Writing Ideas - New Novel, part 296, Reviewer's Quotes, Marketing Materials

31 January 2015, Writing Ideas - New Novel, part 296, Reviewer's Quotes, Marketing Materials

Announcement: My new novels should be available from any webseller or can be ordered from any brick and mortar bookstore.  Information can be found at www.ancientlight.com.  Check out my novels--I think you'll really enjoy them.

Introduction: I wrote the novel Aksinya: Enchantment and the Daemon. This was my 21st novel and through this blog, I gave you the entire novel in installments that included commentary on the writing. In the commentary, in addition to other general information on writing, I explained, how the novel was constructed, the metaphors and symbols in it, the writing techniques and tricks I used, and the way I built the scenes. You can look back through this blog and read the entire novel beginning with http://www.pilotlion.blogspot.com/2010/10/new-novel-part-3-girl-and-demon.html.

I'm using this novel as an example of how I produce, market, and eventually (we hope) get a novel published. I'll keep you informed along the way.

Today's Blog: To see the steps in the publication process, visit my writing website http://www.ldalford.com/ and select "production schedule," you will be sent to http://www.sisteroflight.com/.

The four plus one basic rules I employ when writing:

1. Don't confuse your readers.
2. Entertain your readers.
3. Ground your readers in the writing.
4. Don't show (or tell) everything.
5. Immerse yourself in the world of your writing.

All novels have five discrete parts:
1.  The initial scene (the beginning)
2.  The rising action
3.  The climax
4.  The falling action
5.  The dénouement

The theme statement of my 25th novel, working title, Escape, is this: a girl in a fascist island nation will do anything to escape--a young cargo ferry pilot not following the rules crashes on the island.

I'll make a slight digression because I'm developing advertising and publisher materials for my newest completed novel, Lilly.  Here is the cover proposal for Lilly: Enchantment and the Computer. 

Cover Propsal

Before you can market a novel to the public, you have to market it to publishers or potential publishes.  This means you need to develop materials to market your novel.  These marketing materials can be used when the book is published.  We've already looked at two main pieces used in marketing: the title and the book cover proposal.  These are necessary for a web design, and they are also necessary for a publisher.  You can live without a cover proposal for a while, but you need a title right away.

The next step is to build the marketing information you will use to present your novel to publishers and to the public. Here is an outline:

Title of Work:

Lilly: Enchantment and the Computer

Author(s) Name:

L. D. Alford

Type: Either Screenplay or Book

Book

Length: Either # of words for books, or # of pages for screenplays

105,300 words

Keywords and Market Focus:

Fiction, Washington State, Tacoma, Spanaway, Seattle, Computer, Pacific Lutheran University, Hacker, goddess, sushi, Redemption, kami, Japan, Shinto, torii, Shrine, engineering, math; will fascinate anyone interested in the spiritual, mystery, and suspense—will appeal particularly to those who enjoy historical mystery and suspense novels.

Genre:

Fiction Suspense

 

Author Bio: Approximately 120 words

Synopsis:  Approximately 500 Words
 
Concept of the Work:  Approximately 250 Words

Registration: WGA, ISBN, or Library of Congress, Write the number.

None

Other Information:  If you have more work, a website, anything interesting and professional, especially any awards or recognition.

  Reviewer’s quotes.

Lilly is a fun novel filled with mythical creatures and Japanese gods and goddesses—how Lilly handles becoming a goddess herself is delightful and suspense-filled. 

Dane Vale became the infatuation of a genius math girl, Lilly who unexpectedly became a Japanese goddess—Lilly’s problems go well beyond the normal or the spiritual.

Lilly Lin Grant became a kami, a Japanese goddess—her kannushi, priest, is her boyfriend—their adventures in saving a Shinto shrine involve every Japanese creature of myth, dragons, and Japanese gods and goddesses.

First, you need readers.  I don't care what kind of writer you are, if you don't have readers, reviewers, and editors, you ain't going anywhere.  People who say they write for themselves or who won't share their writing are fooling themselves.  The purpose and the only purpose for writing is communication of ideas.  If someone else doesn't read it--there is no communication of anything.

