in a familiar context, but your approach to that idea comes from an unexpected angle. For example, Mary Shelley’s Frankenstein took a familiar idea—evil monster terrorizes humans—and added an original take: The monster and humans switch moral ground and the humans terrorize the monster. Originality is more about finding new ways to present the familiar than it is about inventing something that’s entirely unlike anything that’s ever been done before (a nearly impossible feat).”

Not previously existing fits the idea of originality, but there is more to this.  I’ve written a lot about developing the new and the unique.  Jeff makes a great point—it’s the old journalistic adage—dog bites man isn’t news; man bites dog is. 

This begins to touch the idea of originality.  I write about creativity and say:  creativity is the extrapolation of older ideas to form new ones or to present old ideas in a new form.  Yes, there is nothing really new in the world.  What is new is the expression of new or old ideas in a new form.  Everything is an extrapolation.  I’m trying to make it easier for you here.  How do we get to the original—let’s look at the words that we used.

Jeff wrote: unexpected angle, original take, finding new ways to present the familiar, still leaving the concept of inventing something entirely new.

I wrote: extrapolation of older ideas, present the old in a new form, not previously existing.

The point we are both making is to take the familiar (old ideas) and see it differently.  You can take this too far, but let’s just add to this entire thought—entertainment.  What do you want to write about?  Take some neat idea and find a different and entertaining way to look at it.  Here’s a thought.

You remember all those Hardy Boy and Nancy Drew books you read as a kid.  How about if one of those mysteries was really supernatural.  What about Scooby Doo?  What is a Scooby Doo story resulted in a real ghost or witch.  The idea between those kid’s mysteries and the silly Scooby Doo was that science was always the answer and the supernatural didn’t exist.  Harry Potty changed that for kids.  Now every kid novel can be rewritten from this context.  This is just one idea, don’t get too deep into this—just extrapolate it into other ideas.  If you write such a kid’s mystery, it might be really fun.

I wrote and write about destitute vampires.  I can’t imagine how a vampire can’t be somewhat destitute if they really existed.  I’m not sure anyone else writes about this subject. 

Pick any idea and look at it in a new way—that is entertaining. The power is in the entertaining, and as Jeff and I indicate, sellable is original.  Find a new and unique way to look at familiar ideas, and write about it.

Let’s look at the other suggestions and see how we can use them to develop entertaining writing.

The beginning of creativity is study and effort.  We can use this to extrapolate to creativity.  In addition, we need to look at recording ideas and working with ideas.    

    

More tomorrow.

For more information, you can visit my author site http://www.ldalford.com/, and my individual novel websites:

http://www.ancientlight.com/
http://www.aegyptnovel.com/
http://www.centurionnovel.com
http://www.thesecondmission.com/
http://www.theendofhonor.com/
http://www.thefoxshonor.com
http://www.aseasonofhonor.com  

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