22 February 2020, Writing
- part xx142 Writing a Novel, Unique Element
Announcement: Delay, my new novels can be seen on the internet, but my primary
publisher has gone out of business—they couldn’t succeed in the past business
and publishing environment. I'll keep you informed, but I need a new publisher. More
information can be found at www.ancientlight.com.
Check out my novels--I think you'll really enjoy them.
Introduction: I wrote the novel Aksinya: Enchantment and the Daemon.
This was my 21st novel and through this blog, I gave you the entire novel in
installments that included commentary on the writing. In the commentary, in
addition to other general information on writing, I explained, how the novel
was constructed, the metaphors and symbols in it, the writing techniques and
tricks I used, and the way I built the scenes. You can look back through this
blog and read the entire novel beginning with http://www.pilotlion.blogspot.com/2010/10/new-novel-part-3-girl-and-demon.html.
I'm using this novel as an example
of how I produce, market, and eventually (we hope) get a novel published. I'll
keep you informed along the way.
Today's Blog: To see the steps in the publication process, visit my
writing websites http://www.sisteroflight.com/.
The four plus one basic rules I
employ when writing:
1. Don't confuse your readers.
2. Entertain your readers.
3. Ground your readers in the
writing.
4. Don't show (or tell) everything.
4a. Show what can be seen, heard, felt, smelled, and tasted on the stage
of the novel.
5. Immerse yourself in the world of your writing.
These are the steps I use to write a
novel including the five discrete parts of a novel:
1.
Design the initial scene
2.
Develop a theme statement (initial
setting, protagonist, protagonist’s helper or antagonist, action statement)
a.
Research as required
b.
Develop the initial setting
c.
Develop the characters
d.
Identify the telic flaw (internal
and external)
3.
Write the initial scene (identify
the output: implied setting, implied characters, implied action movement)
4.
Write the next scene(s) to the
climax (rising action)
5.
Write the climax scene
6.
Write the falling action scene(s)
7.
Write the dénouement scene
I
finished writing my 29th novel, working title, Detective, potential
title Blue Rose: Enchantment and the Detective. The theme statement is: Lady Azure Rose
Wishart, the Chancellor of the Fae, supernatural detective, and all around
dangerous girl, finds love, solves cases, breaks heads, and plays golf.
Here is the cover proposal for Blue
Rose: Enchantment and the Detective.
The most important scene in any
novel is the initial scene, but eventually, you have to move to the rising
action. I am continuing to write on my 30th novel, working
title Red Sonja. I finished my 29th novel, working
title Detective. I’m planning to start on number 31, working
title Shifter.
How to begin a novel. Number one thought, we need an entertaining
idea. I usually encapsulate such an idea
with a theme statement. Since I’m
writing a new novel, we need a new theme statement. Here is an initial cut.
For novel 30: Red Sonja, a Soviet spy, infiltrates the
X-plane programs at Edwards AFB as a test pilot’s administrative clerk, learns
about freedom, and is redeemed.
For novel 31: Deirdre and Sorcha are redirected to French
finishing school where they discover difficult mysteries, people, and events.
Here
is the scene development outline:
1.
Scene input (comes from the previous scene output or is an initial scene)
2.
Write the scene setting (place, time, stuff, and characters)
3.
Imagine the output, creative elements, plot, telic flaw resolution (climax) and
develop the tension and release.
4.
Write the scene using the output and creative elements to build the tension.
5.
Write the release
6.
Write the kicker
Today: Why don’t we go back
to the basics and just writing a novel?
I can tell you what I do, and show you how I go about putting a novel
together. We can start with developing
an idea then move into the details of the writing.
To
start a novel, I picture an initial scene.
I may start from a protagonist or just launch into mental development of
an initial scene. I get the idea for an
initial scene from all kinds of sources.
To help get the creative juices flowing, let’s look at the initial
scene.
1.
Meeting between the protagonist and the antagonist or the
protagonist’s helper
2.
Action point in the plot
3.
Buildup to an exciting scene
4.
Indirect introduction of the
protagonist
Ideas. We need ideas. Ideas allow us to figure out the protagonist
and the telic flaw. Ideas don’t come
fully armed from the mind of Zeus. We
need to cultivate ideas.
1.
Read novels.
2.
Fill your mind with good
stuff—basically the stuff you want to write about.
3.
Figure out what will build ideas in
your mind and what will kill ideas in your mind.
4.
Study.
5.
Teach.
6.
Make the catharsis.
7.
Write.