How do you get readers and what kind of readers do you want?  I want absolutely honest readers.  I want the truth about my writing.  Without the truth, you will never achieve success as a writer.  The old adage, "fight for feedback," is absolutely true.  The problem is that you may find all kinds of people who say your writing is great--unless you are published professionally, don't believe them.  Feedback is truth and not platitudes because you don't want to hurt someone's feelings.  When I do a review for a published author, I make a pretty review for the eyes of the public and a real review about what I liked or didn't like.  Most of the time it is about half and half.  I think it's funny that some authors are surprised by this--they obviously don't want to hear the truth about their writing--or at least one opinion other than their own. 

When you get a publisher, you'll get an editor, but first you start with readers.  Prepublication readers.

At this point everything I'm doing with and for this work is about marketing to a publisher and building a website.

More tomorrow.

For more information, you can visit my author site http://www.ldalford.com/, and my individual novel websites:
http://www.aegyptnovel.com/
http://www.centurionnovel.com
http://www.thesecondmission.com/
http://www.theendofhonor.com/
http://www.thefoxshonor.com
http://www.aseasonofhonor.com

Interlude - Khione

28 January 2014, Interlude - Khione

Announcement: There is action on my new novels.  The publisher renamed the series--they are still working on the name.  I provided suggestions as did one of my prepub readers. Now the individual books will be given single names: Leora, Leila, Russia, Lumiere', China, Sveta, and Klava--at least these are some of the suggestions.  They are also working on a single theme for the covers.  I'll keep you updated.

Introduction: I wrote the novel Aksinya: Enchantment and the Daemon. This was my 21st novel and through this blog, I gave you the entire novel in installments that included commentary on the writing. In the commentary, in addition to other general information on writing, I explained, how the novel was constructed, the metaphors and symbols in it, the writing techniques and tricks I used, and the way I built the scenes. You can look back through this blog and read the entire novel beginning with http://www.pilotlion.blogspot.com/2010/10/new-novel-part-3-girl-and-demon.html.

I'm using this novel as an example of how I produce, market, and eventually (we hope) get a novel published. I'll keep you informed along the way.

Today's Blog: To see the steps in the publication process, visit my writing website http://www.ldalford.com/ and select "production schedule," you will be sent to http://www.sisteroflight.com/.

The four plus one basic rules I employ when writing:

1. Don't confuse your readers.
2. Entertain your readers.
3. Ground your readers in the writing.
4. Don't show (or tell) everything.
5. Immerse yourself in the world of your writing.

I just finished writing my 22nd novel, Khione: Enchantment of the Fox.  I haven't put up a website for the novel yet, and I haven't finished the marketing materials.  I'm working on them now.  I did send a copy to a coupe of prepublication readers.  I heard back and made corrections to the manuscript. 

Khione is a really fun and a really serious novel.  It is a follow-on to Hestia and fits in the Enchantment novels.  It is a stand-alone novel.  I set it at Boston University, one of my alma maters.  This was for thematic and not just locational reasons.  The novel fits in the unique space I've been defining my novels, but it has some philosophical twists like Hestia.  The novel asks some very difficult questions about God and modern morality--that's why I set it on a modern college campus.  It is a fun story and a very unusual one.  Still, my prepublication reader liked it, and she is very difficult to please.

Khione is the protagonist's helper and a being out of my current novel themes and plots.  This means she is a demigoddess of some type.  Pearce, the protagonist, is a hardworking ethical graduate student at the University.  A large part of the novel is a revelation theme.  It is centered around the mystery of just who Khione is.  The second part of the novel is based on just what it means that Khione is who she is.  Like most of my novels, the conversations drive the plot and the action simply punctuates the storyline.  In general, the fun of the novel is in the situations and the conversations.  How interesting is it to speak to a person, like Khione, who is out of time. 

More tomorrow.

Also remember, I'm trying to show you and give you examples of how to write a science fiction theme statement and turn it into a plot.

