3 May 2018, Writing - part x482, Developing Skills, Build a Protagonist, Name
Announcement: Delay, my new novels can be seen on the internet, but the publisher has delayed all their fiction output due to the economy. I'll keep you informed. More information can be found at www.ancientlight.com. Check out my novels--I think you'll really enjoy them.
Introduction: I wrote the novel Aksinya: Enchantment and the Daemon. This was my 21st novel and through this blog, I gave you the entire novel in installments that included commentary on the writing. In the commentary, in addition to other general information on writing, I explained, how the novel was constructed, the metaphors and symbols in it, the writing techniques and tricks I used, and the way I built the scenes. You can look back through this blog and read the entire novel beginning with http://www.pilotlion.blogspot.com/2010/10/new-novel-part-3-girl-and-demon.html.
I'm using this novel as an example of how I produce, market, and eventually (we hope) get a novel published. I'll keep you informed along the way.
Today's Blog: To see the steps in the publication process, visit my writing website http://www.ldalford.com/ and select "production schedule," you will be sent to http://www.sisteroflight.com/.
The four plus one basic rules I employ when writing:
1. Don't confuse your readers.
2. Entertain your readers.
3. Ground your readers in the writing.
4. Don't show (or tell) everything.
4a. Show what can be seen, heard, felt, smelled, and tasted on the stage of the novel.
5. Immerse yourself in the world of your writing.
These are the steps I use to write a novel including the five discrete parts of a novel:
1. Design the initial scene
2. Develop a theme statement (initial setting, protagonist, protagonist’s helper or antagonist, action statement)
a. Research as required
b. Develop the initial setting
c. Develop the characters
d. Identify the telic flaw (internal and external)
3. Write the initial scene (identify the output: implied setting, implied characters, implied action movement)
4. Write the next scene(s) to the climax (rising action)
5. Write the climax scene
6. Write the falling action scene(s)
7. Write the dénouement scene
I finished writing my 28th novel, working title, School, potential title Deirdre: Enchantment and the School. The theme statement is: Sorcha, the abandoned child of an Unseelie and a human, secretly attends Wycombe Abbey girls’ school where she meets the problem child Deirdre and is redeemed.
Here is the cover proposal for Deirdre: Enchantment and the School.
The most important scene in any novel is the initial scene, but eventually, you have to move to the rising action. I continued writing my 29th novel, working title Red Sonja. I finished my 28th novel, working title School. If you noticed, I started on number 28, but finished number 29 (in the starting sequence—it’s actually higher than that). I adjusted the numbering. I do keep everything clear in my records. I’m just finishing number 30, working title Detective.
How to begin a novel. Number one thought, we need an entertaining idea. I usually encapsulate such an idea with a theme statement. Since I’m writing a new novel, we need a new theme statement. Here is an initial cut.
For novel 29: Red Sonja, a Soviet spy, infiltrates the X-plane programs at Edwards AFB as a test pilot’s administrative clerk, learns about freedom, and is redeemed.
For novel 30: Lady Azure Rose Wishart, the Chancellor of the Fae, supernatural detective, and all around dangerous girl, finds love, solves cases, breaks heads, and plays golf.
Here is the scene development outline:
1. Scene input (comes from the previous scene output or is an initial scene)
2. Write the scene setting (place, time, stuff, and characters)
3. Imagine the output, creative elements, plot, telic flaw resolution (climax) and develop the tension and release.
4. Write the scene using the output and creative elements to build the tension.
5. Write the release
6. Write the kicker
Today: Many people would like to write, but writing is hard work. I’ll express again, if you want to be a skilled and potentially a published author, you need to write about one million words. That equates to about ten 100,000 word novels. When you look at it this way, it is a daunting goal especially if you haven’t written a single novel.
To become a good writer, you need two specific skill sets first reading and then writing. Without these skill sets, I really can’t help you much. I provide advanced help and information on how to write great fiction.
Characters are the key to great writing. Entertainment is the purpose of fiction writing. The key to entertainment is character revelation, and specifically revelation of the plot and protagonist telic flaw (the same thing). If we want to be a successful writer, we must aim for great protagonists, and a great protagonist means a great or compelling telic flaw.
In moving to mechanics, you have to start with something. The something I recommend is the protagonist. As I noted for you, the protagonist owns the telic flaw and the telic flaw is the catalyst for the plot. The resolution of the telic flaw is the plot of the novel, so obviously, the best place to start any novel is with the protagonist. I hate to do this because I usually end up writing a new novel—let’s develop a character.
I happen to have a list of great protagonist characteristics.
1. Skilled or becoming skilled—they are competent.
2. Even though these characters are unique and uniquely different, they feel like real people.
4. Pathos building.
5. Action oriented.
Here is a list of updated ideas from yesterday.
1. Isolated and protected
4. School girl
6. France or Britain
7. Deirdre and Sorcha
Here is my initial description:
She was not very tall, but somehow, she looked imposing. Her face was thin like the rest of her, but her appearance wasn’t emaciated—it looked restrained and strong. In contrast to her black dress and black bonnet, her hair swept long pale and straight from the crown of her head to a single thick braid at her back. Her eyes were a piercing light blue that glanced haughtily under thin nearly invisible brows. Her nose was likewise striking and straight, but not so large to mar her features. It pointed to her lips and chin—the lips being a thin pale pink and her chin oddly pointed. All in all, her face was beautiful, but unforgettable—a face that was in no way plain, but left an impression of tightly controlled energy and chilly restraint.
What we need next is a name. We might be too early for that, but we’ll make an effort. The reason we might be too early is that I like to match the names to the characters, so until I fully understand the character I don’t want to name them. In this case, I might understand the basics of the character well enough.
In my book, the first name should provide a clue to the personality or the disposition of the character. It also should identify the culture of the character. If we look at the above characteristics and remember I said I wanted a character from either the Celtic, Gaelic, Norse, or Saxon cultures, then we can focus our character’s name.
We could just root around in name guides for these cultures—I’ve done that before. This is where the character’s traits come in handy. For example, if you want your character to be tied to a thing or place, like the moon or a trait, like love, just search for a name based on those traits or description. In the case of this character, I want to provide deep historical antecedents based in the culture and myth. The initial search I’ll make is for witch’s names and see what that gets me.
With some research and searching, I’ve decided for the interim to base this character on Cassandra the Greek prophetess. She was granted clairvoyance and prophecy by Apollo, but then cursed by him to never be believed. This also gives me more characteristics for my character. The potential is that she is locked away because of her prophetic and clairvoyant skills.
Further, I found a wonderful example of a woman charged and executed for witchcraft but for obviously political reasons. He name was Janet, Lady Glamis. Her husband was John Lyon. We need a family name for my character, so what better name than Cassandra Lyon. I might change it slightly to Lyons to fit my previous character Bruce and Tilly Lyons who feature in many of my novels. In fact, this is a perfect connection. I’m not sure if I will even use this character, but the name and the connections are perfect for me. Bruce Lyons was a perfect French speaker, what more interesting connection would be his relation in France.
The name for this character is then Cassandra Lyons also known as Lady Glamis or a relation of the House of Glamis a Scottish noble family. This, and language are the areas to look at next.
For more information, you can visit my author site http://www.ldalford.com/, and my individual novel websites:
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