The development of ideas is based on
study and research, but it is also based on creativity. Creativity is the extrapolation of older
ideas to form new ones or to present old ideas in a new form. It is a reflection of something new created
with ties to the history, schience, and logic (the intellect). Creativity requires consuming, thinking, and
producing.
If we have filled our mind with all
kinds of information and ideas, we are ready to become creative. Creativity means the extrapolation of older
ideas to form new ones or to present old ideas in a new form. Literally, we are seeing the world in a new
way, or actually, we are seeing some part of the world in a new way. Let’s look at an example.
The writer must create like an
artist with the manipulation of writing (language) in the world through hard
work to present something that is not natural, common, or previously existing
in the world, and adds beauty to the world and humanity.
Art must add beauty (entertainment)
to the world and humanity. It must be
entertaining or it isn’t fiction. There
are characteristics that make writing entertaining. Here’s a list from Jeff Lyons at https://www.writersdigest.com/online-editor/write-better-the-7-qualities-of-high-concept-stories
1. High level of entertainment value
2. High degree of originality
3. Born from a “what if” question
4. Highly visual
5. Clear emotional focus
6. Inclusion of some truly unique
element
7. Mass audience appeal (to a broad
general audience, or a large niche market).
I have no idea what a high concept
story is. I’m not into high concept stories,
I’m into fiction that is entertaining—and sellable. So let’s redefine “high concept” as sellable,
to readers and to publishers. I’ll go
for that. With apologies to Jeff, let me
look at this list because I agree with his list. Let’s see how this looks.
Number six, inclusion of some truly
unique element. Here’s what Jeff writes:
Whereas originality is about a fresh approach or perspective,
uniqueness is about being one of a kind, incomparable. In high-concept books,
this can often take the form of a unique physical execution of prose formatting
or book design. Take, for example, Clive Barker’s Abarat: Absolute
Midnight. The book includes more than 125 full-color illustrations, giving the
work a hybrid prose/graphic novel character. Being unique transcends
originality.
Unique is another concept I’ve
written about. Unique is one of the main
means to interest publishers and readers.
The question is what is unique?
Love isn’t unique—what you might do
with love might be unique. Vampires aren’t
unique—what you might do with a vampire might be unique. I see the world in ways that are different than
others—perhaps this is a characteristic of writers. For example, I’ve written about vampires and
love, and vampires with love. The
sparkly vampires is about vampires and love.
What makes the sparkly vampires and love unique is that the vampires are
not classical vampires. They are
vampires falling in love with a human and turning the human into a vampire. What makes my vampires and love unique is
that they are classical vampires falling in unrequitable love with a human.
Unique is taking a creative idea and
making it new. Here is where I slightly
disagree with Jeff. As an editor, he
might be looking for something new and different in the format or a
design. Most of us authors aren’t able
or capable of this. As much as we would
like illustrations for our novels, like the novels of the past, this is an
impossibility for most of us. A
publisher might provide this wonderful feature, and black and white
illustrations are easy for any modern novel. It’s drawing the illustrations.
I will add this. You can see on my secret pages, I developed
some illustrations for my novels. Some
of these made their way into my published novels. In a couple of previously contracted novels
(my publisher went out of business), I wanted to include some historical
photographs. These might have been
included in the standalone novels, but they were not going to be included in
the compilation three in one. As I
noted, black and white illustrations, photos, and pictures can be easily included
in modern books.
Another small bit of creativity you
can add to a modern novel is the dingbats between breaks. This is purely a formatting concept—the actual
writing is much more important.
Whatever—look for the unique in your
writing, and realize, the unique is what publishers and readers are looking
for. You can’t get this in fan fiction
or copying the ideas of others.
Let’s look at the other suggestions
and see how we can use them to develop entertaining writing.
The beginning of creativity is study
and effort. We can use this to
extrapolate to creativity. In addition,
we need to look at recording ideas and working with ideas.
More
tomorrow.
For more information, you can visit my
author site http://www.ldalford.com/, and my individual
novel websites:
http://www.ancientlight.com/
http://www.aegyptnovel.com/
http://www.centurionnovel.com
http://www.thesecondmission.com/
http://www.theendofhonor.com/
http://www.thefoxshonor.com
http://www.aseasonofhonor.com
http://www.aegyptnovel.com/
http://www.centurionnovel.com
http://www.thesecondmission.com/
http://www.theendofhonor.com/
http://www.thefoxshonor.com
http://www.aseasonofhonor.com
fiction, theme, plot, story, storyline, character development, scene, setting, conversation, novel, book, writing, information, study, marketing, tension, release, creative, idea, logic
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