For more information, you can visit my author site http://www.ldalford.com/, and my individual novel websites:
http://www.aegyptnovel.com/
http://www.centurionnovel.com
http://www.thesecondmission.com/http://www.theendofhonor.com/
http://www.thefoxshonor.com
http://www.aseasonofhonor.com

Writing Ideas - Editing and Proofing

31 July 2013, Writing Ideas - Editing and Proofing

Announcement: My novels Sister of Light and Sister of Darkness are about to be published. I write this blog about 2 months prior to its publication. I just heard that the proofs will be here soon--likely before the end of the week. My publisher also wants to put the entire set of novels based on Aegypt on contract--that's 5 more novels for 8 total. They also want to put my other novels on contract. The release schedule should be one novel every 2 months. I'll keep you updated.

Introduction: I wrote the novel Aksinya: Enchantment and the Daemon. This was my 21st novel and through this blog, I gave you the entire novel in installments that included commentary on the writing. In the commentary, in addition to other general information on writing, I explained, how the novel was constructed, the metaphors and symbols in it, the writing techniques and tricks I used, and the way I built the scenes. You can look back through this blog and read the entire novel beginning with http://www.pilotlion.blogspot.com/2010/10/new-novel-part-3-girl-and-demon.html.

I'm using this novel as an example of how I produce, market, and eventually (we hope) get a novel published. I'll keep you informed along the way.

Today's Blog: To see the steps in the publication process, visit my writing website http://www.ldalford.com/ and select "production schedule," you will be sent to http://www.sisteroflight.com/.

The four plus one basic rules I employ when writing:

1. Don't confuse your readers.
2. Entertain your readers.
3. Ground your readers in the writing.
4. Don't show (or tell) everything.
5. Immerse yourself in the world of your writing.

I just completed my 21th novel, and I'm working on numbers 22 and 23.  I've been putting together novels in the 100K range pretty quickly lately. I can write a novel of this size in about 1 month. This is working from 7:00 am to 9:00 pm a day. Before I move to science fiction writing, I'm going to touch on a couple of stray subjects.  The first is editing and proofing.

Step one is getting the words on the page. As each chapter is finished, I review it and rewrite. I make notes at the bottom of the chapter about the next steps in the plot/story line. This means when the novel is first completed, it has been through a first draft and a full rewrite. I always use spelling and grammar checking in Word, and I note every suggestion--even if I don't take it! (This is true of readers too. If you don't like their suggestion don't take it, or better yet, fix the passage, sentence, paragraph using your own style--never ignore your reader's comments. You are free to ignore computer grammar checker comments--they usually can't handle most dialog etc.)

Step two is a full rewrite. This is the big fix it stage.

Step three is to hand the manuscript to my prepublication readers. I usually have two at this stage. They give me lots of help with punctuation, words, etc. and that is great--what I really want is continuity in plot and theme. I want to know where the work needs tightening and where it doesn't make sense. I usually get these comments/ideas from discussions with my prepub readers.

Step four is incorporating readers' comments and fixes and a total rewrite. I usually have had a while to think about the work and recognize where it might need help. Look especially for missing descriptions and incomplete or illogical incidents or inappropriately foreshadowed events etc.

Every time I go over the work from that point on, I will make changes. Key things to look for are overused words, expressions, trite constructions, spelling, grammar, punctuation, cohesive forms of words (spelling of numbers, etc.).

Step five is getting ready for publication. When the work first comes to me from the publisher as a formatted pdf, I read it quickly hunting for errors and checking the editor's comments. This is the first go through.

Step six is the long lingering review of the first formatted pdf. This is when I send it to my readers. I use three readers for review prior to publication. I know there will be more than one go around, so I send the results of my long review back to the publisher before I hear from my readers.

Step seven is the second formatted pdf review. This is when I incorporate my reader's comments and corrections, and then I complete a "read out loud review." Always accomplish a read out loud review prior to the final. You will be glad you did.

Step eight is to go around again--if necessary.

Step nine is accomplished with the final document. Pull the pdf into Word and let it check for spelling a final time. You can do this by opening it, or by copy and pasting it into Word. This is the last chance. At this point, you probably won't be able to find any more errors.

Step ten: don't read your own books--you'll find errors. I guarantee it. At this point, you probably don't want to ever read the novel again.

For more information, you can visit my author site www.ldalford.com/, and my individual novel websites: http://www.aegyptnovel.com/, http://www.centurionnovel.com, www.thesecondmission.com/, http://www.theendofhonor.com/, thefoxshonor, aseasonofhonor.

Publication - more on Trailers

16 January 2012, Publication - more on Trailers

Introduction: I realized that I need to introduce this blog a little. I wrote the novel Aksinya: Enchantment and the Daemon. The working title was Daemon, and this was my 21st novel. Over the last year, I gave you the entire novel in installments that included commentary on the writing. In the commentary, in addition to other general information on writing, I explained, how the novel was constructed, the metaphors and symbols in it, the writing techniques and tricks I used, and the way I built the scenes. You can look back through this blog and read the entire novel.

I'm using this novel as an example of how I produce, market, and eventually (we hope) get a novel published. I'll keep you informed along the way.

Today's Blog: To see the steps in the publication process, go to my writing website http://www.ldalford.com/ and select "production schedule," you will be sent to http://www.sisteroflight.com/.

Here is the list of ideas for advertising--there are more and I'll add to the list as we go along.  I'm certainly not an expert in all these, but I've dabbled in all of them.  I'll try to relate my experience and the degree of that experience to you.

1.  Have a website for your novel.
2.  Write a blog.
3.  Advertise.
4.  Literary awards.
5.  Book cards.
6.  Contests.
7.  Interviews.
8.  Blog tours.
9.  Press releases.
10.  Speaking and teaching.
11.  e-mailing.
12.  Gifts.
13.  Book signings.
14.  Book trailers
15.  ...

You can be interviewed for print media, for radio, for TV, on blogs, Internet general, character interviews, trailers just to name a few. 

I already wrote about trailers before, but these interview trailers are both unique and different than the normal trailers you make for your novel.  In general, they tend to be less formal.  This is because you are answering questions rather than just giving information.  Like I mentioned, you want to have an interviewer.  An interviewer gives the impression of personal contact.  So your interview trailer should be warm and if possible personal.  I wish I had an example to point you to, but I don't.  I can only point you to my very simple book trailers as examples of middle of the road trailers and tell you that your interview trailer should have a different feel.

In a book trailer, you want to connect your book to your potential readers.  In an interview trailer, you want to connect yourself, to a degree, with your readers.  You want them to get excited about your novel because you are excited about it.  In a book trailer, it doesn't matter if you are in the trailer at all, but in an interview trailer, you, the author have to make an appearance.  You are selling yourself as an author as well as your novel.
I'll move on to blog tours tomorrow.

I'll repeat my published novel websites so you can see more examples: http://www.ldalford.com/, and the individual novel websites: http://www.aegyptnovel.com/, http://www.centurionnovel.com/, http://www.thesecondmission.com/, http://www.theendofhonor.com/, http://www.thefoxshonor.com/, and http://www.aseasonofhonor.com/.

Marketing Materials - more on A Marketing Website

18 September 2011, Marketing Materials - more on A Marketing Website

Introduction: I realized that I need to introduce this blog a little.  I wrote the novel Aksinya: Enchantment and the Daemon.  The working title was Daemon, and this was my 21st novel.  Over the last year, I gave you the entire novel in installments that included commentary on the writing.  In the commentary, in addition to other general information on writing, I explained, how the novel was constructed, the metaphors and symbols in it, the writing techniques and tricks I used, and the way I built the scenes.  You can look back through this blog and read the entire novel.

I'm using this novel as an example of how I produce, market, and eventually (we hope) get a novel published.  I'll keep you informed along the way.  At this moment, I'm showing you the marketing material I put together for a novel.

Today's Blog:  I showed you how I put together a website from the marketing material I developed.  However, there is much more to the websites I develop.

First, after it is published, this marketing website (www.AksinyaNovel.com) becomes the primary advertising website for the novel.  You can see completed examples of these websites at www.CenturionNovel.com, www.AegyptNovel.com, www.TheSecondMission.com, www.TheEndofHonor.com, www.TheFoxsHonor.com, and www.ASeasonofHonor.com.  These are my published novels.  You can also see how I've modified the sites when they were contracted.  These are at www.SisterofLight.com and www.SisterofDarkness.com.

Second, the marketing and advertising websites become places that fans of the novel can come to find more information.  I provide information from my notes.  I've used "secret" pages for this.  I'll talk about them later.

Third, I use the marketing/advertising pages for the books as places that potential readers can get the first chapter as a sample.

Forth,...there's more--I'll give it to you tomorrow.

Don't Show (or Tell) Us Everything, How I Start part 8

I gave three of my dictums yesterday in one post.  Don't confuse your readers.  Entertain your readers.  Ground your readers in the writing.  Today, I want to give you another one: don't show your readers everything.  People ask me all the time from my books, "What really happened to x." or "Did x do this to y." I try to not let my readers know anything more than the characters understand themselves. I don't like to explain anything. I want the interaction of the characters to show everything. I don't want my readers to predict what will happen in the story. I want them guessing all the time. Guessing as much as the characters are themselves. In the real world, people's motivations are ultimately unknown. People's thoughts are unknown. There are always mysteries. Most of which we simply ignore. You can always leave your readers hanging, but don't leave them confused. Make sure your writing is clear and you are getting across what you want. This is where good editing and lots of it can help you. Find as many readers as possible and beg them for feedback. Once the novel is published, it's just too late to fix it.  So what does it look like to not reveal everything?  Let me show you.  In Children of Light and Darkness http://www.childrenoflightanddarkness.com/, it is quite obvious from the beginning that Kathrin and James have a romantic and sexual relationship. At the beginning of the novel their relationship is estranged. We know this by the way they interact and speak to one another. Here is an example from the novel:

James stepped out on the veranda, “Heat still bothering you, Kathrin?”

Kathrin didn’t say a word. She pursed her lips and clenched her jaw.

James turned around at the rail and leaned against it. He was tall and handsome, clean shaven. His hair was slightly tousled—always slightly tousled. It was brown and nondescript. His face, though handsome was still nondescript. MI, Military Intelligence, liked their agents and operatives to look good, but not to draw too much attention. It was easier that way. James was strong and well trained. He always treated her like a lady, even when he didn’t have to and when she didn’t deserve it.

Kathrin knew she was pretty—perhaps bordering on beautiful. Her face was freckled and sported blazing green eyes. She had heart shaped lips in a heart shaped face. Her hair was red, and she was thin, perhaps too thin. She wasn’t very tall either. None of those characteristics ever seemed to affect her negatively. She spoke with a thick, but improving Scottish brogue that made her a little difficult to understand at times. She knew she always showed a slightly harried look, and that was backed by an overly brisk personality. She did have a raging temper. It was a prideful secret that she kept it in check almost all of the time. When she let it out, it scared her. She didn’t let it out often, not at all since she had been working for the organization.

James checked his sidearm, “You still mad at me about last night?”

Kathrin’s eyes flashed at him. James tucked away his weapon and raised his hands.

All the fight drained out of her. She looked out on the jungle, “It was my fault.”

“Then come on. It will only get hotter the longer we delay.”

... After dinner, they took a nightcap with them to their room. James made a short foray to the veranda and smoked a cigar. Kathrin rearranged the fresh flowers in an old silver pot on her nightstand. For a while, through their window, she watched James as he scouted out the edge of the jungle. Kathrin undressed in the small bathroom. She wore as little as possible to bed. If she were by herself, she would have gone to bed naked. She hadn’t done that with James for weeks—well, except last night. He wore his briefs. That wasn’t an accommodation for her, it was service policy. Funny, the rules that governed spies. She hadn’t let him touch her for a long time. He hadn’t tried for a long time. She was a little ashamed at herself for getting involved with him that way. They weren’t married, and she almost felt like an old married woman.

Here, in this example, the characters show no outward affection for one another. You don't know anything directly about their relationship, but you know quite a lot. You know they are sharing a room, you guess that something happened the night before. I never tell you what happened--I leave it to your imagination, but you know something happened. I could have described everything in its gory glory. I could tell you what they think about each other--I never do. I show you what is going on and leave the rest to your imagination. This is the power of showing and not telling. It is also the power of not letting your readers know everything. The characters and their descriptions build themselves within the context of the novel.  So in building your scenes--aim to entertain, but plan not to let your readers know everything.  That keeps them looking for more.